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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Nicolini"/1) | (@(roleclean,performerclean) "Nicolini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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339 results for: Keyword - Nicolini
We found 352 matches on Roles/Actors, 39 matches on Performance Comments, 14 matches on Author, 13 matches on Event Comments, and 7 matches on Performance Title.

326
11 June 1712 @ Queen's Theatre

Event Comment: Cavaliero Nicolini Grimaldi will take his leave of England [see 4 June]. Admission as 24 Nov. 1711. At 7 p.m.*c1712 06 11 queen's Cavaliero Nicolini Grimaldi will take his leave of England [see 4 June]. Admission as 24 Nov. 1711. At 7 p.m

Performances

Mainpiece Title: Hercules

327
28 May 1709 @ Queen's Theatre

Event Comment: With an addition of a whole new Scene, consisting of Three Songs, compos'd by Signior Scarlatti, and perform'd by the famous Signior Cavaliero Nicolini Grimaldi. The Scenes, as 2 April. At the Desire of several Persons of Quality. Admission to pit and boxes by Printed tickets only. Stage boxes half a guinea. First Gallery 2s. 6d. Upper Gallery 1s. 6d

Performances

Mainpiece Title: Pyrrhus And Demetrius

328
09 March 1710 @ Queen's Theatre

Event Comment: At the Desire of several Persons of Quality. [In Daily Courant, 8 March, Thomyris had been announced for this day as Nicolini's benefit .

Performances

Mainpiece Title: The Old Batchelor

329
21 March 1710 @ Queen's Theatre

Event Comment: Benefit Nicolini. At the Desire of several Ladies of Quality. With all the Scenes and Decorations of the last new Opera of Almahide. The Boxes to be open'd to the Pit, and no Person to be admitted but by printed Tickets, at a half guinea

Performances

Mainpiece Title: Pyrrhus And Demetrius

330
25 April 1710 @ Queen's Theatre

Event Comment: With an entire new Scene, consisting of Four Songs Compos'd by Signior Scarlatti, and Sung by Signior Cavaliero Nicolini Grimaldi. For the Entertainment of the Four Indian Kings [but see dl]

Performances

Mainpiece Title: Almahide

331
04 April 1711 @ Queen's Theatre

Event Comment: Benefit Nicolini Grimaldi. The Boxes and Pit put together, with admission by ticket only at a half guinea

Performances

Mainpiece Title: Hydaspes

332
04 June 1712 @ Queen's Theatre

Performances

Mainpiece Title: Hercules

Performance Comment: Being the last time of Signior Cavaliero Nicolini Grimaldi's performing on the English Stage.

333
25 June 1715 @ King's Theatre

Event Comment: Benefit Nicolino. With New Scenes and Cloaths, particularly the Scene with the Fountain. Pit and Boxes half a guinea. Stage Boxes 15s. Gallery 4s. At 6 p.m. Weekly Packet, 25 June: Signior Nicolini's Quail-Pipe continues to lug the Nobility and Gentry by the Ears, who have gone very far on his last Benefit-Night, towards equipping him for another purchase at Venice, he having already built a stately Edifice there, near the Rialto, upon which is written in Characters of Gold, Villa Britannica, as a Testimony that Scaliger's Saying, that we are Hospitibus Feri, is a downright Untruth, and falsly imputed to our Nation

Performances

Mainpiece Title: Rinaldo

Dance:

334
11 April 1717 @ King's Theatre

Event Comment: Benefit Cavaliero Nicolini Grimaldi. By Command. Admission as 8 Dec. 1716

Performances

Mainpiece Title: Amadis

Dance: Glover, Mlle Cerail; particularly a Spanish Dance-

335
28 December 1720 @ King's Theatre

Event Comment: Admission as 19 Nov. Weekly Journal or Saturday's Post, 31 Dec.: His Majesty and the rest of the Royal Family went to see... Radamistus, where the famous Nicolini perform'd with his wonted Applause

Performances

Mainpiece Title: Radamistus

336
21 March 1735 @ Haymarket Theatre

Event Comment: Benefit Davis and Bartlet. At the particular Desire of several Ladies of Quality. [A puff in Daily Advertiser, 21 March, extols Davis as having been trained by Nicolini Haym.]

Performances

Mainpiece Title: Arlequin Sauvage

Afterpiece Title: Les Deux Arlequins

Dance: The Jealousy between Three Lilliputians. A Harlequin by Young Cochoy

337
09 June 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: LODOISKA

Performance Comment: Polanders. Aickin, Kelly, Palmer, Bannister Jun., Caulfield, Trueman, Fairbrother, Bland, Benson, Webb, Master Welsh, Master Gregson//Mrs Crouch. Captives. Mrs Bland, Miss De Camp, Miss Miller, Miss Leak, Miss Redhead, Mrs Bramwell, Miss Granger, Miss Wrighten, Miss C. Wrighten, Miss Menage, Miss Stageldoir, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Miss Davies, &c. Guards and Attendants (performers not listed]. Tartars. Barrymore, Dignum, Sedgwick, Bannister, C. Kemble, Banks, Boimaison. The Horde. Cooke, Danby, Lyons, Maddocks, Phillimore, Welsh, Dorion, Dorion Jun., Evans, Hamoir, Bourk, G. D'Egville, Butler, Whitmell, Nicolini, Keys, &c. [Cast from text (G. G. and J. Robinson [1794]): Polandm. Prince Lupauski-Aickin; Count Floreski-Kelly; Baron Lovinski-Palmer; Varbel-Bannister Jun. [in text: Suett (see17940613]; Adolphus-Caulfield; Gustavus-Trueman; Sebastian-Fairbrother; Michael-Bland; Casimir-Benson; Stanislaus-Webb; Pages-Master Welsh, Master Gregson//Princess Lodoiska-Mrs Crouch. Capti"PtI. As above, but added: Miss Arne. Tartars. Kera Khan-Barrymore; Ithorak-Dignum; Khor-Sedgwick; Japhis-Bannister; Kajah-C. Kemble; Tamuri-Banks; Camazin-Boimaison. The Horde. As above.] hathi. hathi.

338
03 February 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Lodoiska

Performance Comment: As17950131, but Cooke's name listed in playbill; The Horde-Nicolini, _Dorion Jun.
Cast
Role: The Horde Actor: Nicolini, _Dorion Jun.

339
15 April 1800 @ King's Theatre

Performances

Mainpiece Title: Alessandro E Timoteo (alexander's Feast, From dryden)

Performance Comment: Principal Characters by Benelli, Roselli, Mme Banti. Cast from libretto (C. Nicolini, 1800): Alessandro-Benelli; Timoteo-Roselli; Efestione-DeGiovanni; Taide-Mme Banti; Barsene-Sga Rovedino.

Dance: End I: A New Bacchanalian Divertisement Ballet, connected with and incidental to the Opera (introduced by a prelude of Chorus), the Music by Sarti, the Action and Dance by D'Egville, and performed-Didelot, Deshayes, Mlle Parisot, Mme Laborie, Mme Hilligsberg; End Opera: La Fille Mal Gardee-Mlle Parisot (will perform part originally represented by Mme Rose Didelot)