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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera House at Turin"/1) | (@(roleclean,performerclean) "Opera House at Turin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5443 results for: Keyword - Opera House at Turin
We found 3079 matches on Event Comments, 2569 matches on Performance Title, 271 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

4976
04 November 1746 @ King's Theatre

Event Comment: By His Majesty's Command, No Persons to be admitted behind the Scenes. A New Opera [another pasticcio]. Pit and Boxes a half Guinea; gallery 5s. 6 p.m

Performances

Mainpiece Title: Annibale In Capua

Dance:

4977
13 November 1746 @ Goodman's Fields

Event Comment: At the Theatre, the Bottom of Lemon St., Goodman's Fields. [The terminology is repeated in the bills until 16 Feb. 1747. The concert formula is continued as before.] Afterpiece: By Particular desire. First time at this stage. [On Wednesday The Beggar's Opera and The Anatomist were announced for today.

Performances

Mainpiece Title: The London Merchant; Or, The True And Ancient History Of George Barnwell

Afterpiece Title: The Anatomist; or, The Sham Doctor

Dance: Mr Miles, Mrs Miles, Master Morgan, Miss Baker

4978
06 December 1746 @ King's Theatre

Event Comment: With new Dances and other Decorations. A new Opera [not new; composer-Terradellas; see 24 Jan. 1736]

Performances

Mainpiece Title: Mitridate

Dance:

4979
30 December 1746 @ King's Theatre

Event Comment: At the end of the Opera, a Piece of Scenery in a Taste entirely new

Performances

Mainpiece Title: Mitridate

4980
03 January 1747 @ King's Theatre

Event Comment: At the end of the Opera a piece of Scenery in a Taste entirely new [repeated 6, 10 Jan.]

Performances

Mainpiece Title: Mitridate

Dance:

4981
05 December 1747 @ King's Theatre

Event Comment: Several Airs in the Opera now performing...will be chang'd for others; all compos'd by Mr Handel

Performances

Mainpiece Title: Lucius Verus

4982
11 December 1747 @ Drury Lane Theatre

Event Comment: By Desire. General Advertiser: As the Publick has often desir'd to see Mrs Cibber in the Part of Polly, and Mrs Clive in that of Lucy, the Beggar's Opera will be perform'd (with the usual Dances) Tomorrow at Drury Lane. Receipts: #130 (Cross); #132 12s. (Powel)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Dragon of Wantly

4983
26 December 1747 @ King's Theatre

Event Comment: We hear the King will be at the Opera (news column, General Advertiser)

Performances

Mainpiece Title: Lucius Verus

4984
01 January 1748 @ Westminster Hall

Event Comment: A new Scots Opera. As it was acted by a Select Company of Comedians near Westminster Hall (edition of 1748)

Performances

Mainpiece Title: The Double Traitor Roasted

4985
09 January 1748 @ King's Theatre

Event Comment: Being the last Time of performing this Opera

Performances

Mainpiece Title: Lucius Verus

4986
12 January 1748 @ Haymarket Theatre

Event Comment: Yesterday [11 Jan.] there was Practice...of a new Italian Dramatic Pastoral...As Lucius Verus consisted of celebrated Airs from Handel's Operas, the Music of the above Pastoral is chiefly extracted from the Works of the most famous Italian Composers. A new Pastoral Opera...With a new Concerto on the Violincello. Pit and Boxes Half a guinea; Gallery 5s. To begin at 6 p.m. No Person to be admitted without Tickets

Performances

Mainpiece Title: La Ingratitudine Punita

4987
16 January 1748 @ King's Theatre

Event Comment: There was a practice [15 Jan.] of the Opera of Enrico, compos'd by the celebrated Galuppi, when in England, and exhibited among us a few years since. Enrico has always been considered as the Master-piece of that delighful Italian Genius, and it will be perform'd this Evening with great Improvements, from the Works of that Composer

Performances

Mainpiece Title: Enrico

4988
27 January 1748 @ Covent Garden

Event Comment: Tomorrow, At the Particular Desire of several Ladies of Quality, will be performed the Beggar's Opera, after which Mr Foote's Tea

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Afterpiece Title: The Royal Chace

4989
05 March 1748 @ King's Theatre

Event Comment: Being the last Time of performing this Opera

Performances

Mainpiece Title: Enrico

4990
07 May 1748 @ King's Theatre

Event Comment: A new Opera written by Metastasio and the Musick compos'd originally by Signor Hasse. [First time performed in England.

