SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Newhouse"/1) | (@(roleclean,performerclean) "Newhouse")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1011 matches on Roles/Actors, 360 matches on Performance Title, 77 matches on Performance Comments, 20 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: She Wou'd If She Cou'd

Dance: I: Harlequin by Maker. II: The Nassau, as17340117 III: French Shepherd and Shepherdess by Maker and Mlle Salle. V: Pigmalion: Pigmalion-Maker; Statue-Mlle Salle; others by Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde

Performance Comment: II: The Nassau, as17340117 III: French Shepherd and Shepherdess by Maker and Mlle Salle. V: Pigmalion: Pigmalion-Maker; Statue-Mlle Salle; others by Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde . others by Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde .

Song: I: English Cantata by Mrs Wright. IV: The Black and White Joke by Leveridge and Laguerre

Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar; Or, The Moor's Revenge

Event Comment: Benefit Newhouse and Miss Bullock

Performances

Mainpiece Title: The Amorous Widow

Afterpiece Title: The Jealous Doctor

Music: Concerto on the Sixth Flute-Baston Jr

Dance: delaGarde's Two Sons, Pelling, Topham Jr, Sandham Jr, Miss Bullock, Miss Francis; Drunken Man-Harper

Event Comment: Benefit Newhouse, Hulett, Mrs Cook. Receipts: money #7 9s.; tickets #77 18s

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Dance: As17201214

Music: Solo on Hautboy, Concerto on Little Flute-Keitch

Event Comment: Benefit Newhouse and Salway. Receipts: money #12; tickets; #138 11s. Probable attendance: boxes, 10 by money and 245 by tickets; pit, 14 by money and 344 by tickets; first gallery, 18 by money and 257 by tickets; second gallery, 27 by Monday

Performances

Mainpiece Title: The Gamester

Song: End I: L'Amor Che Parte Sento, Gently Touch the Warbling Lyre-Miss Warren; III: No Kissing At All-Leveridge, Salway

Dance: II: Pastoral Dance-Glover, Mrs Laguerre; IV: Milk Maids Dance-; V: Grand Dance of Moors-; Kettle Drums-Poitier

Event Comment: Benefit Hall and Newhouse. Receipts: money #28 18s.; tickets #125 1s

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Tragedy of Tragedies

Dance:

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Dance: Tambourine by Miss Rogers. Fingalian by Newhouse and Mrs Ogden. Scotish Dance, as17331004

Performance Comment: Fingalian by Newhouse and Mrs Ogden. Scotish Dance, as17331004.

Performances

Mainpiece Title: The Constant Couple

Dance: Swedish Dal Karl by De la Garde and Mrs Ogden. Two Pierrots by Poitier and Pelling. Fingalian by Newhouse and Mrs Ogden

Performance Comment: Two Pierrots by Poitier and Pelling. Fingalian by Newhouse and Mrs Ogden .

Performances

Mainpiece Title: The London Cuckolds

Dance: Tambourine by Miss Rogers. Fingalian by Newhouse and Mrs Ogden. The Nassau, as17331112

Performance Comment: Fingalian by Newhouse and Mrs Ogden. The Nassau, as17331112.

Performances

Mainpiece Title: Pilgrim

Afterpiece Title: The Mock Lawyer

Dance: Shepherd and Shepherdess by Malter and Mlle Salle. Fingalian by Newhouse and Mrs Ogden. The Nassau by Glover, Miss Rogers, Pelling, Miss Norsa, Le Sac, Mrs Ogden, De la Garde, Miss Baston. Swedish Dall Karle by Delagarde and Mrs Ogden. French Sailor and his Lass by Malter and Mlle Salle

Performance Comment: Fingalian by Newhouse and Mrs Ogden. The Nassau by Glover, Miss Rogers, Pelling, Miss Norsa, Le Sac, Mrs Ogden, De la Garde, Miss Baston. Swedish Dall Karle by Delagarde and Mrs Ogden. French Sailor and his Lass by Malter and Mlle Salle .

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Mock Lawyer

Dance: II: The Kilkenny by Glover and Mrs Laguerre. III: Les Charactres de l'Amour by Mlle Salle. IV: The Nassau, as17340117 V: Pigmalion by Malter, Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde, with the Statue-Mlle Salle

Performance Comment: III: Les Charactres de l'Amour by Mlle Salle. IV: The Nassau, as17340117 V: Pigmalion by Malter, Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde, with the Statue-Mlle Salle .

Song: I: The Black and White Joke by Leveridge and Laguerre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Strollers

Dance: II: A Single Dance by Mlle Salle. III: French Peasant by Malter. V: Pigmalion by Malter, Mlle Salle, Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde. End Afterpiece: Bacchus and Ariadne: Bacchus-Malter; Ariadne-Mlle Salle

Performance Comment: III: French Peasant by Malter. V: Pigmalion by Malter, Mlle Salle, Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde. End Afterpiece: Bacchus and Ariadne: Bacchus-Malter; Ariadne-Mlle Salle .
Event Comment: Benefit Newhouse, who has sustained great Losses by Trade

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Virgin Unmask'd

Dance: As17410214