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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "New Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8638 results for: Keyword - New Theatre in Lincolns-Inn-Fields
We found 5160 matches on Event Comments, 2740 matches on Performance Title, 1829 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

6276
01 November 1786 @ no theater listed

Event Comment: The Lord Chamberlain sent an order, between four and five in the evening, to the two theatres to cease representing any plays, till after the funeral of the late Princess Amelia [daughter of George II; she died on 31 Oct.] (Morning Chronicle, 2 Nov.)

Performances

Mainpiece Title: None

6277
13 November 1786 @ Covent Garden

Event Comment: [Mrs Belfille was from the Norwich theatre.] Account-Book, 6 Dec.: Paid Mrs Belfille for a Stage Dress #21 10s. 6d. Afterpiece: Not acted these 15 years [acted 15 Jan. 1776]. The Doors will be opened at 5:15. To begin at 6:15 [see 30 Apr. 1787]. Receipts: #243 5s. 6d. (238.1.0; 5.4.6)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Cheats of Scapin

6278
06 December 1786 @ Drury Lane Theatre

Event Comment: Paid Danby [for] Chorus #9; Printer [of playbills] #14 6s. 6d. [Mrs McGeorge was from the Tunbridge Wells theatre.] Afterpiece: To conclude with a Grand Representation of a Regattav . "When [Mrs Siddons] begins a dialogue of scorn, at the top of her voice (as she did last night in the fifth act), the climax must inevitably be sacrificed" (Morning Chronicle, 7 Dec.). Receipts: #227 6s. (204.6.0; 22.4.6; 0.15.6)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Waterman

6279
06 December 1786 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17861117, but Madge [i.e. Margery ] (1st time at this theatre)-Mrs Wells.

Afterpiece Title: The Girl in Style

Dance: As17861117

6280
13 December 1786 @ Covent Garden

Event Comment: Mainpiece: Not acted these 6 years. [Didier was from the Bath theatre. Afterpiece in place of The Poor Soldier, announced on playbill of 12 Dec.] Receipts: #159 15s. (156.15; 3.0)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Hob in the Well

Dance: As17861212

6281
21 December 1786 @ Drury Lane Theatre

Event Comment: Afterpiece: A Dramatic Entertainment of Singing, Dancing, and Dialogue, in Honour of Shakespeare. In which a Pageantv, the Music by Dibdin. Books of the Songs to be had at the Theatre. Receipts: #224 12s. 6d. (181.14.0; 41.13..6; 1.5.0)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Jubilee

6282
23 January 1787 @ Covent Garden

Event Comment: Paid the Duke of Bedford One Year and 9 Mos. Rent for the Theatre, the House in Bow Street, and the House in the passage #336 17s. 6d. Receipts: #180 (176.16; 3.4)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Enchanted Castle

6283
02 February 1787 @ Drury Lane Theatre

Event Comment: "Friday night, about 20 minutes before eight o'clock, on the conclusion of the third act, a very serious alarm took place at Drury Lane Theatre. A fire broke out at an oil-shop, the corner of Little Brydges-street. The flames appearing through the windows at the back of the upper gallery, the alarm of fire spread through many parts of the house. [The audience was dismissed, those in the boxes] passing over the stage into Russel-street...Some of the box and pit company continued for a time on the stage with the performers, some of whom were dressed in character, others half dressed, and the appearance [was] truly motley" (Public Advertiser, 5 Feb.). Receipts: #133 12s. (129.10; "An Alarm of Fire prevented the 2nd Acct."; 3.12; tickets not come in: 0.10)

Performances

Mainpiece Title: Rule A Wife And Have A Wife [1st 3 Acts Only]

6284
26 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Event Comment: Benefit for Sidney. Pit 1s. Gallery 6d. To begin at 7:00 precisely. Tickets to be had at the Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Sidney; Young Wilding-Russel; Sir Jasper Wilding-Young; Beaufort-Wilson; Young Philpot-Sterne; Corinna-Mrs Marriot; Maria-Mrs Sterne.
Cast
Role: Corinna Actor: Mrs Marriot

