SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New York"/1) | (@(roleclean,performerclean) "New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3237 matches on Event Comments, 2688 matches on Performance Title, 1650 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Eleventh and Last time of performing Mainpiece this season. Afterpiece: By Particular Desire. Othello and The Irish Widow, to have been performed this evening for Mr Barry's Benefit, oblig'd to be deferr'd till further notice (playbill). Mr Barry being Ill his Benefit which was to have been this Night is oblig'd to be deferr'd (Hopkins Diary). [So, according to Hopkins, the profits went to the house.] Receipts: #171 19s. 6d. To the Public Advertiser: Sir, I spent an agreeable evening lately with a Country Friend at the Primitive Puppet Show, and was not displeased at the ridicule pointed at the dull, spiritless stuff, which composes modern Sentimental Comedy. I was entertained too with the manner in which some of the Actors were taken off; But I cannot think mimicry worthy to furnish an Evening Entertainment for a Polite British Audience, or suited to the happy ridicule and pointed wit of Aristophanes. The old Roman comedy, as it was called, was designed for nobler purposes: it was directed to improve the head and mend the heart. The keen manly satire of that Comedy was pointed at Upstart, Braggart, Vice, and to expose the dangerous unfeeling craft of innocent Villainy, or to use the words of Mr Pope--Brand the bold front of shameless, guilty man. Such was, and such ought to be, the salutary Direction of Wit, and Satire by exhibiting characters in their genuine colours, when the mask, which disguises and conceals them from the eyes of the Weak the Credulous, and the Ignorant, is drawn off. The words of Horace are--Detrabere et pellam, mitidus qua quisque per ora Cederet, introrsum turpis. Yours, Dramaticus. Poetry for the Public Advertiser. Epigram on the New Tragedy Alonzo. @No wonder that each female voice@Resounds Alonzo's praise;@A sure foundation of Applause,@The crafty Author lays.@ @Against the Virtue of his Wife@A Husband, if he's wise@According to the Gallant HOME,@Should not believe his eyes.

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Wedding Ring

Event Comment: Afterpiece: By Particular Desire. The fifth Night of the New Comedy is oblig'd, on account of the Benefits to be deferr'd till Thursday the 1st of April. Receipts: #221 12s

Performances

Mainpiece Title: She Stoops To Conquor

Afterpiece Title: Daphne and Amintor

Event Comment: Benefit for Bensley. Last time of performing till the Holidays. On Easter Monday (the Sixth Night, for the Author) the New Comedy, of She Stoops to Conquor; or, The Mistakes of a Night (playbill). Charges #67 5s. Profit to Bensley #68 1s. 6d. plus #34 4s. from tickets (Box 135; Pit 3). Paid one-half year's poor's Rate for theatre due Lady Day last #21 17s. 6d. and ditto for House in Bow Passage 15s. 8d. (Account Book). Receipts: #135 6s. 6d

Performances

Mainpiece Title: Timanthes

Afterpiece Title: Man and Wife

Dance: End: The Bird Catchers, as17721207

Event Comment: Benefit for Mattocks. Mainpiece: Performed but once this season. Tomorrow (Seventh Time). The NEW COMEDY of She Stoops to Conquor.--with (By Desire) The Upholsterer. Charges #74 9s. 6d. Profit to Mattocks #74 10s. 6d., plus #26 13s. from tickets (Box 91; Pit 26). Paid Mrs Leverton (mantua maker) #15 19s. (Account Book). Receipts: #149

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Englishman in Paris

Dance: End Opera: The Irish Lilt, as17721028

Event Comment: At the Crown and Anchor. A Religious Allegorical Poem to be rehearsed, yet in Manuscript, and by the author himself the Reverend George Marriott after the example of the most ancient bards and minstrals, with the assistance of a full orchestra, and vocal performers in the chorusses. The Band conducted and the music (entirely new) composed by Arnold. Postponed by reason of unforseen difficulties in preparing sufficient musical copies of the great number of chorusses. To begin at 7:00 p.m. Prices a quarter guinea each

Performances

Mainpiece Title: The Jesuit

Event Comment: Benefit for Younger. Tickets deliver'd by Miss Helme will be taken. Tomorrow (the Eight Time) the New Comedy She Stoops to Conquor, with (for the last time this season) The Golden Pippin. Charges #71 16s. 6d.; Profit to Younger #74 13s., plus #65 19s. from tickets (Box 116; Pit 149; Gallery 146) (Account Book). Receipts: #146 9s. 6d

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: Harlequin Sorcerer

Dance: End: The Merry Sailors, as17721012

Event Comment: A sacred Oratorio. The music entirely new composed by Atterbury. Never performed. For this night only. To begin at 6:30. Boxes 5s. Pit 4s. Gallery 3s. Upper Gallery 2s

Performances

Mainpiece Title: Goliath

Music: First Violin, a Concerto-Barthelemon

Performances

Mainpiece Title: Henry The Second; Or, The Fall Of Rosamond

Performance Comment: Parts by Smith, Clarke, Hull, Wroughton, Thompson, Gardner, R. Smith, Mrs Hull, Miss Pearce, and Mrs Hartley. Henry II-Smith; Abbot-Clarke; Clifford-Hull; Henry Prince of Wales-Wroughton; Leicester-Thompson; Salsbury-Gardner; Verulam-R. Smith; Queen Eleanor-Mrs Hull; Ethelinda-Miss Pearce; Rosamond-Miss Hartley; (Second Edition of 1774) New Prologue-; Epilogue-.
Cast
Role: New Prologue Actor:

Afterpiece Title: The Citizen

Dance: After the Epilogue: The Irish Lilt, as17721028

Event Comment: Benefit for Messrs Fawcett and Hartry. Paid salary list #520 7s. 6d.; Recv'd from Sinking Fund #334 10s.; Stopages #17 5s. (Treasurer's Book). On Monday a New Comedy, Never performed, called The Maid of Kent, for the Benefit of Waldron. Receipts: #230 8s. 6d. Charges: #65 14s. Profits to Hartry and Fawcett: #149 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A Peep behind the Curtain

Entertainment: V: A Dissertation upon Macaronies-Baddeley

Event Comment: This New Comedy was written by Mr Waldron and receiv'd with Some Applause (Hopkins Diary). Benefit for Waldron. Receipts: #99 3s. 6d. Charges: #64 4s. Profits to Waldron: #34 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of Kent

Afterpiece Title: The Author

Ballet: I: The Drunken Peasant. Drunken Peasant-Atkins; Clown-Wright

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Dance: III: Minuets, Cotillons-Merrifield, Dumay, Curtat, Settree, Miss Twist, Mrs Invill, Miss Mathews, Mrs Hartle

Ballet: End: The Wapping Landlady. As17730424 but with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist

Performance Comment: As17730424 but with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist.
Event Comment: An Entertainment of Music in a manner Entirely New. [This follows a regular concert which was the staple of Marybone Gardens.] Admission 2s. 6d. To begin at 6:30 p.m. First night of the Subscription

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Benefit for Mrs Hartle, Mas. Blurton, Walters, Symonds, Francis, and Furkins. Tickets deliver'd by Flight, Longley, Singleton, Shuter, Norbury, Roberts, Frensdorff, Miller, Stevenson, Reed, Robson, and Walker, will be taken. On Monday next (the thirteenth Night) the last New Comedy She Stoops to Conquor...with Harlequin Sorcerer. [No charges. House took half-value of tickets, plus ready-money receipts of #19 2s. 6d. (Account Book).] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle .. .. .. .. ..@Mas. Blurton 5 11 36 #6 10s. #3 5s.@Walters 5 78 92 #22 3s. #11 1s. 6d.@Symonds 9 68 51 #17 11s. #8 15s. 6d.@Francis 3 33 38 #9 10s. #4 15s.@Furkins 18 45 30 #14 5s. #7 2s. 6d.@Flight .. 41 65 #12 13s. #6 6s. 6d.@Longley 9 156 57 #31 7s. #15 13s. 6d.@Singleton .. 6 14 #2 6s. #1 3s.@Shuter .. 55 16 #9 17s. #4 18s. 6d.@Norbury 10 12 19 #26 4s. #3 2s.@Roberts 6 134 48 #26 8s. #13 4s.@Frensdorf 3 44 19 #9 5s. #4 12s. 6d.@Miller 7 87 84 #18 14s. #9 7s.@Stephenson 12 74 71 #21 4s. #10 12s.@Mrs Read 5 16 37 #7 7s. #3 13s. 6d.@Robson 3 88 35 #17 9s. #8 14s. 6d.@Walker .. 34 61 #11 4s. #5 12s.@Total 95 882 773 #243 17s. #121 18s. 6d.

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Contrivances

Dance: III: Hornpipe-Mas. Blurton; End: The Cumberland Corn@thrashers, as17730424

Event Comment: Music by Barthelemon, Sung first time these 4 years. Admittance 3s. 6d. The New Building and various parts of the Garden will be illuminated for this night only with a great number of different colored lamps. Nobility and Gentry are most respectfully desired to drive their carriages into an adjoining piece of ground properly prepared and lighted up for that purpose. Staffmen will attend to direct the servants and to call the carraiges

Performances

Mainpiece Title: The Magic Girdle

Music: Solo Concerto on Basson-the celebrated M. LeCouteux, first performance in this kingdom; Concerto on Violin-Barthelemon; Comic act-Three Italian Musicians blind from birth

Event Comment: Benefit for Mrs Barthelemon. A new Entertainment in two parts. Music by Barthelemon

Performances

Mainpiece Title: The Wedding Day

Performances

Mainpiece Title: The Bankrupt

Performance Comment: As17730721 but Margin Pillage-Weston (Harvard News Clipping).

Afterpiece Title: The Apprentice

Dance: End: The Italian Peasants-

Event Comment: Afterpiece: a new Comic Sketch [by G. A. Stevens], music by Dibdin

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Trip to Portsmouth

Event Comment: A New Entertainment in Two Parts set by Barthelemon. Benefit for Barthelemon

Performances

Mainpiece Title: La Zingara; Or, The Gipsey

Event Comment: A new Entertainment set to Music by Barthelemon

Performances

Mainpiece Title: The Wedding Day

Performances

Mainpiece Title: The Bankrupt

Afterpiece Title: A Trip to Portsmouth

Performance Comment: As17730820, but to avoid confusion full list noted: Weston, DuBellamy, Castle, Bolton, LaMash, Francis, Hamilton, Fearon, Courtney, Bannister, Mrs Weston, Lings, Osborne, Ward, Lloyd, Jacobs, Miss Platt, Mrs Palmer, Miss Atkinson, Miss Wilde, Miss Craven; Waiter-Hutton; Prologue-Weston; Tripple Hornpipe-Giorgi's Scholars; and a New Epilogue Song-Bannister.
Event Comment: The first entertainment a Serenata written by the late celebrated Mr Hughes. Music entirely new compos'd by Hook. The second a Burletta [by Lady Dorothea Dubois] in 2 Acts. Benefit for Hook

Performances

Mainpiece Title: Apollo And Daphne

Afterpiece Title: The Divorce

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot (with the Address to the Town)-Woodward; Sir George-Mattocks; Charles-Wroughton; Sir Francis-Shuter; Sir Jealous-Dunstall; Whisper-Hamilton; Scentwell-Miss Pearce; Isabinda-Miss Valois; Patch-Mrs Pitt; Miranda-Mrs Baker; With a New Occasional Prologue (Never spoken before)-Woodward (playbill); Miranda-Miss Macklin (Public Advertiser).

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King Henry-Moody (from Drury Lane); Wolsey-Bensley; Norfolk-Davis; Suffolk-Owenson; Surrey-Dyer; Lord Chamberlain-Lewes; Campeius-DuBellamy; Sands-Kniveton; Buckingham-Wroughton; Cranmer-Gardner; Cromwell-Hull; Gardiner-Shuter; Anne Bullen-Mrs Baker; Patience (with a Song)-Miss Twist; Queen Catherine-Mrs Hartley; In Act I, The Banquet with dancing-Fishar, Miss Twist; Act IV, the Procession from the Abbey at the Coronation of Anne Bullen-; With the New Occasional Prologue (spoken but once)-Woodward.

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Ogleby-Kniveton; Lovewell-Mattocks; Sterling-Dunstall; Sir John-Bensley; Brush-Dyer; Canton-Quick; Flower-Younger; Miss Sterling-Mrs Gardner; Fanny-Miss Miller, first time; Betty-Miss Pearce; Chambermaid-Mrs Kniveton; Mrs Heidleberg-Mrs Green (playbill); Flower-Wignell (Public Advertiser); With the New Occasional Prologue spoken for the third time-Woodward.

Afterpiece Title: Midas

Performances

Mainpiece Title: George Barnwell

Performance Comment: Barnwell-Wroughton; Trueman-Lewes; Thorowgood-Younger; Uncle-Hull; Blunt-Cushing; Maria-Mrs Kniveton; Lucy-Mrs Green; Millwood-Mrs Mattocks; In Act I a Song-DuBellamy; With New Occasional Prologue, spoken 4th time-Woodward.

Afterpiece Title: Midas