SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Oliver"/1) | (@(roleclean,performerclean) "Oliver")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1198 matches on Roles/Actors, 261 matches on Performance Comments, 16 matches on Author, 10 matches on Event Comments, and 0 matches on Performance Title.
Event Comment: Mainpiece [by Oliver Goldsmith]: Never Perform'd Before. [Quick, mentioned by Genest, does not appear on the playbill. The Edition of 1768 casts Mrs White as Landlady, and Cushing as Butler. It does not include Morris or Morgan, but adds Post@Boy-Quick; Bailiff-R. Smith; Dubardieu-Holtom. (See 1 Feb.) The Theatrical Monitor, No XI (6 Feb.), reviews the mainpiece in a lukewarm, judicial manner.] Receipts: #227 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Related Works
Related Work: The Good-Natured Man Author(s): Oliver Goldsmith

Afterpiece Title: The Chaplet

Event Comment: Mainpiece: A New Comedy [by Oliver Goldsmith] never perform'd. [Carried in the Account Book under its secondary title. A long and grudgingly favorable review appeared in the Westminster Magazine: On the whole the Comedy has many excellent qualities: though we cannot venture to recommend it as a pattern for imitation. Still attached to the laudable intent of it, we wish it may keep possession of the stage till a better comedy comes to relieve it." There follows a long account of Foote's Puppet Show.] Receipts: #234 11s. 6d

Performances

Mainpiece Title: She Stoops To Conquor; Or, The Mistakes Of A Night

Related Works
Related Work: She Stoops to Conquer; or, The Mistakes of a Night Author(s): Oliver Goldsmith

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Performance Comment: The characters of which will be expressed in the Bills of the Day. [Larpent MS 926 lists the parts: Capt. Somerville, Mr Harly, Mr Sellfield, Sir Oliver Oafby, Servant; Miss Somerville, Miss Noel, Dorothy, Maid.] hathi.

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

Performances

Mainpiece Title: As You Like It

Performance Comment: [Jaques-Oliver-$Shetfield recte $Shatford">Palmer; Orlando-$Herrington; Oliver-$Shetfield recte $Shatford]; Touchstone-$Kipling; Duke Senior-$L'Estrange; Duke Frederick-$Hudson; Amiens-$W. Palmer; Adam-$Swendall; Silvius-$Marriot; Rosalind-$Mrs Belfille; Celia-$Mrs Fox; Audrey-$Miss Hale; Phoebe-$Miss Burnett.

Afterpiece Title: Miss in her Teens

Song: Between acts: The Soldier tired of War's Alarms-a little boy [Master Braham]

Entertainment: Monologue Preceding: Occasional Address-Palmer

Performances

Mainpiece Title: Marian

Performance Comment: As17890214, but Peggy-Mrs Mountain; Oliver-_.

Afterpiece Title: The Pharo Table

Afterpiece Title: The Highland Reel

Song: In 1st piece: Sweet Bird, as17890126

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Marian

Performance Comment: As17891121, but Oliver-_.

Song: In: Mad Bess (composed by Purcell)-Mrs Billington; accompanied-Knyvett; In afterpiece: Sweet Bird (from L'Allegro il Penseroso, by Handel)-Mrs Billington; accompanied on the violin (for that night only)-Weichsel

Performances

Mainpiece Title: Marian

Performance Comment: As17931118, but added to Sir Henry Freeman: With a new song [Old Towler (see17940407)]; omitted: Oliver .

Afterpiece Title: THE SIEGE OF BERWICK

Afterpiece Title: HARLEQUIN AND FAUSTUS

Event Comment: ["Towards the begining of the second act of Marian, Miss Poole, while on the stage, was taken suddenly ill, and literally fainted away; and it was with much difficulty that Mr Thompson [on 18 Nov. 1793 he is listed as acting Oliver], who stood near her at the time, prevented her falling down. She was carried off motionless, and an apology being made to the audience by Incledon, the piece was brought to a conclusion" (Morning Herald, 17 Nov.).] Receipts: #201 19s. (194.7.6; 7.11.6)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Marian

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: In course: solo on the violin, of his own composition-Barthelemon

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: A Song for Every Body

Performance Comment: Polly Oliver (1st time)-Fawcett; a Favourite Ballad-Mrs Mountain; The Red Cross Knight-Mrs Mountain, Trueman, Fisher.
Cast
Role: Polly Oliver Actor: Fawcett

Afterpiece Title: Obi