Song: End: The Wedding Day-Wilson

Entertainment: Monologue. Afterpiece to conclude: with an Occasional Address of Thanks-Sidney

6285
20 April 1787 @ Drury Lane Theatre

Event Comment: [Kelly was from the Court Theatre, Vienna.] Receipts: #114 6s. 6d. (93.0.0; 20.15.6; 0.8.6; ticket not come in: 0.2.6)

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

6286
15 May 1787 @ Covent Garden

Event Comment: Afterpiece: Books of the Songs to be had at the Theatre. Receipts: #168 17s. (162.16; 6.1)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Nina

Dance: End: The Piping Pedlar- [see17861002]

Song: Afterpiece: an additional song by Piccinni-

6287
19 July 1787 @ Haymarket Theatre

Event Comment: Benefit for Browne. [Miss Eccles, who was from the York theatre, is identified in European Magazine, July 1787, p. 64.] Public Advertiser, 16 July: Tickets to be had of Browne, No. 13, King-street, Covent Garden

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Flitch of Bacon

Entertainment: Monologue End: a monody, The Shadows of Shakespeare; or, Shakespeare's Characters doing Homage to Garrick (written by Samuel Jackson? Pratt)-Browne

6288
10 September 1787 @ Haymarket Theatre

Event Comment: On Account of the approaching Close of the Theatre, Vimonda is necessarily discontinued till next Season [see 28 Aug. 1788]

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Village Lawyer

6289
17 September 1787 @ Covent Garden

Event Comment: The Doors to be opened at 5:30. To begin at 6:30 [see 13 Nov.]. Places for the Boxes to be taken of Brandon at the Theatre. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #213 6s. 6d. (208.10.0; 4.16.6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Poor Soldier

6290
03 October 1787 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Johnstone; Hawthorn-Darley; Hodge-Blanchard (from the Theatre Royal, Bath; 1st appearance on this stage); Sir William Meadows-Fearon; Eustace-Davies; Carter-Wewitzer; Footman-Bonville; Cook-Rock; Justice Woodcock-Quick; Deborah-Mrs Pitt; Madge-Mrs Wells; Lucinda-Mrs Morton; House Maid-Miss Stuart; Rosetta-Mrs Billington.

Afterpiece Title: The Lying Valet

6291
19 October 1787 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Archer-Bernard (from the Theatre Royal, Bath; 1st appearance on this stage); Aimwell-Farren; Father Foigard-Johnstone; Boniface-Booth; Sullen-Fearon; Gibbet-Cubitt; Sir Charles Freeman-Davies; Scrub-Quick; Cherry-Mrs Martyr; Dorinda-Mrs Mountain; Lady Bountiful-Mrs Platt; Gipsey-Miss Brangin; Mrs Sullen-Mrs Bernard (1st appearance on this stage).

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: Mirth by Moonshine-[see17870928]

6292
09 November 1787 @ Covent Garden

Event Comment: [Farren's 1st appearance as Shore was at this theatre, 20 Dec. 1785.] Receipts: #182 7s. 6d. (174.16.0; 7.11.6)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Enchanted Castle

6293
26 November 1787 @ Covent Garden

Event Comment: [The playbill announces The Tender Husband, and Three Weeks after Marriage, but the former "was last night obliged to be deferred on account of the real or feigned Indisposition of Mrs Abington, of which was sent to the Theatre at Two o'clock. The Merry Wives of Windsor was substituted...Mrs Wells, to whom the part of Mrs Page belongs, could not or would not play...Mrs Bernard read the part. Bernard also supplied the place of Cubitt in Slender. The Farmer was substituted for Three Weeks after Marriage" (Public Advertiser, 27 Nov.).] Receipts: #158 18s. (151.8.6; 7.9.6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Farmer

6294
05 December 1787 @ Covent Garden

Event Comment: Mainpiece: Sir Richard Steele's Comedy. Never acted at this theatre [acted 17 Mar. 1760, and advertised for performance on 10 Apr. 1764]. Receipts: #229 8s. 6d. (213.19.6; 15.9.0)

