SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "New Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5160 matches on Event Comments, 2740 matches on Performance Title, 1829 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Hull. Mainpiece: A New Alteration [by Thomas Hull], from Shakespeare and Shadwell. With characteristic Habits, Scenes and Decorations. [Mrs Duill is identified in Lyons, Collectanea.] Public Advertiser, 2 May: Tickets to be had of Hull, Duke's Court, near Dean's-yard, Westminster. Receipts: #80 10s. (77/5; 3/5; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Tom Thumb

Dance: In Act II of mainpiece a Banquet and Masquerade Dance [performers not listed]; End of mainpiece Leap Year, as17851010

Event Comment: A new Comic Opera [1st time; COM 2], written by Charles Francis Badini, and set to music by Pasquale Anfossi. "The Author has . . . struck out ideas fit to excite the utmost powers of harmony. We do not think that he has been sufficiently seconded by Signor Anfossi. The music evidently labours under a tedious monotony" (General Advertiser, 22 May)

Performances

Mainpiece Title: L'inglese In Italia

Dance: As17860516 throughout

Event Comment: Benefit for Nix, Mrs Hedges & Miss Barnes. [As mainpiece the playbill announces The School for Scandal, but "Smith having an inflammation in his eyes, and Aickin being suddenly laid up with the gout, the play was obliged to be changed [to] The Beggar's Opera" (Morning Herald, 25 May).] Morning Chronicle, 22 May: Tickets to be had of Nix, No. 21, Crown-court, Little Russel-street, Covent Garden; of Mrs Hedges, No. 168, opposite New Bondstreet, Piccadilly; of Miss Barnes, at Cateman's, No. 52, Drury Lane. Receipts: #300 0s. 6d. (60/10/0; 19/13/6; 2/0/0; tickets: 217/17/0) (charge: #108 8s. 1d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Romp

Dance: End of Act III of mainpiece, as17860502

Song: End of Act I of mainpiece Sweet, O sweet!; End of Act II Niddity Nod; End of Act IV a favourite Hunting Song, all three by Miss Barnes [the 3rd song omitted?, i.e. mainpiece has only 3 acts]

Event Comment: Benefit for Babbini. A Serious Opera [1st time; ser 3, by Giovanni de Gamerra]; the Music entirely new by Michele Mortellari. Public Advertiser, 23 May: Tickets to be had of Babbini, No. 17, Great Pulteney-street, Goldensquare

Performances

Mainpiece Title: Armida

Dance: As17860523 throughout

Event Comment: Afterpiece: 51st [recte 50th] Time [i.e. in continuation of the reckoning for the previous season]. With a Processionv exactly representing the Dresses, Weapons, and Manners of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly Islands, Sandwich Islands, and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook. Receipts: #263 15s. 6d. (260.5.0; 3.10.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Omai; or, A Trip round the World

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley, based on The Lucky Chance, by Aphra Behn. Prologue and Epilogue by James Cobb (see text)]: With Variety of new Scenes, Dresses, &c. Morning Chronicle, 28 Dec. 1786: This Day is published A School for Grey-Beards (1s. 6d.). Receipts: #220 8s. (206.14; 13.4; 0.10)

Performances

Mainpiece Title: A School For Grey-beards; Or, The Mourning Bride

Afterpiece Title: The Englishman in Paris

Dance: In afterpiece: Minuet de la Cour-Hamoir, Miss Stageldoir

Song: III: song (in character)-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Event Comment: The Public are most respectfully informed, that, in consequence of the sudden and violent Indisposition of Mr Parsons, the second Performance of the New Comedy, called A School for Grey-Beards, is unavoidably postponed. This Evening will be presented [as above] (printed slip attached to Kemble playbill). Receipts: #182 13s. 6d. (141.9.0; 38.7.0; 2.15.0; ticket not come in: 0.2.6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: Richard Coeur de Lion

Event Comment: Mainpiece: With new Songs by the Author [John O'Keeffe], and composed by Shield. Receipts: #182 9s. (179.18.6; 2.10.6)

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Afterpiece Title: The Cheats of Scapin

Dance: As17861116

Event Comment: "A new Tragedy, called Eloisa [and Richard Coeur de Lion, both announced on playbill of 16 Dec. were] to have been represented last night; but on account of the illness of Farren [were] obliged to be deferred, and Fontainbleau, with Hob in the Well were announced [in playbill of this present night], but on account of the sudden indisposition of Edwin...both pieces were obliged to be changed to Henry IV, with Barataria" (Public Advertiser, 19 Dec.). Receipts: #117 0s. 6d. (115.0.0; 2.0.6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Barataria

Event Comment: The Winter's Tale and the new Farce of The First Floor [both announced on playbill of 8 Jan.] are obliged to be deferred, on Account of the Indisposition of two principal Performers. Paid Parrott, Coal Merchant, #76 6s. 6d. Receipts: #150 9s. (120.10.0; 27.18.0; 1.8.6; tickets not come in: 0.12.6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Invasion

Dance: As17861205

Song: As17861205

Event Comment: A Comic Opera, 2 acts; the music [entirely new, composed by Domenico Cimarosa [with additions by Cherubini and Gazzaniga]. Under the direction of Mazzinghi. Receipts: #58 7s. 6d. [non-subscription]

Performances

Mainpiece Title: Giannina E Bernardone

Dance: As17870106

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald. Prologue by Thomas Vaughan. Epilogue by Miles Peter Andrews (see text). Public Advertiser, 14 Feb: Part of Andrews's Epilogue to Eloisa [see 20 Dec. 1786]...was blended with Epilogue spoken on first representation of Such Things Are]: With new Scenes, Dresses, &c. Public Advertiser, 1 Dec. 1787: This Day is published Such Things Are (1s. 6d.). Receipts: #214 10s. (212.10; 2.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Enchanted Castle

Event Comment: Afterpiece: Not acted these 11 years. With new Dresses and Decorations. Receipts: #142 3s. 6d. (105.17.0; 35.13.6; 0.13.0)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Dance: End: As17870113; Afterpiece: With a Grand Dance-Hamoir, Ferrere, Miss Fuse, the Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.

