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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "New Theatre on Wind mill Hill"/1) | (@(roleclean,performerclean) "New Theatre on Wind mill Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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11093 results for: Keyword - New Theatre on Wind-mill Hill
We found 5090 matches on Event Comments, 4168 matches on Performance Comments, 3034 matches on Performance Title, 381 matches on Author, and 0 matches on Roles/Actors.

8701
28 December 1781 @ Covent Garden

Event Comment: [In mainpiece the playbill retains Wilson, but "Last night the Audience of Covent Garden Theatre were detained above Half an Hour waiting for Wilson, who never appeared to play his character in Duplicity. At last an apology was made for his absence, and his Brother was permitted to read his part" (Morning Chronicle, 29 Dec.).] Receipts: #220 4s. (215/0; 5/4)

Performances

Mainpiece Title: Duplicity

Cast
Role: Servants Actor: J. Wilson, Newton, Joules

Afterpiece Title: The Choice of Harlequin

8702
15 February 1782 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. [Public Advertiser, 18 Feb., refers to the Overture to Rodelinda, which opened the performance, and to Street Bird, sung by Miss Linley, accompanied on the organ by Stanley; Oft on a plat of rising ground by Miss Prudom; Hide me from day's garish eye by Miss Linley; Horn and Morn by Reinhold.] 2nd piece: Set to Music by Handel. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2ndGallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Lallegro Ii Penseroso

Afterpiece Title: The Choice of Hercules

Music: End of Part I of oratorio concerto on the violoncello by Crosdill; End of Part II concerto on the hautboy by Parke

8703
04 March 1782 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Lefevre. [Author ofPrologue unknown.] Afterpiece: Never performed here [acted 5 Apr. 1734]. Doors to be opened at 5:15. To begin at 6:15. Tickets and places to be had of Mrs Lefevre, No. 25, Frith Street, Soho, and of Rice at the Theatre. Tickets delivered by Holland will be taken

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Don Quixote in England or The Humours of Sancho Pancha

Monologue: 1782 03 04 End of mainpiece Bucks have at ye all by Benson. vaudeville. End of Act I of afterpiece The Manual Exercise by Mrs Lefevre

8704
14 March 1782 @ Covent Garden

Event Comment: Mainpiece: Not acted these 4 years [acted 15 Mar. 1779]. [Trew is identified by MS annotation on Kemble playbill. Afterpiece in place of The Positive Man, announced on playbill of 12 Mar.] Paid one-half years Land Tax for the Theatre #61 5s. Receipts: #167 4s. (161/14; 5/10)

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Tom Thumb

8705
01 April 1782 @ Covent Garden

Event Comment: Benefit for Lewis. Afterpiece: As performed at the Theatre Royal in the Haymarket [beginning 6 Aug. 1779]; by the Author of the Son-in-Law, the Agreeable Surprise, &c. [John O'Keeffe]. [Prologue by George Colman, the elder.] Receipts: #195 9s. 6d. (161/11/6; tickets: 33/18/0) (charge: #105)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Tony Lumpkin in Town

Performance Comment: Principal Characters by Quick, Robson, Fearon, Booth, Stevens, Egan, Bates, Newton, Painter, Edwin; Mrs Davenett, Mrs Lewis. Cast not known. Prologue spoken by Whitfield .

Dance: End of mainpiece The Humours of Newmarket; with the Poney Races. Jockies-Harris, Langrish, Ratchford, Holloway; Ladies-Mrs Ratchford, Miss Francis, Miss Matthews

8706
11 April 1782 @ Drury Lane Theatre

Event Comment: [Miss Glassington's 1st appearance on the stage was at the Crow Street Theatre, Dublin, 15 Mar. 1781, also as Rosalind (Hibernian Magazine, Mar. 1781, p. 146).] Receipts: #103 12s. (73/6/0; 30/1/6; 0/4/6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Robinson Crusoe

Dance: End of Act I of mainpiece, as17820223

Song: In Act V of mainpiece song by Miss Field

8707
28 May 1782 @ King's Theatre

Performances

Mainpiece Title: No Performance

Performance Comment: Morning Herald, 29 May: The Influenza spares neither native [see DL, 27 and 28 May] nor foreigners; the opera heros and heroines are all laidup, and the King's Theatre was obliged to be shut up yesterday evening .

8708
31 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17811121, but Archer-Palmer (1st appearance in that character [at this theatre]); Mrs Sullen-Mrs Hedges .

Afterpiece Title: The Irish Widow

8709
11 June 1782 @ Haymarket Theatre

Event Comment: Mainpiece: Being the Sequel to The Beggar's Opera, written by Gay. Books of the Opera to be had at the Theatre. [Miss Hooke is identified on playbill of 18 June.] Afterpiece: Not acted these 2 years

Performances

Mainpiece Title: Polly

Afterpiece Title: Nature Will Prevail A Dramatic Proverb

Dance: End of Act I of mainpiece a Dance of Pirates; In Act III a Dance of Indians {performers not listed for either dance)

8710
13 June 1782 @ Haymarket Theatre

Event Comment: Mainpiece: Books of the Songs, with Miss Harper's Additional Airs, to be had at the Theatre

Performances

Mainpiece Title: The Spanish Barber Or The Fruitless Precaution

Afterpiece Title: The Son in Law

Dance: End of mainpiece, as17820606

8711
17 June 1782 @ Haymarket Theatre

Event Comment: [2nd piece in place of The Spanish Barber; 3rd piece of The Son-in-Law, both announced on playbill of 15 June.] Public Advertiser, 18 June: The Spanish Barber will be repeated as soon as Miss Harper is sufficiently recovered to return to the Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

8712
27 July 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Performance Comment: As17820605 but Macheath-Miss Kirby (from the Theatre Royal, Edinburgh; 1st appearance on this stage). hathi. 1st appearance on this stage). hathi.

Afterpiece Title: Medea and Jason

8713
15 August 1782 @ Haymarket Theatre

Event Comment: Benefit for Mrs Bulkley. 2nd piece: Never acted here. 4th piece: 1st time at this Theatre

Performances

Mainpiece Title: The Life And Death Of Common Sense

Afterpiece Title: Twelfth Night

Afterpiece Title: The Tobacco Box

Cast
Role: Hillaria Actor: Mrs Lloyd.

Afterpiece Title: The Maid of the Oaks

Dance: In Act II of 4th piece (for that night only) the Minuet de la Cour by Giorgi and Mrs Bulkley

8714
17 August 1782 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; P 1, by John O'Keeffe and George Colman, the elder. Synopsis of action in Public Advertiser, 20 Aug.]: The Music by Dr Arnold. The Scenes by Rooker. Books of the Songs [T. Cadell] to be had at the Theatre

Performances

Mainpiece Title: The East Indian

Afterpiece Title: Harlequin Teague or The Giants Causeway

Dance: Afterpiece to conclude with a Grand Ballet, in Spanish Characters, by Giorgi, Byrn, Miss Byrn, Sga Vidini, and others

8715
21 September 1782 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. [This was Mrs Bulkley's 1st appearance as a member of the DL company. As from CG, she had acted at this theatre on 9 Apr. 1778, and on other occasions.] Receipts: #144 11s. (109/3/0; 35/5/6; 0/2/6)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Robinson Crusoe

Dance: Afterpiece to conclude with a Dance by Williamson, the Miss Stageldoirs, &c

Monologue: 1782 09 21 As 17 Sept

8716
27 September 1782 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Sciolto-Clarke; Lothario-Lewis; Altamont-Whitfield; Rossano-Davies; Horatio-Aickin; Lavinia-Miss Cleland; Lucilla-Mrs Poussin; Calista-A Gentlewoman (1st appearance at this theatre and 3rd on any stage [Mrs Wheatley]) .Mrs Wheatley]) .

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820925

8717
04 October 1782 @ Covent Garden

Event Comment: [Afterpiece in place of Tom Thumb, announced on playbill of 3 Oct.] "Covent Garden Theatre. As personal allusions and party views have been attributed to the dramatic satire, called The Wishes, the author thinks he cannot so effectively disclaim them as by entirely withdrawing the piece" (Unidentified clipping, dated 5 Oct. 1782, The Tale Edition of Horace Walpoles Correspondence, cd. W. S. Lewis, 1955, xxix, 219). Paid Guard for Scene Men from 8 June to 21 Sept., on 9 occasions, approximately #900. Paid Music #7 14s.; properties 9s. [both being an average payment throughout the season per night]. Receipts: #221 8s. 6d. (218/11/0; 2/17/6)

