SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Oates Sr"/1) | (@(roleclean,performerclean) "Oates Sr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 859 matches on Performance Comments, 275 matches on Performance Title, 216 matches on Author, 110 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Alls Well That Ends Well

Afterpiece Title: Bickerstaffs Unburied Dead

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Flora

Song: Brett

Dance: As17451028

Performances

Mainpiece Title: The Fair Quaker Of Deal Or The Humours Of The Navy

Afterpiece Title: The Miller of Mansfield

Song: Brett

Dance: As17460101

Performances

Mainpiece Title: Tamerlane

Dance: As17461027

Performances

Mainpiece Title: The Tender Husband Or The Accomplished Fools

Afterpiece Title: Lethe

Dance: Between the acts: Country Amusements, as17501102; Pigmalion, as17501102; Comic Dance, as17501117

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Duke and no Duke

Dance: I: Pantomime Dance, as17560511; III: Fingalian Dance, as17551126; V: Italian Peasants, as17551126

Entertainment: IV: Cries of Dublin-Barrington

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: A Medley Concert

Afterpiece Title: Harlequins Frolic

Performances

Mainpiece Title: An Impromptu Faragolio

Afterpiece Title: Harlequins Frolic

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequin Ranger

Dance: I: The Italian Peasants, as17571004

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Contrivances

Ballet: TThe Feast of Bacchus. As17581116

Performances

Mainpiece Title: Cleone

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: Florizel and Perdita

Dance: As17581111

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Lying Valet

Dance: FFingalian Dance, as17581111; The Threshers, as17581016

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Cleone

Afterpiece Title: Lethe

Dance: Miss Burn

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Heiress or The Antigallican

Dance: I: Hornpipe-Harrison, a Young Gentleman Harrison's Scholar; End: A Minuet-Two of Harrison's Scholars

Performances

Mainpiece Title: The Tender Husband Or The Accomplishd Fools

Afterpiece Title: The Honest Yorkshireman

Song: WWhen Gentle Parthenissa-Lowe

Music: Several pieces on the Harp, particularly the favourite Irish Ballad Ellen@a@Roon, with variations, -Evans

Dance: FFingalian Dance, as17591102; The Plowman, as17591121

Performances

Mainpiece Title: The Tender Husband Or The Accomplishd Fools

Afterpiece Title: The Male Coquette

Dance: A New Dance-Sg Giorgi, Sga Giorgi

Performances

Mainpiece Title: As You Like It

Afterpiece Title: High Life Below Stairs

Dance: I: The Cow Keepers, as17600313 End: Louvre, Minuet-Noverre, Miss Simson

Performances

Mainpiece Title: Comus

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Harlequins Invasion

Dance: I: Hearts of Oak-Giorgi, Mrs King

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques