SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "New Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5160 matches on Event Comments, 2740 matches on Performance Title, 1829 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: With alterations [by Richard Brinsley Sheridan]. The new comedy of The Fathers [announced on playbill of 27 Nov.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #123 6s. 6d. (89.14.0; 32.19.0; 0.13.6)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Camp

Event Comment: Mainpiece [1st time; C 5]: By the celebrated Henry Fielding; and never yet performed or published. With new Scenes, Dresses, &c. [and incidental music by Michael Arne. Prologue by David Garrick. Epilogue by the same (see text)]. Public Advertiser, 12 Dec. 1778: This Day is published The Fathers (1s. 6d.). "This play was written by Mr Henry Fielding, some years before his death. Mr Garrick saw it at that time. Mr Fielding gave the only fair copy he had of it to his friend Sir Charles Williams, of whose judgment he entertained a high opinion. Sir Charles soon after went abroad, and the comedy was mislaid. Mr. Fielding communicated this circumstance to his family on his death-bed; and enquiry was made for it, but without effect. At length Mr Thomas? Johnes, Member for Cardigan, looking over Sir Charles's books, found a comedy in manuscript, which he read, and, approving, had it transcribed and sent to Mr Garrick for his opinion, who, like Archimedes, cried out, 'This is the lost sheep! This is Mr Henry Fielding's play!' Mr Garrick communicating it to Mr Johnes, Mr Johnes immediately sent the original manuscript, which was in Mr Fielding's hand-writing, to the family, with his best wishes for its success, promising to assist it to the utmost of his power" (Gentleman's Magazine, Dec. 1778, p.586). See also, for corroboration of the above and for other details, Wilbur L. Cross, The History of Henry Fielding, 1918, III, 99-104. Receipts: #210 11s. 6d. (186.6.0; 23.19.6; 0.6.0)

Performances

Mainpiece Title: The Fathers; Or, The Good Natur'd Man

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Mainpiece [1st time; T 5, ascribed to-Johnstone. Authors of Prologue and Epilogue unknown]: With New Scenes and Dresses. Public Advertiser, 1 Jan. 1779: This Day is published Buthred (1s. 6d.)

Performances

Mainpiece Title: Buthred

Performance Comment: Principal Characters by Wroughton, Clarke, Farren, Peile, L'Estrange, Thompson, Aickin, Miss Platt, Mrs Hartley (1st appearance this season). [Cast from text (F. Newbery, 1779): Buthred-Wroughton; Morcar-Clarke; Elwin-Farren; Elbert-Peile; Ivar-L'Estrange; Randolph-Thompson (in text unassigned); Osbrighte-Aickin; Ela-Miss Platt; Rena-Mrs Hartley; Prologue-Hull; Epilogue-Mrs Bulkley. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Cross Purposes

Event Comment: The new Tragedy [Buthred, announced on playbill of 11 Dec.] is obliged to be deferred on account of Wroughton's Hoarseness

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman in Paris

Dance: III: a Hornpipe-Miss Besford; Afterpiece: a Minuet-Dagueville, Mrs Mattocks

Event Comment: [Mainpiece in place of Merope, announced on playbill of 4 Jan. "We played last night Much Ado about Nothing, and had an apology to make for the change of three principal parts. About twelve o'clock Mr Henderson sent word he was not able to play. We got Mr Lewis from Covent Garden, who supplied the part of Benedick. Soon after Mr Parsons sent word he could not play. Mr Moody supplied the part of Dogberry; and about four in the afternoon Mr Vernon sent word he could not play. Mr Mattocks supplied his part of Balthazar...In the middle of the first act, a message was brought me that Mr Lamash (who was to play the part of Borachio) was not come to the House. I had nobody there that could go on for it, so I was obliged to cut his scenes in the first and second acts entirely out, and got Mr Wrighten to go on for the remainder of the part. At length we got the play over without the audience finding it out. We had a very bad house. Mr Parsons is not able to play in The School for Scandal to-morrow night; do not yet know how we shall be able to settle that" (Garrick, Private Correspondence, II, 328-29: Hopkins, prompter,in letter to Garrick, 6 Jan. 1779. He does not state who took Wrighten's place as the Sexton.).] On account of the sudden Illness of a Principal Performer, the new Pantomime [The Wonders of Derbyshire, announced on playbill of 4 Jan.] is obliged to be deferred till Friday. Receipts: #74 11s. (48.19; 25.10; 0.2)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Irish Widow

Dance: As17780919

Event Comment: Mainpiece: Written by the Author of Braganza [1st time; T 5, by Robert Jephson. Prologue and Epilogue by the author (see text)]. With new Scenes and Dresses. Public Advertiser, 15 Feb. 1779: This Day is published The Law of Lombardy (1s. 6d.). Receipts: #221 (196.19.0; 23.13.6; 0.7.6)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: High Life below Stairs

Event Comment: [Mainpiece in place of A Trip to Scarborough, announced on playbill of 9 Mar.] 2nd piece [1st time; M. INT I, by Richard Brinsley Sheridan]: With a new Scene invented and designed by DeLoutherbourg for the occasion. [Music composed by Thomas Linley Sen. Miss Wright is identified on playbill of 24 May; and see 19 Feb.] Public Advertiser, 27 Mar. 1779: This Afternoon at Four is published A Monody (1s. 6d.). Afterpiece: Not acted these 3 years. Receipts: #213 10s. 6d. (180.18.0; 32.6.0; 0.6.6). "Some of the verses [of the Monody] were responded [to] by the principal vocalists, accompanied by the band, who occupied an orchestra built on the stage, as at the oratorios. The whole of the performers [were] requested to appear in black clothes" (Parke, I, 17)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: A Monody

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: A Miscellaneous Act

Performance Comment: Overture-, composed by Barthelemon; new cantata, A Sea Storm, composed by Barthelemon,-Mrs Barthelemon; Under sweet Friendship's Name-Vernon; Canon-Barthelemon; Concerto on the hautboy-Sharp; Song, composed by Dr Arne,-Mrs Wrighten; Concerto on the flute-DeCamp; Italian Rondeau-Mrs Barthelemon; Variation of Lovely Nancy, as done in Italy,-Barthelemon; Concerto on the violin-Barthelemon.

Afterpiece Title: Victory, an Ode Inscribed to Admiral Keppel; Messiah

Event Comment: Benefit for Dodd. Afterpiece: With Alterations. Not acted these 50 years [acted 31 Dec. 1739]. Public Advertiser, 6 Mar.: Tickets to be had of Dodd at his house, New Ormond-street. Receipts: #272 4s. 6d. (117.4.0; 13.19.0; 2.1.6; tickets: 139.0.0) (charge: #66 15s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Britons, Strike Home

Event Comment: Benefit for Wilson. Mainpiece: Not acted these 3 years. 3rd piece: Written by D. Garrick, Esq., with Additions. 4th piece [1st time; MF 2, by Charles Stuart]: The Overture and Music chiefly new, by Gehot, and Shield, who composed the music to The Flitch of Bacon. Public Advertiser, 3 Apr.: Tickets to be had of Wilson, No. 2, Henrietta-street, Covent Garden. Ibid, 29 Apr. 1779: This Day is published The Cobler of Castlebury (1s.)

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Funeral; or, Grief a-la-Mode

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: The Cobler of Castlebury

Event Comment: Benefit for Whitfield and Mrs Morton. Public Advertiser, 17 Apr.: Tickets to be had of Whitfield, No. 14, New Crown Court, Russel Street, Covent Garden; of Mrs Morton, No. 15, same address

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Comedy of Errors

Afterpiece Title: True-Blue

Afterpiece Title: The Invasion

Dance: 3rd piece: As17790405; End IV: Hornpipe-Master Davies (scholar to Hurst; 1st appearance in public)

Song: In III: song in character-Mrs Morton

Event Comment: Benefit for Harwood, Thompson & Miss Wright [who had 1st appeared as a singer in the oratorios, 19 Feb.]. Public Advertiser, 3 May: Tickets to be had of Harwood at Mrs Powel's, New Nelson-street; of Thompson, No.7, Great Marlborough-street; of Miss Wright, No. 136, Drury-lane. Receipts: #267 4s. (69.5.0; 19.2.6; 0.6.6; tickets: 178.10.0) (charge: #105). The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Song: As17790503

Entertainment: End: Imitations-Bannister Jun

Event Comment: Mainpiece: With a new Fandango Overture, and some additional Songs

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: Man and Wife

Dance: End: Tambourine Dance-Master and Miss Byrn; End II afterpiece: As17790531

Event Comment: [The playbill of 23 July announces for performance on this night the 1st night of A Tour in Wales, "a New Dramatic Piece of Three Acts, interspersed with Songs." It appears never to have been acted. Larpent MS 484; the author is unknown.

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Flitch of Bacon

Dance: As17790610

Event Comment: Mainpiece [1st time; T 5, by Hannah Cowley. Prologue by the author (Morning Chronicle, 9 Aug.)]: New Scenes painted by Rooker. Public Advertiser, 30 Aug. 1779: This Day is published Albina, Countess Raimond (price not listed)

Performances

Mainpiece Title: Albina, Countess Raimond

Afterpiece Title: Piety in Pattens

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Griffith, based on Le Bourru Bienfaisant, by Carlo Goldoni. Author of Prologue unknown; Epilogue by Horace Walpole (Works, 1798, IV, 402-3)]: With new Dresses and Scenes. Receipts: #199 16s. (184.17.0: 14.11.6; 0.7.6)

Performances

Mainpiece Title: The Times

Afterpiece Title: The Padlock

Event Comment: The new Operas [see 14 Dec.] which were intended for this Evening are obliged to be postponed till Tuesday

Performances

Mainpiece Title: Alessandro Nelle Indie

Dance: As17791127

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Every-where

Performance Comment: As17800110, but added: With an Entire New Scene, never introduced before.

Performances

Mainpiece Title: The Double Deception

Performance Comment: As17800126, but Fairgrove-Packer in place of Aickin; New Prologue-Mrs Robinson.
Cast
Role: New Prologue Actor: Mrs Robinson.

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: The Widow Of Delphi

Afterpiece Title: The Deaf Lover

Performance Comment: Principal Characters by Lee Lewes, Whitfield, Robson, Fearon, Thompson, Brunsdon, Bates, Stevens, Wilson, Mrs Morton, Mrs Whitfield, Mrs Wilson. [Cast from text (J. Bowen, (1780): Meadows-Lee Lewes; Canteen-Whitfield; Young Wrongward-Robson; Groom-Fearon; John-Thompson; Servants-Brunsdon, Cushing; Sternhold-Bates; William-Stevens; Old Wrongward-Wilson; Gentlemen-Smith, Ledger; Cook-Painter; Sophia-Mrs Morton; Betsy Blossom-Mrs Wilson; Ladies-Miss Green, Miss Stewart; Mrs Whitfield; New Prologue-Lee Lewes. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: New Prologue Actor: Lee Lewes.

Performances

Mainpiece Title: Fatal Falshood

Afterpiece Title: The Golden Pippin

Performance Comment: Jupiter-Reinhold; Paris-Mattocks; Momus-Quick; Mercury (1st time)-Robson; Venus-Miss Brown; Pallas-Mrs Morton; Iris-Miss Valois; Juno (with a new Scotch air)-Miss Catley (1st appearance these 3 years).
Event Comment: Benefit for Dodd. Mainpiece: Not acted these 20 years. Public Advertiser, 18 Mar.: Tickets to be had of Dodd, New Ormond-street. Receipts: #192 11s. 6d. (65.11.0; 21.13.6; 0.7.0; tickets: 105.0.0) (charge: #78 4s.)

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: The ChristmasTale

Dance: As17791122

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: A new Comedy, in 5 Acts [1st time; author unknown; not in Larpent MS; not published. Authors of Prologue and Epilogue unknown]. Afterpiece: Never acted here. A Comedy in 2 Acts, taken from Moliere and D'Ancourt. The Doors to be opened at 5:00. To begin at 6:15. Tickets delivered for Vietch, Burton and Miss Brown will be taken

Performances

Mainpiece Title: A School For Ladies; Or, The Levee Of Lovers

Afterpiece Title: No Wit Like A Woman's

Performance Comment: Lovemore-Barber; Sir Peter Pride-Poultney; Clodpole-Newton; Jeffery-M'Millin; Jeremy-Burton; Barnaby Brittle-Barrett; Lady Pride-Mrs Baker; Damaris-Miss Jackson; Mrs Brittle-Miss Brangin.
Cast
Role: Clodpole Actor: Newton
Event Comment: Benefit for Hurst and Burton. Public Advertiser, 26 Apr.: Tickets to be had of Hurst at More's, pastry cook, the East End of the New Church, Strand; of Burton, No. 149, Fleet-street. Receipts: #111 18s. (27.0.0; 20.19.6; 0.13.6; tickets: 63 .5.0) (charge: #64 11s. 6d.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Who's The Dupe

Dance: As17791215

Song: End IV: As17800411

Event Comment: Benefit for the New General Lying-In Hospital, Store-street, Tottenham-Court-Road

Performances

Mainpiece Title: Bonduca

Afterpiece Title: Midas

Entertainment: End: (for that night only) a Variety of Imitations-G. Saville Carey