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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House in the Haymarket"/1) | (@(roleclean,performerclean) "Opera House in the Haymarket")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5572 results for: Keyword - Opera House in the Haymarket
We found 3215 matches on Event Comments, 2570 matches on Performance Title, 280 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

1001
14 June 1721 @ King's Theatre

Event Comment: The Stage will be illuminated, and put in the same Form as it was in the Balls. Tickets half a guinea. Gallery 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Consisting of above 30 Songs chosen out of former Operas, perform'd-Signior Francisco Bernardi Senesino, Signior Boschi, Signora Darastanti, Mrs Anastasia Robinson, Signora Salvai

1002
15 February 1722 @ King's Theatre

Event Comment: Pit and Boxes at half a guinea. There can be no Admittance to the Galleries, they being cover'd as formerly in the Balls. Doors open at 7:30 p.m

Performances

Mainpiece Title: Ridotto

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Related Work: Ridotto al Fresco Author(s): Theophilus Cibber

Music: Consisting of 24 Songs chosen out of the late Operas-Signor Francisco Bernardi Senesino, Signor Benedetto Baldassari, Mrs Anastasia Robinson, Signora Salvai

1003
06 March 1722 @ King's Theatre

Event Comment: Tickets one guinea. The Pit will be cover'd, and there will be Instruments in two Places. At 7:30 p.m

Performances

Mainpiece Title: Ridotto

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber
Related Work: Ridotto al Fresco Author(s): Theophilus Cibber

Music: Consisting of several Songs chosen out of the last new Operas, some new Cantatas by Signor Bononcini-Signor Francisco Bernardi Senesino, Signor Benedetto Baldassari, Mrs Anastasia Robinson, Signora Salvai

1004
11 May 1722 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Trumpet Concerto-Grano; Singing-Legare; Two Concertos of Corelli-the two first Violins in the Opera; Concerto on Hautboy-Kytch; Solo on German Flute-Grano; Concerto on Little Flute-Grano; Solo on Hautboy-Kytch

1005
18 October 1723 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Love Makes A Man

Dance: By the two Messieurs Nivelon, lately arriv'd from the Opera at Paris

1006
02 March 1726 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: The best Hands of the Opera

1007
30 March 1726 @ York Buildings

Performances

Mainpiece Title: Concert

Music: particular Entertainment of Musick-Castrucci , first Violin to the Opera; Concertos and Solos-of his own Composition Castrucci; 1st and 8th Concertos-by Corelli Castrucci

1008
17 March 1727 @ Haymarket Theatre

Event Comment: Benefit Mrs Foresyth. By Subscription. At the Desire of several Persons of Quality. Pit and Boxes 5s. Gallery 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal Part consisting of the Choicest Songs in the Operas-Mrs Foresyth; As also, a new Cantata on St. Patrick's Day by Dr Pepusch-

1009
23 March 1727 @ King's Theatre

Event Comment: Benefit Sig Victoria and the Doctor. By His Majesty's Command. Mainpiece: Being a particular Fatigue of Argentina, with her Comical Affectation of her New Title; wherein the Doctor will perform by the Name of Tabarin , a New Character, very Comical and Jocose, never yet seen on the Stage, which has been reserved for that Day, and may be continued hereafter, if he has the Happiness of pleasing his most Noble Spectators better than by his former

Performances

Mainpiece Title: Argentina Ortolana Contessa Per Forza

Dance: new Scaramouch , lately arriv'd from Italy; Serious and Grotesque Dancing particularly-M deCamp, Mlle Mimi l'Post , first Dancers of the Opera at Brussels, just arrived

1010
26 April 1727 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; English Cantata in Praise of Musick by Dr Pepusch-; with the Vocal Parts-Mrs Davies; Instrumental-the best Hands from the Opera; Concerto for Two Clarinets-

1011
29 January 1728 @ Lincoln's Inn Fields

Event Comment: [By John Gay.] Never Acted before. Receipts: #169 12s. Probable attendance: boxes, 247 paid and 3 orders; stage, 8 paid; balcony, 7 paid; pit, 301 paid and 1 order; slips, 56 paid and 5 orders; first gallery, 437 paid and 7 orders; second gallery, 191 paid. For the first night, see Schultz, pp. 1-5

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Edition of 1728 lists: Peachum-Hippisley; Lockit-Hall; Macheath-Walker; Filch-Clark; Jemmy Twitcher-H. Bullock; Crookfinger'd Jack-Houghton; Wat Dreary-Smith; Robin of Bagshot-Lacy; Nimming Ned-Pit; Harry Paddington-Eaton; Mat of the Mint-Spiller; Ben Budge-Morgan; Beggar-Chapman; Player-Milward; Mrs Peachum-Mrs Martin; Polly Peachum-Miss Fenton; Lucy Lockit-Mrs Egleton; Diana Trapes-Mrs Martin; Mrs Coaxer-Mrs Holiday; Dolly Trull-Mrs Lacy; Mrs Vixen-Mrs Rice; Betty Doxy-Mrs Rogers; Jenny Diver-Mrs Clarke; Mrs Slammekin-Mrs Morgan; Sukey Tawdry-Mrs Palin; Molly Brazen-Mrs Sallee.
Cast
Role: Mat of the Mint Actor: Spiller

1012
31 January 1728 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggar's Opera

1013
01 February 1728 @ Lincoln's Inn Fields

Event Comment: Benefit the Author. Receipts: money #143 17s. 6d.; tickets #18 15s. Probable attendance: boxes, 168 by money and 75 by tickets; stage, 36 by money; pit, 286 by money; slips, 54 by money; first gallery, 356 by money; second gallery, 174 by money

Performances

Mainpiece Title: The Beggar's Opera

1014
02 February 1728 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggar's Opera

1015
03 February 1728 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggar's Opera

1016
05 February 1728 @ Lincoln's Inn Fields

Event Comment: Benefit the Author. Receipts: money #173 11s.; tickets #16. Probable attendance: boxes, 209 by money and 64 by tickets; stage, 81 by money; balcony, 1 by money; pit, 282 by money; slips, 60 by money; first gallery, 432 by money; second gallery, 187 by money

Performances

Mainpiece Title: The Beggar's Opera

1017
06 February 1728 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggar's Opera

1018
07 February 1728 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggar's Opera

1019
09 February 1728 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggar's Opera

1020
10 February 1728 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggar's Opera

1021
13 February 1728 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggar's Opera

1022
14 February 1728 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggar's Opera

1023
15 February 1728 @ Lincoln's Inn Fields

Event Comment: Benefit the Author. Receipts: money #162 8s.; tickets #13 10s. Probable attendance: boxes, 204 by money and 54 by tickets; stage, 43 by money; balcony, 2 by money; pit, 269 by money; slips, 58 by money; first gallery, 424 by money; second gallery, 180 by money. [For the fortunes of the play, see Gay to Swift, 15 Feb. in Correspondence of Pope, II, 473-74.

Performances

Mainpiece Title: The Beggar's Opera

1024
16 February 1728 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggar's Opera

1025
17 February 1728 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Beggar's Opera