SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Opera Vienna"/1) | (@(roleclean,performerclean) "Opera Vienna")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2383 matches on Performance Title, 1498 matches on Event Comments, 212 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A Serious Opera; the Music by Sacchini. [This was Sga Lorenzini's 1st appearance in England.] Public Advertiser, 25 Dec.: The spirit of Vestris seems to diffuse itself throughout the whole Body of Dancers at this Theatre; even the Figurants acquit themselves in a manner that deserves the encouragement of the Public

Performances

Mainpiece Title: Rinaldo

Dance: As17801219

Event Comment: It not being customary to perform on the Day following Christmas Day, there will be no Opera till Saturday

Performances

Mainpiece Title: None

Event Comment: [On this night Sg and Sga Zuchelli, Henry and Sga Crespi also danced in 3 ballets at king's. A probable explanation is that the play at dl began three-quarters of an hour earlier than did the opera.] Receipts: #103 4s. (69.16; 31.18; 1.10)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Lyar

Dance: End: The Countryman Deceiv'd-Sg and Sga Zuchelli, Henry, Sga Crespi, Delpini

Event Comment: Mainpiece [1st time; T 5, by Frances Brooke, based on the anonymous libretto of Sarti's opera Mitridate a Sinope. Prologue by the Rev. William? Collier (see text). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 54)]: With New Scenes, Dresses, &c. Public Advertiser, 8 Feb. 1781: This Day at Noon will be published The Siege of Sinope. (1s. 6d.). Receipts:#231 5s. (228.10; 2.15)

Performances

Mainpiece Title: The Siege Of Sinope

Afterpiece Title: Harlequin Free-Mason

Event Comment: Benefit for Mrs Webb. Tickets delivered for a Comic Opera will be admitted. Receipts: #154 12s. 6d. (94.7.6; tickets: 60.5.0) (charge: #105)

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: The Chances

Afterpiece Title: A Fete

Afterpiece Title: The Padlock

Performances

Mainpiece Title: None

Performance Comment: [On account of the extraordinary preparations for the Grand Entertainment to be given on Thursday next but deferred until 5 June], under the direction of Vestris Sen., the Opera proposed for this night [Public Advertiser, 16 May: La Fraschetana] is obliged to be deferred.
Event Comment: By Command of Their Majesties. [Opera in place of La Fraschetana, announced in Public Advertiser, 28 May.

Performances

Mainpiece Title: Il Barone Di Torre Forte

Dance: As17810526 throughout

Ballet: Ninette a la Cour. As17810526

Event Comment: bTo finish with: Medee et Jason. As 26 June. Only one act of the said Opera can be performed between the two Grand Ballets, owing to their being very long. By Particular desire of several of the Nobility; being positively the last Time of performing this Season [see 30 June]

Performances

Mainpiece Title: Euriso

Monologue: To begin with: Ninette a la Cour. As 27 Mar. Nancy-Mlle Baccelli; Colas-Vestris Jun.; Prince-Vestris Sen.; Countess-Mme Simonet; Dancing@Master-Simonet; Mayor of the Town-Delpini; Peasants-Slingsby, Sga Tantini, Traffieri, 16 Figure Dancers; Lords-Zuchelli, Henry; Ladies-Sga Zuchelli, Sga Crespi; Huntsmen-; Captain of Life Guards-; Equerries-; Notaries-; The Devonshire Minuet-Mme Simonet, Vestris Sen

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Performance Comment: [Bill of Fare, in which every Dish belonging to the Drama will be served up: Prelude, Tragedy, Comedy, Opera, Interlude, and Burlesque. By way of Relish: The Manager in Distress. [Principal Characters by Palmer, Aickin, R. Palmer, Egan, Bannister Jun., Mrs Cuyler, Mrs Jewell, Miss Hale, Mrs Webb. [Cast from text (T. Cadell [1780]): Bustleton-Palmer; Manager-Aickin; Easy-R. Palmer; Irishman in the Pit-Egan; Gentleman in the Balcony-Bannister Jun.; Actresses-Mrs Cuyler, Mrs Jewell, Miss Hale; Lady in Balcony-Mrs Webb.

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper

Event Comment: The last Night of this Season. [On this night Bannister was also acting at dl; on his arrival at the hay he made the following apology, "The instant the opera was finished at Drury Lane I hastened with all possible expedition to execute my duty." But the performance of the 3rd piece was so long delayed that the final curtain did not fall until 12 o'clock (Morning Herald, 17 Sept.).

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Prudom and Sga Allegranti continuing very much indisposed, and Pacchicrotti positively refusing to perform without a First Woman, the Public are respectfully informed that there can be no Opera this Evening

Performances

Mainpiece Title:

Event Comment: For the better convenience of the company, during the Performance the Pit will be open as usual, and the passage through the Boxes into the Galleries will be open. As soon as the Performance is over, the Supper Rooms will be opened, and, during the time of Supper, the Pit will be covered and the Galleries shut up. The Decorations are entirely new planned, and executed by Novosielski. The whole under the Direction of Crawford. Tickets 2 guineas each. The Doors to be opened at 9:00. The Performance to begin at 10:00. [Le Picq was from the Opera, Naples.]

Performances

Mainpiece Title: A Grand Masked Ball, With A Supper

Dance: End of Part I a new Dance (1st time; composed by Noverre), Apollon et let Muses by Le Picq (1st appearance in England), Nivelon, Mme Simonet, Mlle Theodore, Sga Crespi, Mlle Baccelli; End of Part 11 a New Dance, demicharacter (composed by Noverre) by Le Picq, Nivelon, Slingsby, Mlle Theodore, Sga Crespi, Mlle Baccelli

Event Comment: Benefit for Wild. Morning Herald, 20 Apr.: Tickets to be had of Wild, No. 145, Drury-Lane. 2nd piece: With Alterations. 3rd piece: Written by Gay, Author of The Beggar's Opera. [Prologue by the author.] Receipts: #275 3s. 6d. (174/15/6; tickets: 100/8/0) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: A Fete, scene I

Afterpiece Title: The What d'ye Call It

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

Performance Comment: ), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411.
Event Comment: Mainpiece [1st time; CO 3, by Frederick Pilon; probably a rewriting of an opera with the same title, 1st acted at Crow Street Theatre, Dublin, 20 May 1771, at which time Pilon was acting in Dublin]: With new Dresses, and entirely new Music and an Overture by Carter. [In mainpiece the playbill lists Dodd, but "Suett, who undertook at a few minutes' notice the part assigned to Dodd, went through the reading as though he had studied the character" (Morning Herald, 21 May).] [On this night, Whitsun Eve, the theatre was customarily closed.] Receipts: #152 4s. 6d. (134/15/0; 17/6/0; 0/3/6)

Performances

Mainpiece Title: The Fair American

Afterpiece Title: The Apprentice

Event Comment: Benefit for Sga Sestini. Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish-square. Opera: Reduced to 2 acts

Performances

Mainpiece Title: La Buona Figliuola

Dance: As17820411 throughout

Song: In Act II Sento ch' in Seno by Sga Sestini, and composed for her by Giordani

Performances

Mainpiece Title: No Performance

Performance Comment: Morning Herald, 29 May: The Influenza spares neither native [see DL, 27 and 28 May] nor foreigners; the opera heros and heroines are all laidup, and the King's Theatre was obliged to be shut up yesterday evening .
Event Comment: Benefit for Le Picq. [Opera in place of La Contadina in Corte, announced in Morning Herald, 4 June.] Tickets to be had of Le Picq, No. 40, Great Marlborough-street

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I New Dance, as17820603 but added: a Minuet by Le Picq and Mme Simonet; End of Act II an entirely new heroic Ballet, composed by Noverre, Apelles and Campaspe; or, The Generosity of Alexander the Great, by Le Picq, Mme Simonet, Gardel, Simonet, Sga Crespi, Mlle Theodore. [Partial cast from Morning Herald, 6 June (which also has a synopsis of the action): Apelles-Le Picq; Alexander-Gardel; Campaspe-Mme Simonet.]

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe, altered from his The Banditti (see 28 Nov. 1781). Text in his Dramatic Works, Vol. 1 (T. Woodfall, 1798)]: With new Scenes [by Carver (O'Keeffe, u, 38)], Dresses, and a new Overture. The Selected Airs by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, and Carolan, the Irish Bard. The Overture and New Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre. [This was Sga Sestini's 1st appearance on the English-speaking stage. For several preceding seasons she had been a member of the Italian opera company performing at the King's.] "Sestini . . . was handsome, sprightly, and a good actress, if great exuberance of gesticulation, activity of motion, and affected Italian smorfie could make her one; but her voice was gritty and sharp (something like singing through a comb), and she was nothing of a singer, except for lively comic airs. Yet she was . . . long a favourite with the mass of the public, though not with the connoisseurs" (Mount-Edgcumbe, p. 33). Account-Book, 30 June 1783: Paid O'Keeffe in full for The Castle of Andalusia #368 18s. 6d. Receipts: #166 2s. 6d. (165/9/0; 0/13/6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Cross Purposes

Event Comment: [In mainpiece the playbill retains Sga Sestini, but "Previous to the Opera, Mattocks apologized for the sudden illness of Sestini; Mrs Martyr would, on a Notice of two Hours, attempt to read the Part" (.Public Advertiser, 9 Nov.). On 9 Nov. Sga Sestini gave birth to a son Qbid., 11 Nov.).] Receipts: #185 18s. 6d. (184/15/6; 1/3/0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Author

Event Comment: A new Comic Opera [1st time; COM 2, by Carlo Francesco Badini]. The Music entirely new, composed by Anfossi

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala; added: Pas de Deux, as17821210 End of Act II Apelles and Campaspe, as17821102

Event Comment: A Serious Opera in 2 acts [1st time; by Benedetto Pasqualigo]: The Music entirely new by Bertoni

Performances

Mainpiece Title: Cimene

Dance: As17821212 throughout

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Arbaces-Sga Sestini (1st appearance in Serious Opera [at this theatre; see17821102]); Artabanes-Reinhold; Rimines-Davies; Artaxerxes-Mrs Kennedy; Semira-Mrs Morton; Mandane-Miss Harper (1st appearance in that character) .

Afterpiece Title: Lord Mayor's Day

Event Comment: A Serious Opera in 3 acts, acted but once last Season [on 25 May 1782]; the music by Bertoni

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End of Act II New Divertisement (performers not listed, but see17821130), in which a Pas de Deux by Simonet, &c.; End of Act III Les Epouses Persones, as17830215