SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "O Smith"/1) | (@(roleclean,performerclean) "O Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2197 matches on Performance Comments, 404 matches on Event Comments, 334 matches on Performance Title, 13 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Crotchet Lodge

Dance: In III: a Hornpipe-Byrn

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin and Oberon

Dance: In III: a Hornpipe-Blurton

Performances

Mainpiece Title: L'allegro Ed Il Penseroso 0; Messiah 0

Afterpiece Title: L'Allegro ed Il Penseroso 3

Music: End I: concerto on the Grand Piano Forte-Miss MacArthur; End II: concerto on the clarionet-John Mahon

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; L'allegro Ed Il Penseroso 0; Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Afterpiece Title: A Grand Selection of Sacred Music 2

Afterpiece Title: A Grand Selection of Sacred Music 3

Music: End I: concerto on the oboe-W. Parke; End II: concerto on Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Sacred Selection 0; Messiah 0

Afterpiece Title: A Grand Sacred Selection 1

Afterpiece Title: A Grand Sacred Selection 2

Afterpiece Title: A Grand Sacred Selection 3

Music: End II: concerto on Piano Forte-Miss MacArthur

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Honest Thieves

Dance: III: a Hornpipe in Fetters-Blurton

Performances

Mainpiece Title: L'allegro [ed] Il Pensieroso 0; Messiah

Afterpiece Title: L'Allegro Il Pensieroso 3

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Blue Devils

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Humourist

Dance: III: Hornpipe-Garman

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

Performances

Mainpiece Title: Grand Selection 0 Of Music, From The Works Of handel, boyce, arne, And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: Grand Selection 0 Of Scared Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: the favourite Military Concerto on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 Of Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17990215

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Liar

Dance: As17981129

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Farm House

Dance: In III: Hornpipe in Fetters-Platt

Entertainment: Monologue As17990916

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: sonata on the Grand Piano Forte-Miss Reinagle (1st appearance in public); with accompaniment for flute and violoncello obligata-Woidner, C. Ashley; End II: concerto on violin-G. Ashley

Performances

Mainpiece Title: Timanthes

Performance Comment: Parts-Smith, Bensley, Clarke, Wroughton, Gardner, Davis, R. Smith, Mrs Bulkley, Mrs Yates. Prologue and Epilogue in Act III a Procession. The Vocal parts-Reinhold, Mrs Baker, Mrs DuBellamy, Baker, Fox. Timanthes-Smith; Demaphoon-Bensley; Mathusius-Clarke; Cherinthus-Wroughton; Adrastus-Gardner; Orcanes-Davis; Cephisa-Mrs Bulkley; Ismena-Mrs Yates; playbill matched with 1770 Edn. The 1770 Edn. includes Olinthus-;,a child but specifies no actor. Playbill includes R. Smith; but assigns no part. In Act III, a Procession-; the Vocal Parts-Reinhold, Mrs Baker, DuBellamy, Baker, Fox; Prologue-Bensley; Epilogue-Mrs Bulkley.

Afterpiece Title: Damon and Phillida

Entertainment: II: Concert on Hautboy-Simpson

Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Cast
Role: Mrs Hartley Alzuma Actor: Smith

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Tumble Down Dick; on Phaeton in the Suds: With Harlequin a Pick Pocket

Performance Comment: Machine-Roberts; Fustian-Lacy; Sneerwell-Machen; Clymene (Oyster Wench)-Mrs Charke; Jupiter-Freeman; Neptune-Wallis; Phoebus-Topham [Toping in edition, of 1736]; Old Phaeton-Smith; Young Phaeton-Boothby; Aurora-Mrs Egerton; Aurora's Maid-Miss Jones; Terra-Miss Burgess; Genius of Gin-Miss Ferguson Jr; Harlequin-Rosamond, from DL; Justice-Jones; His Clerk (Pierrot)-Castiglione; Managers-Freeman, Turner; Stars-Master Sherwin, Miss Ferguson Jr; Colombine-Madame la Charmante, piping-hot from Paris [Mlle Beaumaunt in edition]; Countrymen-Smith, Collerd, Mons D'Herbage, Mons De la Soup Maigre [Lowder in edition]; Rakes-Boothby, Wallis, Phenix, Pullen; Chairmen-Smith, Collard; Pistol-Lowder; Tragedy King-Pullen; Schoolmistress-Mrs Egerton; Tragedy Queen-Miss Jones; edition adds: Watchmen-Smith, Lowder, Collerd, Chapman .

Performances

Mainpiece Title: The Perplexities

Performance Comment: Parts by Smith, Ross, Mattocks, Hull, Cushing, Gardner, R. Smith, Holtom, Weller, Buck, Murden, Shuter, Miss Wilford, Mrs Green, Miss Macklin; Prologue-; Epilogue-; Don Antonio-Smith; Don Henriquez-Ross; Guzman-Shuter; Don Florio-Mattocks; Ernesto-Cushing; Don Juan-Hull; Honoria-Miss Macklin; Felicia-Miss Wilford; Rosa-Mrs Green; Parts-Gardner, R. Smith, Holtom, Weller, Buck, Murden (Genest, V, 132).
Cast
Role: Don Antonio Actor: Smith
Role: Parts Actor: Gardner, R. Smith, Holtom, Weller, Buck, Murden

Afterpiece Title: The Fairy Favour

Dance: End: The Gallant Peasants, as17670113

Performances

Mainpiece Title: Henry The Second; Or, The Fall Of Rosamond

Performance Comment: Parts by Smith, Clarke, Hull, Wroughton, Thompson, Gardner, R. Smith, Mrs Hull, Miss Pearce, and Mrs Hartley. Henry II-Smith; Abbot-Clarke; Clifford-Hull; Henry Prince of Wales-Wroughton; Leicester-Thompson; Salsbury-Gardner; Verulam-R. Smith; Queen Eleanor-Mrs Hull; Ethelinda-Miss Pearce; Rosamond-Miss Hartley; (Second Edition of 1774) New Prologue-; Epilogue-.
Cast
Role: Henry II Actor: Smith
Role: Verulam Actor: R. Smith

Afterpiece Title: The Citizen

Dance: After the Epilogue: The Irish Lilt, as17721028

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Historical Register

Performance Comment: Containing a Pack of Politicians; a Pack of Patriots; a Pack of Ladies; a Pack of Beaus; Mr Medley, and Author; Mr Sourwit, a learned Critick; Lord Dapper, a great Critick; Apollo's Bastard Son; Quidam Anglicae, a certain Person; Mr Hen, an Auctioneer; Mr Ground Ivy, a Laureat; Mr Pistol; Polly Smart; Polly Soft; Com multis allis quos nunc prescribere longum est; but edition of 1737 lists: Medley-Roberts; Sourwit-Lacey; Lord Dapper-Ward; Ground Ivy-Jones; Hen-Mrs Charke; Apollo's Bastard Son-Blakes; Pistol-Davis; Quidam-Smith; Politicians-Jones, Topping, Woodburn, Smith, Machen; Patriots-Topping, Machen, Pullen, Woodburn; Banter-Smith; Dangle-Lowther; Mrs Screen-Mrs Haywood; Mrs Barter-Miss Kawer; Ladies-Mrs Charke, Mrs Haywood, Mrs Lacey, Miss Jones.
Cast
Role: Quidam Actor: Smith
Role: Politicians Actor: Jones, Topping, Woodburn, Smith, Machen
Role: Banter Actor: Smith