SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre on Wind mill Hill"/1) | (@(roleclean,performerclean) "New Theatre on Wind mill Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5089 matches on Event Comments, 4168 matches on Performance Comments, 3033 matches on Performance Title, 247 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: By permission of the Proprietor of the Theatre-Royal, Covent-Garden. [Philipps was from cg.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Lock and Key

Event Comment: Benefit for Elliston [whose 1st appearance as Othello was at Bath, 8 July 1797]. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. True Briton, 30 Aug.: Tickets to be had of Elliston, No. 3, Frith-street, Soho

Performances

Mainpiece Title: Othello

Afterpiece Title: No Song No Supper

Song: End: Sweet Echo, the song-Mrs Bland, the echoMrs Atkins

Event Comment: "In point of voice, there are few women so highly favoured as Mrs Litchfield [whose 1st appearance at cg was on 27 May 1796]; through every gradation of tone it is perfect, combining strength and melody, it is equal to any task which the theatre (large and extensive as it is) can impose. It is suited to the firmness of declamation, the tenderness of pathos, and the burst of indignant passion" (Monthly Mirror, Oct. 1797, p. 226). The Epilogue is not listed on the playbill, but "The audience would not be satisfied without the original Epilogue [by Miles Peter Andrews], which Lewis came forward and spoke" (True Briton, 21 Sept.). [Afterpiece in place of The Poor Soldier, advertised on playbill of 18 Sept.] Receipts: #225 0s. 6d. (195.14.0; 29.6.6)

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: Netley Abbey

Performances

Mainpiece Title: The Will

Performance Comment: Sir Solomon Cynic-King; Mandeville-Wroughton; Howard-Bannister Jun.; Veritas-R. Palmer; Realize-Suett; Robert-Russell; Copsley-Maddocks; Albina Mandeville-Mrs Jordan; Mrs Rigid-Mrs Walcot (from the Theatre Royal Edinburgh; 1st appearance on this stage); Cicely Copsley-Miss Mellon; Deborah-Mrs Maddocks.

Afterpiece Title: The Prize; or, 2, 5, 3, 8

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Lewis; Strickland-Murray; Jack Meggot-Knight; Bellamy-Toms; Tester-Townsend; Buckle-Farley; Simon-Abbot; Ranger's Servant-Simmons; Chairmen-Ledger, Rees; Frankly-Holman; Mrs Strickland-Miss Chapman; Lucetta-Mrs Mattocks; Jacintha-Miss Mansel; Milliner-Mrs Follett; Clarinda-Mrs Coates (from the Theatre Royal Dublin; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: Milliner Actor: Mrs Follett

Afterpiece Title: The Farmer

Performances

Mainpiece Title: Percy

Performance Comment: Percy-Holman; Raby-Murray; Hubert-Clarke; Harcourt-Claremont; Edrick-Toms; Knight-Thompson; Douglas-Pope; Birtha-Miss Mansel; Elwina-Miss Betterton (from the Theatre Royal, Bath; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: Raymond and Agnes

Dance: Afterpiece: To conclude with a Finale-; Spanish Fandango-

Entertainment: Monologue. Preceding: Occasional Address-Holman

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Castalio-Pope; Acasto-Hull; Polydore-Clarke; Chaplain-Powel; Ernesto-Thompson; Page-Master Standen; Chamont-Holman; Serina-Miss Mansel; Florella-Miss Leserve; Monimia-Mrs Spencer (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: A Divertisement

Dance: Ballet, as17971002, but Mrs _Watts

Event Comment: [Miss Humphries, who was from the Private Theatre, Tottenham Court Road, is identified by MS annotation on Kemble playbill. In afterpiece the playbill retains Barrymore as Sir Rowland, and Bannister Jun. as Walter, but "The Public are respectfully informed that Bannister being suddenly afflicted with a Hoarseness, and Barrymore having met with an unfortunate Accident, are both rendered incapable of the honour of appearing before them this Evening. To prevent a disappointment of The Children in the Wood Dowton will perform...Walter, and C. Kemble Sir Rowland, presuming humbly upon the usual kind indulgence experienced upon such emergencies" (printed slip attached to Kemble playbill).] Receipts: #259 18s. (160.0.6; 98.12.6; 1.5.0)

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Heiress Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: The Children in the Wood

Entertainment: Entertainment. Not listed on playbill (see17971016). Morning Herald, 16 Oct.: A representation of the late engagement with the Dutch-; was unexpectedly given after the play. It was followed by some fire@works-, in which was a star, ending after various mutations in a sun, emblematic of British Glory!

