SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New York"/1) | (@(roleclean,performerclean) "New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3237 matches on Event Comments, 2688 matches on Performance Title, 1650 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.
Event Comment: The Music altogether New composed by Mr Back

Performances

Mainpiece Title: Adriano In Syria

Dance: As17650105

Event Comment: The Music entirely new, composed by Mr Vento. There will be no rehearsal today as advertised yesterday by mistake

Performances

Mainpiece Title: Demofoonte

Dance: As17650105

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Capricious Lovers

Performance Comment: As17650302 but Parts-Miss _Young, Miss Plym; in Act I of the Entertainment, a New Dance call'd The +Colliers-Mas. Cape, Miss Rogers.
Event Comment: Benefit for Manzoli. The Music entirely new, composed by Giardini. On account of the great Demand for Gallery Tickets, Sig Manzoli is obliged to appropriate the Upper Gallery for this Night. Gallery, Pit and Boxes will be open at 4. To begin precisely at 6:30 p.m

Performances

Mainpiece Title: Il Re Pastore

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Love; Smith-Burton; Johnson-Palmer; Others-Packer, Philips, Lee, Baddeley, Clough, Parsons, Moody, Bransby, Fox, Marr, Ackman, Vaughan, Raftor, Johnston, Strange, Watkins, Miss Pearce, Mrs Hippisley, Miss Mills, Miss Rogers; songs-; Dances-; A Dance of State-; Grand Battle-; in which will be introduc'd an Additional Re-inforcement of Mr Bayes's New Rais'd Regiments of Horse and Foot-.

Afterpiece Title: The Witches

Dance: III: The Medley, as17641120

Event Comment: Benefit for Miss Young. Afterpiece: Not acted in 20 years. Music by Dr Arne. [See John Lockman's Reflections concerning Operas, &c." in his introduction to his edition of Rosalinda (London, 1760), p. iv: 'A gentleman, well known for his musical compositions, is of opinion, that the reason why the Opera Rosamond tho' adorned with all the graces of lyric poetry, does not please from the stage, so much as might be expected, is owing to a circumstance that forms a beauty in the drama itself; I mean the suppos'd poisoning of Rosamond at the end of the second act, and her appearing no more upon the stage. Whilst this sheet was at press, I was told that Mr Arne has reduc'd this opera into one act, and set the whole anew; and so managed matters, that Rosamond appears throughout the whole drama. Tis said that the music of this new Rosamond is as delightful as that of another performance of Mr Arne's which now affords the town so agreeable an Entertainment."

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Rosamond

Dance: End: The Medley, as17641120

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Upholsterer

Performance Comment: As17650417 but Termagant-Mrs Green; End Act I, a New Dance-Miss Wilford.
Cast
Role: a New Dance Actor: Miss Wilford.

Dance: III: Rural Love, as17641212; End: A Minuet-Miss Valois, Miss Wilford

Event Comment: A New Opera, the Musick by Dr Arne. [A general rehearsal had been put on for subscribers on Friday.

Performances

Mainpiece Title: L'olimpiade

Dance: As17650105

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Dance: I: The Dutchman, as17650719 End: The English Sailor at Marseilles-Mas. Clinton, Miss Street; New Hornpipe-Mas. Clinton

Performance Comment: Clinton, Miss Street; New Hornpipe-Mas. Clinton.
Cast
Role: New Hornpipe Actor: Mas. Clinton.

Performances

Mainpiece Title: The Foundling

Performance Comment: Young Belmont-Palmer, first time; Faddle (New Song)-Dodd, first appearance there; Sir Charles Raymond-Powell; Col. Raymond-Packer; Villiard-Bransby; Sir Roger Belmont-Yates; Rosetta-Miss Pope; Fidelia-Mrs Palmer.

Afterpiece Title: The Witches

Event Comment: Mainpiece: By Desire. Afterpiece with alterations and additions. [A song sung in the "New Scene in Harlequin's Invasion" appears in The Jester's Magazine, May 1766, p. 254. Harlequin enters with a Dancing Bear, and sings four stanzas in broken English about the advantages of dancing, for men, women, philosophers, and politicians. Harlequin's speech is Frenchified English.

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Harlequin's Invasion

Event Comment: By Command of their Majesties. A new serious Opera. Pit and Boxes put together and no Persons to be admitted without Tickets, which will be delivered this Day, at the Office, at Half a Guinea each. Gallery 5s. By their Majesties Command no Persons whatsoever to be admitted behind the Scenes or in the Orchestra. Gallery, Pit and Boxes to be opened at Five. 6:30 p.m. [Repeated in the subsequent bills.] Messrs Crawford, Vincent, and Gordon most humbly request that the Nobility and Gentry, Subscribers to the Operas for the ensuing Season, will please send their Subssciptions to Andrew Drummond and Co., Bankers at Charing Cross; or to Crawford, at the theatre, where attendance will be given every day from Ten to Two, to receive Subscriptions, and the names of the Subscribers who are pleased to honor the Managers with their Protection to enable them to get the Tickets engraved before the Operas begin (Public Advertiser through October and November)

Performances

Mainpiece Title: Eumene

Dance: NNew Dances-

Event Comment: Mainpiece: By Particular Desire. N.B. Love in a Village will not be acted after this evening, for a considerable time, on account of a new Musical Comedy which will be performed some Day this week. [See 6 Dec., The Summer's Tale.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Citizen

Dance: II: Rural Love, as17651115

Event Comment: At the Little Theatre in James Street near the Haymarket. Doors to be opened at 5:00. To begin exactly at 6:00. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d. to the public. After several of our Lords and Masters, the Men, have with various success made wry faces for the amusement of the town; permit a woman to attempt the arduous task of laughing the men out of their follies; declaring, however, that while she attempts the ridicule of vices peculiar to the other sex, she will by no means spare the slightest foible of her own (Public Advertiser). The Theatre is fitted up in an elegant manner, and constant fires are kept to make the house agreeably warm (Gazetteer & New Daily Advertiser). [This Lecture continued to 6 March.

Performances

Mainpiece Title: Lecture On Heads

Event Comment: [T+The Cobler prints a Card in the Public Advertiser commending G. F. Theatricus for his bold statement (6 Jan.) about the excellencies of seven dl actors. He takes issue with G. F. that Bensley will surpass Powell, but adds a "puff" for another new actress, Mrs Abington.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Hermit

Event Comment: Author's Day. [Publication of the play announced in the Public Advertiser this day, along with the following "puff" by Censor Dramaticus: "Sir: I have just given the new comedy, the Double Mistake, its first reading, and must confess I never was better pleased at a first reading than at present: It is chaste, sententious and genteel in its dialogue, interesting in its plot, the characters all of consequence, strongly marked and happily kept up, and even the virtuoso entertaining without being tiresome. I heartily wish it success, and congratulate the author on such a production, which shows that virtuous principles in high life render the persons that possess them doubly charming, and add real grace and dignity to their appearance in public life....I hope I may be believed when I say I have not the most distant knowledge of the author, and that impartiality shall ever be, and ever was my constant plan in observations of this kind."

Performances

Mainpiece Title: The Double Mistake

Performances

Mainpiece Title: Beggar's Opera

Performance Comment: As17650914, but Beggar-Castle; New Occasional Prologue-_.

Afterpiece Title: The Hermit

Event Comment: Mainpiece: Not acted these 8 years. [See 14 April 1758.] Characters New Dress'd

Performances

Mainpiece Title: Julius Caesar, With The Deaths Of Brutus And Cassius

Afterpiece Title: The Intriguing Chambermaid

Dance: End of Play: The Village Romps, as17651019

Event Comment: Mainpiece: Not Acted these 14 years. [See 5 March 1752.] Characters New Dress'd

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Midas

Event Comment: Tomorrow, a New Comedy (never perform'd) call'd the Clandestine Marriage

Performances

Mainpiece Title: Almena

Afterpiece Title: The Hermit

Dance: I: A Comic Dance-Sg Giorgi, Sga Giorgi; II: Hearts of Oak-Aldridge, Miss Baker

Event Comment: GGarrick reported to be at [?] cg & that Powell & Holland had borrowed #25,000 at 5 0@0 interest to purchase Garrick's Share (Winston MS 9, from Burney news cuttings)

Performances

Mainpiece Title: The Clandestine Marriage

Performances

Mainpiece Title: The Supplement

Performance Comment: An entire new lecture upon Heads, portraits and whole lengths by George Alexander Steevens.
Event Comment: dialogue in The Public Advertiser, 3 March, comments on arrangement of the stage for an Assembly; dimensions are 60 feet wide, 110 feet long, and 35-40 feet high. It has been altered and enlarged recently, for the columns are new and the upper end grew narrow, says the other speaker.

Performances

Mainpiece Title: Artaserse

Event Comment: Letter in the Public Advertiser from one ag who signed herself a 'Constant Reader': "Sir: As your correspondents sometimes favour us with Theatrical Observations, permit me, though a woman, to throw in my mite, not that I aspire to the character of a Critic...the reason I take up my pen is merely for the sake of information. A few evenings ago I was at the New Comedy of the Clandestine Marriage, where, I assure you I was greatly entertained; but at the conclusion of the last act, must own was not a little surprised to find Miss Sterling so much neglected, as I was at that instant wondering what kind of Apology Sir John would make her, when behold he stands close by her without saying a word; which in my opinion concludes the play too abruptly. The author indeed has not placed her in the most excellent light; yet as a Lady, and of Character, shall I say of Fortune too, some Apology on the Gentleman's side seems naturally to arise from the incidents of the piece. But perhaps I am mistaken, which I am the more willing to imagine from the known abilities of the ingenious authors. If any of your critical correspondents should think it worth their while to set me right in that Particular, it will be esteemed a favour." (Frances Street, March 5.

Performances

Mainpiece Title: The Clandestine Marriage

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Foppling Flutter

Afterpiece Title: The Old Maid

Performance Comment: As17660107, but Old Maid (New Dress'd)-Woodward (Being the first and, he believes, the last time of his appearing in that character). [But see17660401] .But see17660401] .

Dance: End: The Village Romps, as17651019