SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Newburgh Hamilton"/1) | (@(roleclean,performerclean) "Newburgh Hamilton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 551 matches on Performance Comments, 47 matches on Event Comments, 11 matches on Performance Title, 10 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. Benefit for Wild, Holtom, Bates and Hamilton. Tickets deliver'd for Every Man in His Humour will be taken, as will Tickets deliver'd by Mr Flight. Charges #66 4s. Deficit to each beneficiary #4 9s. 10d., cover'd by income from tickets (Account Book). @Tickets Box Pit Gallery Value@Wild 9 56 133 #23 19s.@Holtom 23 122 94 #33 9s.@Hamilton 32 102 111 #34 8s.@Bates 42 67 48 #25 7s.@Flight [gratis] .. 62 152 #24 10s.@#141 13s.@ Receipts: #48 4s. 6d. (Account Book)

Performances

Mainpiece Title: Cato

Afterpiece Title: The Englishman in Paris

Song: End: Ailen Aroon-Mrs Woodman, as17720429

Dance: End: The Old ground Young, as17711030

Event Comment: Paid Younger for Licenses for Prelude, Elfrida, Cross Purposes, and Golden Pippin #8 8s. Gave Hamilton #21 (Account Book). Receipts: #206 6s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End: A New Pantomime Ballet call'd The Bird Catchers-Fishar, Sga Manesiere, Mas. Blurton, Miss Besford. [See dl 27 Nov. 1750.

Event Comment: Rec'd from Redman for cash advanc'd last season #10 10s., and from Hamilton for his deficiency 1771. Receipts: #173 7s. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Event Comment: Benefit for Wild, Hamilton, Holtom, Bates, Thompson. Mainpiece acted but once these 15 years. [See 23 April 1750.] Receipts: #27 12s. 6d. Charges #70 9s. Deficit to each beneficiary #8 11s. 3d., cover'd by tickets (Account Book): @Tickets Box Pit Gallery Value@Wilde 26 103 124 #34 7s.@Hamilton 38 68 89 #28 12s.@Holtom 22 64 83 #23 8s.@Bates 21 109 170 #38 12s.@Thompson .. 35 130 #18 5s.@Total 107 379 596 #170 16s. 6d.

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Dragon of Wantly

Monologue: Interlude.End: True Blue. As 3 May

Dance: End I Farce: Minuet-Blurton, Miss Stede

Event Comment: Tickets delivered by Prosser, Simpkinson, Jackson, J. Wilson, Smith, Mrs Lampe, Mrs Hamilton, Miss Willis, the Widow Wise, the Widow of the late Dr Arne will be admitted this Evening. Receipts: #169 (50.14.6; 5.2.6; tickets: 113.3.0)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Barnaby Brittle

Dance: End II: The Rakes of Mallow, as17810501; End IV: Hornpipe-Prosser

Ballet: End: St. David's Day. As17810501

Event Comment: Tickets delivered by J. Wilson, Jackson, Prosser, Eves, Rowson, S. Besford, Mrs Lampe, Miss Francis, Mrs Wise, Mrs Dalrymple, Miss Ellington, Mrs Hamilton will be admitted. Receipts: #260 (81/17; 5/9; tickets: 172/14)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Retaliation

Dance: End of mainpiece The Waterman by Jackson, Prosser, Eves, Miss Rowson

Event Comment: Tickets delivered by Jackson, Prosser, Helme, Lloyd, Real, Rowson, R. Ledger, Mrs Hamilton, Mrs Lampe, and the Performers in the Orchestra will be admitted this Evening. Receipts: #276 12s. 6d. (83/7/0; 2/7/6; tickets: 190/18/0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: The Waterman

Dance: End of mainpiece Rural Merriment by Jackson and Mrs Ratchford; End of mainpiece Hornpipe by Prosser

Event Comment: Tickets delivered by Jackson, Doyle, Prosser, Rowson, Rd. Ledger, Real, Mrs Lampe, Mrs Hamilton, Eves will be admitted. Receipts: #262 9s. 6d. (135/13/0; 3/8/6; tickets: 123/8/0)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: The Commissary

Dance: End of mainpiece Rural Merriment by Jackson and Mrs Ratchford, to conclude with a Caledonian Reel by Eves and Mr and Mrs Ratchford

Event Comment: Tickets delivered by Wilson, Darley, Thompson, Helme, Mrs Hamilton, and the Orchestra will be admitted (Account-Book). [Afterpiece in place of The Positive Man, announced on playbill of 22 May.] Receipts: #254 7s. 6d. (89/16/6; 1/2/0; tickets: 163/9/0)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: The Rival Knights

Afterpiece Title: Barnaby Brittle

Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Event Comment: [Fennell had acted Douglas at Edinburgh on 5 July 1788, and perhaps Previously.] Afterpiece [1st time: P 2, by Charles Bonnor and Robert Merry. Larpent MS 886; not published. Synopsis of action in Universal Magazine, Dec. 1790, pp. 321-23. Author of Prologue unknown]: Interspersed with Dialogue, Airs, Duettos, Chorusses, Dances, &c. &c. &c. The Scenery, Machinery, and Decorations entirely new, and painted by Richards, Carver, Hodgins, Pugh, Malton, with many Assistants [including W. Hamilton (European Magazine, Dec. 1790, p. 468]. Among others will be exhibited the following Scenes taken from accurate Drawings made on the Spot: The Jacobines Convent, Rue St. Honorie; Places de Greve; Inside of the Hotel de Ville; View of the New Bridge called Pont Louis Seize; Fountain des Innocens; Palais Bourbon; View of the Champ de Mars, with the Grand Pavillion preparatory to the Festival; A Grand Assembly; View of the Triumphal Arch, prepared for the Procession to the Champ de Mars; Perspective View of the Champ de Mars, with the Bridge of Boats. With an exact Representation of the Banners, Oriflammes, &c. &c. in the Grand Procession to the Champ de Mars. The Whole to conclude with a Representation of the Grand Illuminated Platform, as prepared by the City of Paris, on the Ruins of the Bastille, for the Entertainment of the Provincial Deputies, and the Public. [The above has reference to the "Grand National Fete" held in Paris, 14 July 1790, in commemoration of the first anniversary of the fall of the Bastille. It is included in all subsequent playbills.] The Dances [composed] by Byrn. The Music composed and compiled [from Reeve and Naumann] by Shield. The Dresses all Characteristically French and New. Books of the Songs, &c. with a short Description of the Performance [T. Cadell, 1790] to be had at the Theatre. Nothing under Full Price will be taken. Account-Book, 11 Jan. 1791: Paid Bonnor #200. Receipts: #316 16s. (296.14; 20.2)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Event Comment: A New Opera (1st time [in London; 1st performed at Venice, 1792]), accompanied with Chorusses; the music entirely new, composed [i.e. revised] here by Bianchi. With entirely new Scenes, designed by Hamilton and executed by Walmsley, Dresses and Decorations

Performances

Mainpiece Title: Aci E Galatea

Dance: As17950228

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Afterpiece Title: The Hermione; or, Valour's Triumph