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplished Fools

Afterpiece Title: The Farmer

Dance: As17871029

6295
12 December 1787 @ Drury Lane Theatre

Event Comment: [Hollingsworth was from the Liverpool theatre.] Receipts: #89 19s. 6d. (57.13.0; 31.7.0; 0.2.0; tickets not come in. 0.17.6)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: I: a Country Dance, as17870927; End II: The Capricious Lovers, as17870920; In afterpiece: The Minuet de la Cour, as17871006

6296
14 January 1788 @ Covent Garden

Event Comment: Mainpiece: Never acted at this Theatre. By Beaumont and Fletcher, with Alterations [by Thomas Harris (Boaden, Kemble, I, 378)]. Public Advertiser, 15 Jan.: The alterations consisted of many curtailments, the last scene of Act IV being entirely omitted. [Prologue by Henry Sampson Woodfall Jun. (European Magazine, Dec. 1787, p. 503; Feb. 1788, p. 105).] Receipts: #150 2s. (146.18; 3.4)

Performances

Mainpiece Title: King And No King

Afterpiece Title: The Dumb Cake

Song: II: a Grand Chorus-Johnstone, Davies, Darley, Cubitt, Blurton, Janson, Bonville, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Watts, Mrs Byrne, Miss Rowson, Miss Francis, Miss Paye, Miss Blower, Mrs Kennedy

6297
10 March 1788 @ Drury Lane Theatre

Event Comment: Smith's last Benefit. The Pit and Boxes will be laid together. Servants, who keep Places, are desired to be at the Theatre by Half past Four o'Clock; and those Ladies and Gentlemen who have Seats in the Pit are humbly requested to come early, to prevent Confusion. [Author of Epilogue unknown.] Receipts: #363 19s. 6d. (162.4.0; 0.0.0; 5.0.6; tickets: 196.15.0) (charge: #72 13s. 10d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Bon Ton

Dance: End: The Lucky Return-Mills, Miss J. Stageldoir

Song: original Music, as17871103; Chorusses and additional Accompaniments, as17871103, but _Chaplin

Entertainment: Monologue After the Dancing: an Epilogue-Smith on his Intention of retiring from the Stage

6298
29 March 1788 @ King's Theatre

Event Comment: The Manager of the Opera House hopes for the Indulgence of the Public, in laying before them the great Complaints which have been made to him, on account of Invoncenience in the Entertainments, arising from the enormous Caps and Bonnets which several Ladies make it a Practice to appear in, within the Pit of this Theatre, excluding thereby that Part which is presentdd from the Dancing in a great Degree. The Manager is therefore under the Necessity of soliciting the Ladies to take the same into their Consideration, and humbly presumes for their Indulgence on the Occasion. Receipts: #246 8s. [non-subscription]

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End I: As17880315but Euthyme et Eucharis-_

Ballet: End Opera: L'Amour et Psiche. As17880129

6299
02 April 1788 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. [In mainpiece Squire Tally-ho is assigned to Edwin, and he is also listed as acting in the afterpiece, but "On the night of Mrs Mattocks' benefit [he] absented himself from the theatre, and at his next appearance [on 4 Apr.] was obliged to make an apology" (Town and Country Magazine, Apr. 1788, p. 188). Who substituted for him, in both pieces, has not come to light.] Receipts: #249 15s. (180.3.6; 4.7.6; tickets: 65.4.0)

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Afterpiece Title: The Midnight Hour

Dance: As17871129

6300
26 April 1788 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Romance of an Hour

Performance Comment: Sir Hector Strangeways (for that night only)-Powell (from the Theatre Royal, Bath); Orson Strangeways-Quick; Brownlow-Davies; Colonel Ormsby-Macready; Pillage-Fearon; Bassore-Bernard; Lady Die Strangeways-Mrs Webb; Zelida-Mrs Bernard.

Dance: As17880301

Entertainment: Monologues. End I: A Dissertation on Macaronyism-Bernard; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard