SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Oliver Goldsmith"/1) | (@(roleclean,performerclean) "Oliver Goldsmith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 272 matches on Performance Comments, 29 matches on Event Comments, 28 matches on Author, 5 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Sorcerer

Entertainment: Epilogue.After the Play: Goldsmith's Epilogue-Lewes

Performance Comment: After the Play: Goldsmith's Epilogue-Lewes.
Cast
Role: Goldsmith's Epilogue Actor: Lewes.

Performances

Mainpiece Title: She Stoops To Conquer

Related Works
Related Work: She Stoops to Conquer; or, The Mistakes of a Night Author(s): Oliver Goldsmith

Afterpiece Title: Mother Shipton

Dance: II: The Frolick, as17740416

Entertainment: Recital. An Epilogue [by the late Dr Goldsmith, spoken-Lewes [in the character of Harlequin. [See17730517.

Performance Comment: An Epilogue [by the late Dr Goldsmith, spoken-Lewes [in the character of Harlequin. [See17730517.]in the character of Harlequin. [See17730517.]
Event Comment: Benefit for Edwin. Mainpiece: Written by Dr Goldsmith. Public Advertiser, 20 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: The Good naturd Man

Afterpiece Title: The Deserter

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by Edwin

Monologue: 1784 08 24 End of mainpiece A Description of the Curiosities of the Tomer of London by Edwin, in the Character of a Warden

Event Comment: Benefit for Edwin. Public Advertiser, 19 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Mainpiece: Written by Dr Goldsmith

Performances

Mainpiece Title: The Good naturd Man

Afterpiece Title: The Deserter

Song: End of Act III of mainpiece The Windsor Lady (an Historical, Tragical, Comical old Ditty); End of Act I of afterpiece Four-and-Tmenty Fiddlers all on a Row, both by Edwin

Monologue: 1785 08 23 End of mainpiece A Description of the Curiosities of the Tomer of London by Edwin

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Taste or Lady Pentweazel sitting for her Picture

Afterpiece Title: The Musical Lady

Song: End III: Bow wow wow (from Patrick in Prussia [i.e. Love in a Camp])-the Gentleman who plays Maw-Worm; In 3rd piece: a duet, The Hermit[, taken from part of Goldsmith's Hermit,-the Young Lady, the Gentleman who performs Maw-Worm

Performance Comment: e. Love in a Camp])-the Gentleman who plays Maw-Worm; In 3rd piece: a duet, The Hermit[, taken from part of Goldsmith's Hermit,-the Young Lady, the Gentleman who performs Maw-Worm.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Le Matin Midi et le Soir

Performance Comment: Morning. A Camp. O say bonny Lass-Dignum, Miss Romanzini; [Noon. A Village. New Dance, The Shepherd's Wedding-Hamoir, Miss J. Stageldoir; [Night. A Hermit's Cell, Moon-light. The Tale of Edwin and Angelina-[from [The Hermit, by] Goldsmith, composed by Hook; Edwin-Kelly; Angelina-Mrs Crouch.

Afterpiece Title: Too Civil by Half

Dance: End 2nd piece: The Conjugal Frolick, as17880221

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Love and War

Performance Comment: Love: Goldsmith's poem of Edwin and Angelina. Scene, A Hermit's Cell. Edwin-A Young Gentleman (1st appearance on any stage unidentified); Angelina-Mrs Plomer; War: Scene I. A Sea-port. Officers carousing. O say Bonny Lass-; Scene II. A Village. Serjeant-Davies; Country Lasses-Mrs Gaudry; Milkmaid-Miss Collett; Admiral Benbow-Bannister; A new dance, The British Soldier Triumphant-Byrn, Ratchford, Miss DeCamp, Mrs Goodwin.

Afterpiece Title: Gretna Green

Performances

Mainpiece Title: The Thespian Panorama

Performance Comment: As17950304 but The Recitals will be chosen from the Works of Milton, Sterne, Thomson, Goldsmith, Lloyd, Gray, and mostly spoken by Palmer. Part I, Part II, Part III. As17950304 .
Event Comment: The Duke's Company. This play may well have been performed regularly since 25 May. The Diary of Robert Hooke, 2 June 1676: with Godfrey and Tompion at Play. Met Oliver there. Damned Doggs. Vindica me Deus. People almost pointed. [Several entries in Hooke's Diary concern The Virtuoso. See his entries for 1 June, 3 June, 1 July.

