SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: A New Piece in 2 Acts [by William O'Brien] never perform'd. [Genest, V, 363, assigns parts as follows: Grub-$Shuter; Consol-$Quick; Chapeau-$Lewes; George Bevil-$Wroughton; Robin-$Dyer; Mrs Grub-$Mrs Green; Emily-$Mrs Bulkley; Jenny-$Mrs Kniveton. See playbill 8 Oct. 1773. Plot given in detail in Town and Country Magazine for this month.

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End: The Recruits, as17721117

Event Comment: Cymon and The Witches both to be laid aside after this night on account of preparations for a New Pantomime for the Holidays (Winston MS 10). [See Pigmy Revels, 26 Dec.] Paid Mr Vernon on note #10 10s.; Mr Wright's bill to Manning, #4 10s. 3d.; Eaton for Women's cloaths #16 16s.; Master Cape per order, #2 12s. 6d. Receipts: #177 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Witches

Event Comment: [The preliminary number of The Westminster Magazine this date heartily condemned Colman's Comus "picked down into a skeleton," his production of King Henry VIII, and the new play Cross Purposes.] Receipts: #172 10s

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin Sorcerer

Event Comment: Paid Richards (scene painter) as per Bill #25 4s. Paid Mr Gard for performing 14 nights in the Ostrich to 11th inst. inclusive, #1 15s. (Account Book). [Richards possibly Painted the new scene of the Pantheonv added to Harlequin Sorcerer on 6 Jan. Mr Gard continued to receive the standard wage of 2s. 6d. per naght for performing this bird each time Harlequin Sorcerer was put on. No further notation of his payments as they occur in the account books will be made. He was paid usually after about every 12 of 14 performances.] Receipts: #166 6s. (Account Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Harlequin Sorcerer

Event Comment: The New Tragedy of Alonzo oblig'd to be deferr'd for a few days. Receipts: #168 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Irish Widow

Dance: I: Comic Dance, as17720922; End Act I Afterpiece: The Irish Fair, as17721023

Event Comment: On Saturday, a New Tragedy (never performed) call'd Alonzo. Paid Duke of Gloster's Footmen, Xmas Box #2 2s.; Mr Reddish per order, #6. (Treasurer's Book). Receipts: #175 7s. (Treasurer's Book)

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Pigmy Revels

Event Comment: Ninth Night. For the Author. On Monday (never performed) a New Comedy call'd The Mistakes of a Night. Charges #67 4s. Profit to Author #83 6s. Paid Younger for a License for Mistakes of a Night #2 2s. (Account Book). Receipts: #150 10s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: The Upholsterer

Event Comment: Mainpiece: A New Comedy [by Oliver Goldsmith] never perform'd. [Carried in the Account Book under its secondary title. A long and grudgingly favorable review appeared in the Westminster Magazine: On the whole the Comedy has many excellent qualities: though we cannot venture to recommend it as a pattern for imitation. Still attached to the laudable intent of it, we wish it may keep possession of the stage till a better comedy comes to relieve it." There follows a long account of Foote's Puppet Show.] Receipts: #234 11s. 6d

Performances

Mainpiece Title: She Stoops To Conquor; Or, The Mistakes Of A Night

Afterpiece Title: Thomasand Sally

Event Comment: Third Night. For the Author. The Fourth Night of the New Comedy is oblig'd, on account of the Benefits, to be deferr'd till Thursday the 25th of the month. Charges #64 5s. Profit to author #183 10s. (Account Book). Receipts: #247 15s

Performances

Mainpiece Title: She Stoops To Conquor

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: As17721126, but Evander-Aickin, first time; Melanthon-Packer; Herold-Wright; With a New Occasional Epilogue-Mrs Barry.

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17720922

Event Comment: Eleventh and Last time of performing Mainpiece this season. Afterpiece: By Particular Desire. Othello and The Irish Widow, to have been performed this evening for Mr Barry's Benefit, oblig'd to be deferr'd till further notice (playbill). Mr Barry being Ill his Benefit which was to have been this Night is oblig'd to be deferr'd (Hopkins Diary). [So, according to Hopkins, the profits went to the house.] Receipts: #171 19s. 6d. To the Public Advertiser: Sir, I spent an agreeable evening lately with a Country Friend at the Primitive Puppet Show, and was not displeased at the ridicule pointed at the dull, spiritless stuff, which composes modern Sentimental Comedy. I was entertained too with the manner in which some of the Actors were taken off; But I cannot think mimicry worthy to furnish an Evening Entertainment for a Polite British Audience, or suited to the happy ridicule and pointed wit of Aristophanes. The old Roman comedy, as it was called, was designed for nobler purposes: it was directed to improve the head and mend the heart. The keen manly satire of that Comedy was pointed at Upstart, Braggart, Vice, and to expose the dangerous unfeeling craft of innocent Villainy, or to use the words of Mr Pope--Brand the bold front of shameless, guilty man. Such was, and such ought to be, the salutary Direction of Wit, and Satire by exhibiting characters in their genuine colours, when the mask, which disguises and conceals them from the eyes of the Weak the Credulous, and the Ignorant, is drawn off. The words of Horace are--Detrabere et pellam, mitidus qua quisque per ora Cederet, introrsum turpis. Yours, Dramaticus. Poetry for the Public Advertiser. Epigram on the New Tragedy Alonzo. @No wonder that each female voice@Resounds Alonzo's praise;@A sure foundation of Applause,@The crafty Author lays.@ @Against the Virtue of his Wife@A Husband, if he's wise@According to the Gallant HOME,@Should not believe his eyes.

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Wedding Ring

Event Comment: Afterpiece: By Particular Desire. The fifth Night of the New Comedy is oblig'd, on account of the Benefits to be deferr'd till Thursday the 1st of April. Receipts: #221 12s

Performances

Mainpiece Title: She Stoops To Conquor

Afterpiece Title: Daphne and Amintor

Event Comment: Benefit for Mattocks. Mainpiece: Performed but once this season. Tomorrow (Seventh Time). The NEW COMEDY of She Stoops to Conquor.--with (By Desire) The Upholsterer. Charges #74 9s. 6d. Profit to Mattocks #74 10s. 6d., plus #26 13s. from tickets (Box 91; Pit 26). Paid Mrs Leverton (mantua maker) #15 19s. (Account Book). Receipts: #149

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Englishman in Paris

Dance: End Opera: The Irish Lilt, as17721028

Event Comment: At the Crown and Anchor. A Religious Allegorical Poem to be rehearsed, yet in Manuscript, and by the author himself the Reverend George Marriott after the example of the most ancient bards and minstrals, with the assistance of a full orchestra, and vocal performers in the chorusses. The Band conducted and the music (entirely new) composed by Arnold. Postponed by reason of unforseen difficulties in preparing sufficient musical copies of the great number of chorusses. To begin at 7:00 p.m. Prices a quarter guinea each

Performances

Mainpiece Title: The Jesuit

Event Comment: Benefit for Younger. Tickets deliver'd by Miss Helme will be taken. Tomorrow (the Eight Time) the New Comedy She Stoops to Conquor, with (for the last time this season) The Golden Pippin. Charges #71 16s. 6d.; Profit to Younger #74 13s., plus #65 19s. from tickets (Box 116; Pit 149; Gallery 146) (Account Book). Receipts: #146 9s. 6d

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: Harlequin Sorcerer

Dance: End: The Merry Sailors, as17721012

Event Comment: A sacred Oratorio. The music entirely new composed by Atterbury. Never performed. For this night only. To begin at 6:30. Boxes 5s. Pit 4s. Gallery 3s. Upper Gallery 2s

Performances

Mainpiece Title: Goliath

Music: First Violin, a Concerto-Barthelemon

Performances

Mainpiece Title: Henry The Second; Or, The Fall Of Rosamond

Performance Comment: Parts by Smith, Clarke, Hull, Wroughton, Thompson, Gardner, R. Smith, Mrs Hull, Miss Pearce, and Mrs Hartley. Henry II-Smith; Abbot-Clarke; Clifford-Hull; Henry Prince of Wales-Wroughton; Leicester-Thompson; Salsbury-Gardner; Verulam-R. Smith; Queen Eleanor-Mrs Hull; Ethelinda-Miss Pearce; Rosamond-Miss Hartley; (Second Edition of 1774) New Prologue-; Epilogue-.
Cast
Role: New Prologue Actor:

Afterpiece Title: The Citizen

Dance: After the Epilogue: The Irish Lilt, as17721028

Event Comment: Benefit for Messrs Fawcett and Hartry. Paid salary list #520 7s. 6d.; Recv'd from Sinking Fund #334 10s.; Stopages #17 5s. (Treasurer's Book). On Monday a New Comedy, Never performed, called The Maid of Kent, for the Benefit of Waldron. Receipts: #230 8s. 6d. Charges: #65 14s. Profits to Hartry and Fawcett: #149 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A Peep behind the Curtain

Entertainment: V: A Dissertation upon Macaronies-Baddeley

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Dance: III: Minuets, Cotillons-Merrifield, Dumay, Curtat, Settree, Miss Twist, Mrs Invill, Miss Mathews, Mrs Hartle

Ballet: End: The Wapping Landlady. As17730424 but with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist

Performance Comment: As17730424 but with a New Hornpipe-Fishar, Mas. Blurton, Sga Manesiere, Miss Twist.
Event Comment: An Entertainment of Music in a manner Entirely New. [This follows a regular concert which was the staple of Marybone Gardens.] Admission 2s. 6d. To begin at 6:30 p.m. First night of the Subscription

Performances

Mainpiece Title: Acis And Galatea

Event Comment: Benefit for Mrs Hartle, Mas. Blurton, Walters, Symonds, Francis, and Furkins. Tickets deliver'd by Flight, Longley, Singleton, Shuter, Norbury, Roberts, Frensdorff, Miller, Stevenson, Reed, Robson, and Walker, will be taken. On Monday next (the thirteenth Night) the last New Comedy She Stoops to Conquor...with Harlequin Sorcerer. [No charges. House took half-value of tickets, plus ready-money receipts of #19 2s. 6d. (Account Book).] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle .. .. .. .. ..@Mas. Blurton 5 11 36 #6 10s. #3 5s.@Walters 5 78 92 #22 3s. #11 1s. 6d.@Symonds 9 68 51 #17 11s. #8 15s. 6d.@Francis 3 33 38 #9 10s. #4 15s.@Furkins 18 45 30 #14 5s. #7 2s. 6d.@Flight .. 41 65 #12 13s. #6 6s. 6d.@Longley 9 156 57 #31 7s. #15 13s. 6d.@Singleton .. 6 14 #2 6s. #1 3s.@Shuter .. 55 16 #9 17s. #4 18s. 6d.@Norbury 10 12 19 #26 4s. #3 2s.@Roberts 6 134 48 #26 8s. #13 4s.@Frensdorf 3 44 19 #9 5s. #4 12s. 6d.@Miller 7 87 84 #18 14s. #9 7s.@Stephenson 12 74 71 #21 4s. #10 12s.@Mrs Read 5 16 37 #7 7s. #3 13s. 6d.@Robson 3 88 35 #17 9s. #8 14s. 6d.@Walker .. 34 61 #11 4s. #5 12s.@Total 95 882 773 #243 17s. #121 18s. 6d.

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Contrivances

Dance: III: Hornpipe-Mas. Blurton; End: The Cumberland Corn@thrashers, as17730424

Event Comment: Music by Barthelemon, Sung first time these 4 years. Admittance 3s. 6d. The New Building and various parts of the Garden will be illuminated for this night only with a great number of different colored lamps. Nobility and Gentry are most respectfully desired to drive their carriages into an adjoining piece of ground properly prepared and lighted up for that purpose. Staffmen will attend to direct the servants and to call the carraiges

Performances

Mainpiece Title: The Magic Girdle

Music: Solo Concerto on Basson-the celebrated M. LeCouteux, first performance in this kingdom; Concerto on Violin-Barthelemon; Comic act-Three Italian Musicians blind from birth

Event Comment: Benefit for Mrs Barthelemon. A new Entertainment in two parts. Music by Barthelemon

Performances

Mainpiece Title: The Wedding Day

Performances

Mainpiece Title: The Bankrupt

Performance Comment: As17730721 but Margin Pillage-Weston (Harvard News Clipping).

Afterpiece Title: The Apprentice

Dance: End: The Italian Peasants-

Event Comment: Afterpiece: a new Comic Sketch [by G. A. Stevens], music by Dibdin

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Trip to Portsmouth