Performances

Mainpiece Title: La Semiramide Reconosciuta

4991
24 August 1748 @ Bartholomew Fair

Event Comment: An Opera. At Phillips' Booth. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve each Day. [Notice repeated 25, 26, 27 Aug.

Performances

Mainpiece Title: The Rival Lovers; Or, The Gamester Bit

Afterpiece Title: Harlequin Captive; or, the Sallee Rover

4992
12 October 1748 @ Drury Lane Theatre

Event Comment: CCross: Miss Pit went to play in the Beg. Opera for Mr Usher at Richmond & was deliver'd of a fine Girl--N.B.: She was Virgin

Performances

Mainpiece Title: None

4993
08 November 1748 @ King's Theatre

Event Comment: By Subscription. A Burletta, or Comic Opera...being the first of this Species of Musical Drama ever exhibited in England. [But see Burney, II, 248, on both cast and music.] Pit and Boxes Half a guinea. Gallery 5s. To begin at 6 p.m. Last Wednesday arrived in London, from Italy, Signor Croza, with his New Company of Italian Performers, who are to entertain the Town the approaching Season, at the King's Theatre in the Haymarket, with Operas of a new kind, call'd Burlettas (General Advertiser, 23 Sept.)

Performances

Mainpiece Title: La Comedia In Comedia

Dance: GGrand Dance (compos'd by Poitier)-Mlle Poitier, Master Charles, Miss Jenny Poitier

Music: Rinaldo da Capua

4994
17 December 1748 @ King's Theatre

Event Comment: HHis Majesty, and Princess Amelia, were at the theatre...to see Orazio, a Comic Opera

Performances

Mainpiece Title: Orazio

Dance: Between the Acts: Dancing-

4995
14 January 1749 @ King's Theatre

Event Comment: A comic Opera

Performances

Mainpiece Title: Orazio

Dance: Between Acts: Dancing-

4996
21 January 1749 @ King's Theatre

Event Comment: A New Comic Opera [by G. Barlocci; music from Gaetano Latille's La Finta Cameriera, 1738]

Performances

Mainpiece Title: Don Calascione

Dance: Between the Acts: Dancing-

4997
14 February 1749 @ King's Theatre

Event Comment: A New Comic Opera

Performances

Mainpiece Title: Il Giramondo

Dance: Between the Acts: Dancing-

4998
28 February 1749 @ King's Theatre

Event Comment: A New Comic Opera. Benefit for Sig Crosa who brought into England the comedy of Italy. Set to Musick by the celebrated Cocchi of Naples. [Subscriber's tickets will not be admitted this Night. La Maestra published this day.

Performances

Mainpiece Title: La Maestra

Entertainment: Between the Acts: A new Interlude-Signor Laschi

4999
01 May 1749 @ Covent Garden

Event Comment: Benefit for Vaughan and Evans [Box-Keepers). [Handel's Oratorios Solomon and Susanna published and the favorite songs in the Comic opera Li Tre Cicisbei Ridicoli.

Performances

Mainpiece Title: The Committee

Afterpiece Title: Damon and Phillida

Dance: J. Granier, J. Granier's Sister

5000
20 May 1749 @ King's Theatre

Event Comment: [Note by Croza says in view of the actions against him he was not the "Undertaker of the Operas" but came under Articles with an English Gentleman, who employed Mr V-i as Director and Mr C-d as Treasurer, that V-i received 3 per cent of the gross every night (General Advertiser). The persons referred to are Vaneschi and Crawford.

Performances

Mainpiece Title: Don Calascione