Event Comment: The New Comedy of Seduction [announced on playbill of 8 Mar.] is unavoidably deferred 'till Monday. Receipts: #128 5s. (98.3; 28.13; 1.9)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The First Floor

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft. Prologue by the author (Public Advertiser, 19 Mar.). Epilogue by Miles Peter Andrews (Knapp, 81)]: With new Scenery, Dresses, &c. Public Advertiser, 31 Mar. 1787: This Day is published Seduction (1s. 6d.). Receipts: #187 15. (162.14.0; 24.1.6; 0.17.0; ticket not come in: 0.2.6)

Performances

Mainpiece Title: Seduction

Afterpiece Title: The Gentle Shepherd

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by Edmond Malone. Epilogue by John Courtenay (see text)]: With new Dresses, Decorations, &c. Public Advertiser, 18 Dec. 1787: This Day is published Julia (1s. 6d.). Receipts: #217 2s. 6d. (201.5.0; 15.11.0; 0.6.6)

Performances

Mainpiece Title: Julia; Or, The Italian Lover

Afterpiece Title: The First Floor

Event Comment: A Serious Opera; the music by Tarchi. Mme Mara being indisposed, the new serious Opera, L'Amore Protetto dal Cielo; o sia, La Vestale, is unavoidably postponed; and Sga Benini will appear this evening for the first time in the character of Virginia. Receipts: #104 0s. 6d. [non-subscription]

Performances

Mainpiece Title: Virginia

Dance: End I: Divertissement, as17870116; End Opera: La Jardiniere, as17870322

Event Comment: Benefit for Baddeley. 2nd piece [1st time; INT 1, probably by Robert Baddeley. Larpent MS 765; not published]. 3rd piece [1st time; MF 1, author unknown. Larpent MS 766; not published]: The Overture and Music entirely new. Public Advertiser, 5 Apr.: Tickets to be had of Baddeley, No. 2, Little Russel-street, Covent Garden. Receipts: #285 (96.3.0; 14.1.6; 0.18.6; tickets: 173.17.0) (charge: #105 9s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: (End of Act II mainpiece) Jewish Courtship

Afterpiece Title: The Mistake of a Minute

Event Comment: A Serious Opera in 2 acts [1st time; by Carlo Francesco Badini]; the music entirely new by Venanzio Rauzzini. Receipts: #178 16s. 6d. [non-subscription]

Performances

Mainpiece Title: La Vestale; O Sia, L'amore Protetto Dal Cielo

Dance: End I: Divertissement, as17870428; End Opera: Sylvie, as17870322but Mlle _Mozon

Event Comment: Afterpiece: The Overture, new Airs, and Accompaniments by Dr Arnold

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: The Siege of Curzola

Dance: As17870702

Event Comment: [Mainpiece in place of The Grecian Daughter, advertised on playbill of 12 Oct.] Afterpiece: As originally Performed. With new Dresses, the Original Music, Scenery and Decorations. "When the hissing began there was an attempt by the Clown to put the audience in humour, by rolling over and over across the stage with a woman, or a man dressed in women's clothes. If this were a coup d'oeil for the Galleries, it was certainly an insult to the Boxes...We are glad to say that obscenity failed to rescue folly" (World, 16 Oct.). Receipts: #262 4s. (261.3; 1.1)

Performances

Mainpiece Title: Othello

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

Event Comment: Mainpiece: With new Dresses and Decorations. Afterpiece: With Alterations. Receipts: #260 8s. 6d. (257.6.0; 3.2.6)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Orpheus and Eurydice

Song: II: the Grand Triumphal Entry of Alexander into Babylon-; Vocal Parts-Johnstone, Cubitt, Brown, Darley, Doyle, Rock, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Watts, Miss Blower, Mrs Kennedy

Event Comment: The new Farce of The Farmer [advertised on playbill of 25 Oct., and see 31 Oct.] is obliged to be deferred on Account of the sudden Indisposition of a Principal Performer. Receipts: #154 17s. 6d. (150.11.6; 4.6.0)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Love in a Camp

Song: As17871022

Event Comment: Mainpiece: With Dresses and Decorations entirely new. [Afterpiece in place of The Distress'd Baronet, advertised on playbill of 29 Nov.] Receipts: #75 15s. (58.11.0; 16.15.6; 0.8.6)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Humourist

Event Comment: Mainpiece: Performed but once [on 14 Apr. 1787]. With new Dresses, Decorations, &c. [Prologue by Edmond Malone; Epilogue by John Courtenay (see text). Afterpiece in place of The First Floor, advertised on playbill of 10 Dec.] Receipt2: #223 10s. (195.13.0; 27.8.6; 0.8.6)

Performances

Mainpiece Title: Julia; Or, The Italian Lover

Afterpiece Title: The Humourist