Performances

Mainpiece Title: The Virtuoso

Event Comment: The Diary of Robert Hooke: With John? Oliver saw tigre in Bartholomew fair 2d. Saw the child doe strange tricks

Performances

Event Comment: The United Company. The date of the first performance is not certain, but Luttrell acquired his copy of the separately-printed Prologue and Epilogue on 18 Aug. 1684. (Bindley Collection, William Andrews Clark@Jr@Library), and the play was probably first performed on that day or in the preceding week. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 221-23. In the broadside the speaker of the Prologue is identified as Jevon. A sofg, Ah poor Oliver never boast, the verse by a Lady, and the music by R. King, is in A Collection of Twenty-Four Songs, 1685. Another, Damon if you wilt believe me, the verse by a Person of Quality and the music by Alexander Damascene, is in The Banquet of Musick, The Fifth Book, 1691. Two songs, Tell me no more I am deceived, the verse by Sir George Etherege and the music by J. B. Draghi, and Who can resist my Celia's charms, the music by J. B. Drahgi, and the verse by A Person of Quality, are in the printed play. This cast contains the last new role certainly assigned to John Wiltshire, who, according to (Cibber, Apology, ed. Lowe, I, 84-85), entered the army and was killed in action

Performances

Mainpiece Title: A Duke And No Duke

Performances

Mainpiece Title: The Jovial Crew

Performance Comment: As at queen's 1 Jan., but Hearty-Pinkethman; Scentwell-_; Oliver-_; Clack-_; Patrico-_; Lawyer-_; Courtier-_; Scribble-_; Anne-_.
Event Comment: Benefit for Woodward. The Whole Pit will be laid into the Boxes, where servants will be admitted to keep places, and upon the Stage, which will be formed into an Amphitheatre and divided into Boxes. The Pit doors will be opened for the Ladies to pass to their places there, without incommoding those in the Front Boxes. Box, Pit and Stage at 5s. Nothing under full price will be taken during the performance. Ladies send servants by 3 o'clock (Public Advertiser). [The Larpent MS 130 indicates the intended cast, and suggests Dizzy-Oliver; Ruffle-$Yates; and Mrs Dotterel-$Mrs Bennet.] Receipts: #320 ($Cross)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Modern Fine Gentleman or 1757

Event Comment: Benefit for a Gentleman under Misfortunes. Receipts: #63 19s. 6d. plus #116 6s. from tickets (Box 389; Pit 127). [Profit to Mr Oliver, the beneficiary, #96 5s. 6d. (Account Book).] Charges: #84 (Account Book)

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: The Chaplet

Dance: LLes Charboniers, as17601215

Performances

Mainpiece Title: The Gentle Shepherd Or Patie And Roger

Afterpiece Title: The Double Amour

Performance Comment: The characters of which will be expressed in the Bills of the Day. [Larpent MS 926 lists the parts: Capt. Somerville, Mr Harly, Mr Sellfield, Sir Oliver Oafby, Servant; Miss Somerville, Miss Noel, Dorothy, Maid.] hathi.

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

Performances

Mainpiece Title: As You Like It

Performance Comment: [Jaques-Oliver-$Shetfield recte $Shatford">Palmer; Orlando-$Herrington; Oliver-$Shetfield recte $Shatford]; Touchstone-$Kipling; Duke Senior-$L'Estrange; Duke Frederick-$Hudson; Amiens-$W. Palmer; Adam-$Swendall; Silvius-$Marriot; Rosalind-$Mrs Belfille; Celia-$Mrs Fox; Audrey-$Miss Hale; Phoebe-$Miss Burnett.

Afterpiece Title: Miss in her Teens

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

Performances

Mainpiece Title: Marian

Performance Comment: As17890214, but Peggy-Mrs Mountain; Oliver-_.

Afterpiece Title: The Pharo Table

Afterpiece Title: The Highland Reel

Song: In 1st piece: Sweet Bird, as17890126

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Marian

Performance Comment: As17891121, but Oliver-_.

Song: In: Mad Bess (composed by Purcell)-Mrs Billington; accompanied-Knyvett; In afterpiece: Sweet Bird (from L'Allegro il Penseroso, by Handel)-Mrs Billington; accompanied on the violin (for that night only)-Weichsel

Performances

Mainpiece Title: Marian

Performance Comment: As17931118, but added to Sir Henry Freeman: With a new song [Old Towler (see17940407)]; omitted: Oliver .

Afterpiece Title: THE SIEGE OF BERWICK

Afterpiece Title: HARLEQUIN AND FAUSTUS

Event Comment: ["Towards the begining of the second act of Marian, Miss Poole, while on the stage, was taken suddenly ill, and literally fainted away; and it was with much difficulty that Mr Thompson [on 18 Nov. 1793 he is listed as acting Oliver], who stood near her at the time, prevented her falling down. She was carried off motionless, and an apology being made to the audience by Incledon, the piece was brought to a conclusion" (Morning Herald, 17 Nov.).] Receipts: #201 19s. (194.7.6; 7.11.6)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Marian

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: In course: solo on the violin, of his own composition-Barthelemon

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: A Song for Every Body

Performance Comment: Polly Oliver (1st time)-Fawcett; a Favourite Ballad-Mrs Mountain; The Red Cross Knight-Mrs Mountain, Trueman, Fisher.
Cast
Role: Polly Oliver Actor: Fawcett

Afterpiece Title: Obi