Event Comment: [In mainpiece Marcellus is omitted, but for Dignum see 27 Nov.]. Account-Book: Paid Taylor for Alterations to the Theatre #200. Receipts: #369 3s. 6d. (311.7.0; 55.15.6; 2.1.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: My Grandmother

Entertainment: Entertainment. End: (In Honour of the Late Glorious Naval Victory [at Camperdown, 11 Oct. 1797]) A Representation of the English and Dutch Fleets-;[, immediately after Engagement; with the striking of the Dutch Colours to the Triumphant British Flag under the command of Admiral Duncan. To conclude with a Display of Fire@works-; [and see17971014] [, and a Full Chorus of Rule Britannia-; God save the King-

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-Caulfield; Whittle-Dowton; Nephew-Holland; Bates-Maddocks; Kecksey-Suett; Thomas-Hollingsworth; Widow Brady-Miss Biggs (from the Theatre Royal Bath; 1st appearance on this stage). 1st appearance on this stage).

Song: As17970919

Entertainment: Entertainment.As17971016

Event Comment: Ballets: By Permission of the Proprietor of the King's Theatre. 1st ballet: Composed by Didelot. Receipts: #269 0s. 6d. (267.19.6; 1.1.0)

Performances

Mainpiece Title: The West Indian

Dance: End II: Les Delassemens Militaires-Mrs Wild, Mme Rose, Mme Hilligsberg, Didelot, Fialon; End: Peggy's Love-Mrs Wild, Mme Rose, Mlle DeLaCroix, Mme Hilligsberg, Didelot, Fialon

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: The Old Maid

Performance Comment: Clermont-C. Kemble; Captain Cape-King; Mr Harlow-Holland; Mrs Harlow-Mrs Goodall; Miss Harlow-Mrs Sparks (from the Theatre Royal Edinburgh; 1st appearance on this stage); Trifle-Mrs Roffey.
Event Comment: Morning Herald, 28 Oct.: The manager of Covent Garden...liberally shut up his house on the occasion, in aid of [the] praise-worthy intention of the Proprietors of [Drury Lane] Theatre

Performances

Mainpiece Title: None

Event Comment: Mainpiece: In Act I incidental to the Tragedy, a Grand Masquerade. [This was included in all subsequent performances.] Afterpiece: With the Fantoccini, as 30 Oct. ["In the late performance of this play at Covent Garden theatre, we perceive that this objection [i.e. Romeo and Juliet in III. v standing on the stage] is removed; the principal part of the scene is spoken from a balcony...The grand funeral dirge is introduced with magnificence and ostentation. A long procession of monks, friars, &c., accompanied with music, is made to passover the stage. But what end is all this farce and shew to answer?...We must rather laugh at so much pomp and expence bestowed on Juliet. If there is any distress stirring, the candle-snuffers and scene-shifters, who assist as chief mourners, have it all to themselves" (Monthly Mirror, Nov. 1797, p. 293). Receipts: #197 3s. 6d. (193.5.6; 3.18.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin and Oberon

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, and a Solemn Dirge-; Vocal Parts-Johnston, Incledon, Townsend, Linton, Blurton, Gray, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Wheatley, Miss Sims, Mrs Henley, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Event Comment: Afterpiece [1st time; MF 2, by John Cartwright Cross, altered from The Hue and Cry, by Elizabeth Inchbald. Larpent MS 1184; not published; synopsis of plot in Morning Herald, 14 Nov.]: The Overture and Music composed by Reeve. Books of the Songs to be had at the Theatre. Receipts: #268 4s. (264.4; 4.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: An Escape into Prison

