SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Norris"/1) | (@(roleclean,performerclean) "Norris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3228 matches on Roles/Actors, 1328 matches on Performance Comments, 74 matches on Event Comments, 21 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: [An edition of 1678 has a cast partially pertaining to this time (see also 31 Jan. 1672): Ferdinand-$Harris; Cardinal-$Young; Antonio-$Smith; Delio-$Midburn; Bosola-$Betterton; Castruchio-$Richards; Sylvio-$Cademan probably not acting now]; Pescara-$Norris; Malateste-$Price (not living in 1676); Roderigo-$Cogun (not living in 1676); Grisolan-$Percival; Dutchess of Malfey-$Mrs Betterton; Cariola-$Mrs Norris; Old Lady-$Mrs Osborn; Julia-$Mrs Shadwell.
Cast
Role: Pescara Actor: Norris
Role: Cariola Actor: Mrs Norris

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: A Peep behind the Curtain

Performance Comment: As17750504, but Orpheus-Vernon; Sir Toby-Bransby; Add Norris. Add Norris.

Dance: End: The Lilliputian Camp-, not performed these 6 years

Performances

Mainpiece Title: Mustapha, The Son Of Solyman The Magnificent

Performance Comment: Downes (Roscius Anglicanus, pp. 25-26): Solyman-Betterton; Mustapha-Harris; Zanger-Smith; Rustan-Sandford; Pyrrhus-Richards; Cardinal of Veradium?-Young; Haly-Cademan; Roxolana-Mrs Davenport [presumably an error for Mrs Betterton, who is named for this role in the edition of 1668 and who is referred to (Ianthe) by Pepys on this day]; Queen of Hungaria-Mrs Davies. [Edition of 1668 adds: Achmat-$James Noke; Thuricus-$Medborn; Viche-$Aingel; Zarma-$Mrs Long; Mitza-$Mrs Norris; Cleora-$Mrs Shadwel.
Cast
Role: Mitza Actor: Mrs Norris

Performances

Mainpiece Title: Mr Anthony

Performance Comment: Edition of 1690 (licensed 27 Aug. 1689): Mr Anthony-$Nokes; Mr Plot-$Hains; Mr Art-$Batterton; Pedagog-$Underhil; Mr Cudden-$Angel; Trick-$Samford; Mrs Philadelphia-$Mrs Jennings; Mrs Isabella-$Mrs Batterton; Mrs Betty-$Mrs Long; Goody Winifred-$Mrs Norris; Prologue-; Epilogue-.
Cast
Role: Goody Winifred Actor: Mrs Norris
Event Comment: The United Company. This play may have been revived during this month or earlier. A song, Come Jug my honey let's to bed, the music by Thomas Farmer, sung by Reading and Mrs Norris, was printed in Choice New Songs never before Printed [by Thomas D'Urfey, 1684]. Luttrell purchased a copy of this collection on 8 Jan. 1684@5 (Bindley Collection, William Andrews Clark@Jr@Library)

Performances

Mainpiece Title: The Cheats Of Scapin

Event Comment: Benefit Norris, Fairbank, and Bickerstaff

Performances

Mainpiece Title: Oroonoko

Music: As17031109

Dance: DuRuel, Mrs Campion

Event Comment: Benefit Norris. At the Desire of several Persons of Quality. Written by the Author of the Recruiting Officer

Performances

Mainpiece Title: The Stratagem

Event Comment: Benefit Norris. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Stratagem

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Cholerick-Penkethman; Antonio-Bullock; Charino-Cross; Sancho-Jubilee Dicky [Norris]; Carlos-Thurmond; Clodio-Thurmond Jr; Governor-Elrington; Duart-Cory; Angelina-Mrs Granger; Louisa-Mrs Sapsford; Elvira-Mrs Kent; Honoria-Mrs Spiller; With a new Prologue-Penkethman.

Performances

Mainpiece Title: The Fatal Marriage

Performance Comment: Villeroy-Thurmond; Baldwin-Shepard; Bryan-Husband; Carlos-Cory; Frederick-Thurmond Jr; Fernando-Jubilee Dicky [Norris]; Fabion-Bullock Jr; Jaqueline-Leigh; Sampson-Spiller; Bellford-Elrington; Isabella-Mrs Kent; Julia-Mrs Spiller; Victoria-Mrs Shepard; Nurse-Mrs Pollet; With the Mimick Epilogue [Written and spoke by Mr Cibber (at queen's) Burlesquing the Italian Operas-a little Boy.

Performances

Mainpiece Title: The Royal Merchant

Performance Comment: Merchant-Powell; Clause-Cory; Vandunck-Leigh; Hemskirk-Husband; Hubert-Bois; Prig-Jubilee Dicky [Norris]; Higgen-Spillar; Dutch Boor-Cole; Bertha-Mrs Baker; Jaqualine-Mrs Spillar.

Dance: French Peasant-; Dance between a Miller his Wife and a Town Miss-; Ladder Dance-; Italian Scaramouch-Layfield

Event Comment: Benefit of Jubilee Dicky, alias Norris

Performances

Mainpiece Title: The Sea Voyage

Music: A Consort of Musick from London-

Dance: Ladder Dance-; French Peasant and Wife-; Miller's Dance-Leigh

Event Comment: Benefit Norris. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Walking Statue; or, The Devil in the Wine Cellar

Performances

Mainpiece Title: The Lancashire Witches

Performance Comment: Booth, Ryan, Johnson, Bullock, Norris, Pack, Keene, Bullock Jr, Mrs Powell, Mrs Bradshaw, Mrs Cox.

Music: All the Vocal and Instrumental Music- by Mr Barret

Dance: Prince, Mrs Bicknell; Two Dutch Skippers-l'Abbe, Wade

Performances

Mainpiece Title: The Jovial Crew; Or, The Merry Beggars

Performance Comment: Powell, Booth, Keene, Johnson, Penkethman, Bullock, Norris, Leigh, Mrs Bicknell, Mrs Mountfort.

Afterpiece Title: The Stage Coach

Dance: Prince, Mrs Bicknell; Two Dutch Skippers-

Performances

Mainpiece Title: Epsom Wells

Performance Comment: Wilks, Mills, Johnson, Wilks Jr, Norris, Harper, Penkethman, Mrs Thurmond, Mrs Younger, Mrs Heron, Mrs Baker, Miss Tenoe.

Afterpiece Title: Harlequin Doctor Faustus

Song: Singing in Italian and English-Mrs Hill, who never appear'd on this Stage before

Event Comment: Benefit Norris and Young Rainton. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Distrest Mother

Dance: LLe Badinage Champetre-; A new Dance, Le Jeuness-

Event Comment: Benefit the Author of The Mad Captain. [Tickets for Tench and Miss Norris taken.

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Mad Captain

Song: E. Roberts

Dance: TTwo Pierrots-Vallois, J. Delagarde; Scotch Dance-Mrs Bullock; Masqueraders-Vallois, Mrs Bullock

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Performances

Mainpiece Title: Macbeth

Performance Comment: As17341107, but Norris added to Witches; Murderers-Wetherilt, Pearce .

Music: By Ray, Nichols, Mrs Chambers, Miss Jones

Performances

Mainpiece Title: Macbeth

Performance Comment: As17500129, but Duncan-Barnet; Lennox-Ackman; The Vocal Parts-Miss Norris.
Cast
Role: The Vocal Parts Actor: Miss Norris.

Afterpiece Title: Miss in Her Teens

Music: II: Concerto on Violincello-Cervetti

Dance: I: Black Joke, as17500420 II: Comic Dance-Grandchamps; III: L'Entree de Flore, as17491024; V: Venetian Gardeners-Grandchamps, Mlle Auretti

Event Comment: Mainpiece: By Particular Desire. Mrs Norris was to had her Benefit (ye Inconst) this Night but gave it up-her Tickets came in Notwithstanding (Cross). Receipts: #170 (Cross)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Harlequin Ranger

Event Comment: Well rec'd: all but the 1st Chorus w[hic]h was Hiss'd. First Dance Hiss'd off. Mr Norris being ill, Mrs Dormond perform'd in his room, much applauded (Cross Diary). Acted but once. Books of the Opera to be sold at the Theatre. Receipts: #169 1s. 6d. (MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: Benefit for Norris. [The play is submerged in a long cconcert program of vocal and instrumental music.] At the Grotto Gardens, St George's Fields

Performances

Mainpiece Title: The Ephesian Matron