Performances

Mainpiece Title: The Walloons

Afterpiece Title: The Wishes

8718
08 November 1782 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 2 years. "There was, in my early days, such a permanent property as a stage-door in our theatres, and the proscenium beyond it; so that when [Jane] Shore was pushed from the door, she was turned round and staggered till supported by the firm projection behind her. Here was a terrific picture full in the eye of the pit, and this most picturesque of women knew the amazing value of it" (Boaden, Siddons, I, 326). Receipts: #232 (209/8; 21/18; 0/14)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Smith; Glostcr-Aickin; Bellmour-Packer; Ratcliff-R. Palmer; Catesby-Phillimore; Derby-Chaplin; Shore-Bensley; Alicia-Mrs Ward; Jane Shore-Mrs Siddons .
Cast
Role: Catesby Actor: Phillimore

Afterpiece Title: Whos the Dupe

Dance: As17820917

8719
06 January 1783 @ Drury Lane Theatre

Event Comment: [Miss Kemble was from the York theatre.] Receipts: #277 11s. 6d. (271/4/0; 5/17/6; 0/10/0)

Performances

Mainpiece Title: Jane Shore

Cast
Role: Catesby Actor: Phillimore

Afterpiece Title: The Apprentice

8720
23 January 1783 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Arbaces-Sga Sestini (1st appearance in Serious Opera [at this theatre; see17821102]); Artabanes-Reinhold; Rimines-Davies; Artaxerxes-Mrs Kennedy; Semira-Mrs Morton; Mandane-Miss Harper (1st appearance in that character) .

Afterpiece Title: Lord Mayors Day

8721
14 March 1783 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Miss Linley still continuing so ill [see 7 Mar.] as not to be able to perform this Evening, Mrs Bannister has been so kind as to undertake to supply her Place. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Principal Vocal Parts by Norris, Reinhold; Mrs Bannister (late Miss Harper), Miss Phillips. [Cast from European Magazine, Mar. 1783, p. 231: Acis-Norris; Polyphemus-Reinhold; Galatea-Mrs Bannister; Chloris-Miss Phillips.] hathi. hathi.
Cast
Role: Chloris Actor: Miss Phillips.

Afterpiece Title: The Coronation Anthems

Music: End of Part II of oratorio concerto on the organ by Stanley

8722
25 April 1783 @ Covent Garden

Event Comment: Paid Lee Lewes in lieu of a Benefit #105. Afterpiece: Never acted at this Theatre. Receipts: #157 1s. 6d. (153/19/0; 3/2/6)

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: The Universal Passion Author(s): James Miller

Afterpiece Title: The Maid of the Oaks

Dance: In Act I of afterpiece a Dance by Harris, Miss Matthews, Miss Besford

8723
28 April 1783 @ Covent Garden

Event Comment: Benefit for Bannister. The great Overflow from Covent-Garden Theatre, on Tuesday last, has induced many of Mr Bannister's Friends to desire he would again perform the Part of Polly. In Compliance with the Wish of those to whom he is under so many Obligations, he will, this Evening, make his Appearance in that Character, for the last Time of his appearing in Petticoats [but see 3, 13 May]. Tickets delivered for Alexander and Acis and Galatea will be admitted. Receipts: #276 10s. 6d. (167/11/6; tickets: 108/19/0) (charge: #105)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Flitch of Bacon

Dance: End of Act II of mainpiece The Poney Races by Harris, Miss Matthews, and others; In Act III, as17830422

8724
17 May 1783 @ King's Theatre

Event Comment: usual Entertainments at this Place are cut off till further Notice: the Reason of which, together with the true State of the Theatre, will in a few Days be laid before the Public by the Proprietors

Performances

Mainpiece Title:

8725
05 June 1783 @ Drury Lane Theatre

Event Comment: The last Time of the Company's performing this Season. [Mainpiece acted for the 22nd time this season. The playbill states, "for the 23rd Time"; on the Kemble playbill this has been corrected in MS to 22nd. Genest, VI, 262, says that this play was also acted on both 3 and 4 June. But on those nights the theatre was dark.] Receipts: #270 11s. (260/7; 10/4; after-money not listed). Account-Book, 5 June: Paid Mrs Siddons a Present from the Proprietors #100; 6 June: Paid 100 Renters #20 4s. apiece; 23 June: Received of Their Majesties #156

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Apprentice