Song: As17971102

Event Comment: [Longley is identified in European Magazine, Dec. 1797, p. 410, but Monthly Visitor, Jan. 1798, p. 64, says that he was Clarke, "from the Shakesperian Theatre at Tottenham Court Road." Afterpiece in place of The Shipwreck, advertised on playbill of 24 Nov.] "[Longley] is not inferior to some Falstaffs we have seen upon the London stage, and he possesses all the traditionary shrugs, winks and bye-play usual in the representation of the part" (True Briton, 27 Nov.). Receipts: #140 18s. (101.15; 38.3; 1.0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Wroughton; Prince of Wales-C. Kemble; Duke of Lancaster-Gregson; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl of Douglas-Caulfield; Sir R. Vernon-Barrymore; Earl of Westmoreland-Trueman; Sir Wal. Blunt-Holland; Sir John Falstaff-A Gentleman (1st appearance on the stage [Longley]); Poins-Russell; Gadshill-Gibbon; Peto-Simpson; Bardolph-Webb; Francis-Suett; Carriers-Dowton, Hollingsworth; Sheriff-Maddocks; Traveller-Fisher; Messenger-Evans; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Walcot.
Cast
Role: Gadshill Actor: Gibbon

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Bull; Portius-Wilkinson; Marcus-Thomas; Sempronius-Williams; Syphax-Minton; Lucius-Dawson; Decius-Cameron; Mutineers-Barnet, Duncan; Juba-Bellamy (from the Theatre Royal York); Lucia-Miss Parker; Marcia-Miss Herbert.

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Wilson (from the Theatre Royal Margate); Young Wilding-Murray; Sir Jasper Wilding-Dawson; Beaufort-Barnet; Dapper-Thomas; Quildrive-Williams; Young Philpot-Wilkinson; Corinna-Miss Twaites; Maria-Miss Sadler.

Song: End: a celebrated Scotch Ballad-

Entertainment: Monologue.Before: [the original Address-; [i.e. Prologue] [written by Pope, with four concluding lines from Prologue of Agis- [by John Home]

Event Comment: [Sparks was from the Edinburgh theatre.] Receipts: #88 14s. (47.11.0; 36.14.6; 4.8.6)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: No Song No Supper

Event Comment: By Permission of the Proprietor of the Theatre Royal Haymarket. [Epilogue by George Colman, ynger.] Receipts: #138 0s. 6d. (134.10.6; 3.10.0)

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Round Tower

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17971202, but Gratiano-R. Palmer; Shylock-Archer (from the Theatre Royal Edinburgh; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Citizen

Event Comment: Mainpiece: Not acted these 20 years [acted 4 Jan. 1786. Mrs Johnstone, who is identified in Thespian Dictionary, 1805, was from the Birmingham theatre]. Receipts: #222 6s. (200.13; 21.13)

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: Harlequin and Quixotte

Cast
Role: Scaramouchillo Actor: Follett
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: the Magic Arm appearing to guard him in the Actor: they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and re Actor: appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Event Comment: Notwithstanding the great demand for places for The Castle-Spectre, the system of giving as much Novelty as possible at this Theatre necessarily prevents its repetition till Monday next. Receipts: #381 1s. (329.17.6; 50.12.6; 0.11.0)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Shipwreck

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: In course: solo on the violin, of his own composition-Barthelemon

Event Comment: "Incledon is no longer under any engagement at Covent-garden Theatre; having shewn a good deal of restiveness at being obliged to sing in the after-piece of Joan of Arc, he applied to Mr Harris on Friday [16 Feb.] to deliver him up his articles, which was instantly complied with" (Times, 19 Feb.). [On 22 Feb. and 15 Mar. Incledon acted, by Command; but not again until 14 Apr.] Receipts: #256 18s. 6d. (239.10.6; 17.8.0)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Music: In afterpiece: The Harp-Weippert

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #179 (168.11.6; 10.8.6)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Peeping Tom