SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A new serious Opera, composed by Vento

Performances

Mainpiece Title: La Conquista Del Massico

Event Comment: Benefit for Miss Poitier. Afterpiece: Alter'd from Addison. The Music entirely new set by Mr Arnold. [Original three acts reduced to two.] To be performed for this night only. Charges #75 14s. [Profit to Mrs Thompson #59 7s. 6d. plus #48 9s. from tickets (Box 135; Pit 98) (Account Book). As indicated by the name Mrs Thompson in the Account Book, Miss Poitier was already married by this time, although she does not appear in the Bills under the name Mrs Thompson until 16 Sept. 1767. She was first married to Vernon, the singer at Drury Lane.] Receipts: #135 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Rosamond

Performances

Mainpiece Title: The Country Girl

Performance Comment: See17661103, but a New Song-_ and cast listed in full: Moody-Holland; Harcourt-Palmer; Sparkish (with a song in character)-Dodd; Belville-Cautherly; Alithea-Mrs Palmer; Lucy-Miss Pope; Country Girl-Mrs Lessingham (, 1st time); with an address to the Audience by way of Epilogue-Mrs Lessingham.

Afterpiece Title: Edgar and Emmeline

Entertainment: End: Linco's Travels-King [, as17670406

Dance: HHearts of Oak, as17670212

Event Comment: By Command of their Majesties. Paid printer's bill #9 6s (Treasurer's Book). The New Tragedy of Dido, for Benefit of the author, is oblig'd to be deferr'd till Thursday next. Receipts: #229 9s. 6d. (Treasurer's Book). Had no intention of going to the play, but seeing Garrick was to play Lord Chalkstone, I (after hearing Mr Romaine's Lecture on the chapter which contains ye Destruction of Sodom) went before 9 to ye right-side door of ye Pit. The doorkeepers said, --No Room. Saw that ye Canopy, Yeomen, &c. would prevent my seeing. They desired me if I could not get in at ye other door to come back. Found a number of people waiting there and at ye door of the First Gallery; so went back, entered and stood in ye same disagreeable situation I did last night. But I saw the inimitable Garrick very well. [Comments on excellence of whole cast.] Scarcely cool now past eleven o'clock. Ye King and Queen, Princess of Brunswick, Louisa, and all that Tribe were at dl tonight (Neville MS Diary)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: Lethe

Dance: End: The Lilliputian Camp, as17670227

Event Comment: Benefit of the Charity, at the Chapel of the Lock Hospital. To begin at 12 noon. A new Oratorio. Music by Worgan. It was to hear him [Giardini] that I went (Neville MS Diary)

Performances

Mainpiece Title: Manasseh

Music: CConcerto on violin-Sig Giardini

Performances

Mainpiece Title: The Taylors

Performance Comment: As17670702, with New Prologue-Foote.%.
Cast
Role: with New Prologue Actor: Foote.%.
Role: Higgleston Actor: Newton

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Taylors

Performance Comment: As17670702 but New Prologue-.
Cast
Role: New Prologue Actor: .
Role: Higgleston Actor: Newton

Afterpiece Title: The Lyar

Entertainment: BBuilders Prologue-as17670529

Dance: Miss Froment

Performances

Mainpiece Title: The Taylors

Performance Comment: As17670702 but New Prologue-_.
Cast
Role: Higgleston Actor: Newton

Afterpiece Title: The Lyar

Entertainment: BBuilder's Prologue-as17670529

Dance: Miss Froment

Event Comment: [G$Genest, V, 140, notes that Bannister's name does not appear in the playbill; the Public Advertiser bill, which does not specify any parts, includes Bannister as well as Strange, Loveman, Keen, and Smith, for which there is no support in the 1767 edition.] Before six went into the Pit to see the new tragedy of The Countess of Salisbury performed for the first time. One cannot judge perfectly of a Play without reading it, but it was received with vast applause. The author being an Irishman, Weston spoke a Prologue in the character of an Hibernian (Neville MS Diary)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Lethe

Cast
Role: Aesop Actor: Newton

Dance: End: Dance-Miss Froment

Event Comment: By Permission. Benefit for Mrs Dancer. A new Tragedy altered from Southerne's Oroonoko

Performances

Mainpiece Title: The Royal Captive

Performance Comment: Oroonoko-Barry; Aboan-Sowdon; Imoinda-Mrs Dancer; other parts-Palmer, Bannister, Smith, Keen, Strange, Newton, Loveman, Mrs Burden.

Afterpiece Title: The Virgin Unmasked

Performance Comment: Coupee-Hamilton; Blister-Newton; Quaver-Pynn; Goodwyll-Brownsmith; Thomas-Loveman; Lucy-Mrs Mahon.
Cast
Role: Blister Actor: Newton

Dance: HHornpipe-Miss Froment

Event Comment: MMr Bannister made his first appearance on this stage in Merlin with a new Song introduced.--He was received with applause, --is a tall figure, good voice and sings well (Hopkins MS Notes). [The grand procession of the orders of chivalry hereafter a regular feature of Cymon.

Performances

Mainpiece Title: Cymon

Event Comment: [Afterpiece: With alterations and additions. News arrived of the death in Monaco of His Royal Highness Edward Augustus, Duke of York, next brother to His Majesty. Hopkins MS Notes: About eleven o'clock orders came from the Lord Chamberlain that the House must be stopt performing on account of the death of the Duke of York. --Fresh bills were printed and posted about the House that there would be no play that night. Neville MS Diary: Procured No. 5289 of the General Evening Post which contains my letter concerning the St. James' Company of Comedians. Glad to hear that the Lothario of that Company, the Infamous York, is called to that Tribunal where there is no respect of persons. Canceled

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: NNone

Event Comment: Paid for Licensing The Oxonian in Town #2 2s. Paid for Licensing the New Prologue #1 1s. (Account Book). Receipts: #138 18s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Dr Faustus

Dance: II: The Irish Lilt, as17670921

Event Comment: Afterpiece: Never performed before. Written by Milton, the Music entirely New (playbill). Music by William Jackson (Wyndham, Annals of Covent Garden, I, 178). As condolence on Death of Duke of York (Genest, V, 186). Paid for licensing Lycidas #1 1s. (Account Book). Receipts: #251 11s. (Account Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Lycidas

Event Comment: [C$Colman published in the Public Advertiser this day extracts from the Oxonian in Town showing what favorable things were said of the Irish in it. He apparently did so to forstall a predicted riot by Irishmen who feared their nation was slandered because the scoundrels in the play were Irish. See E. R. Page, George Colman, The Elder (New York, 1935), p. 168. Monitor No V (21 Nov. 1767) includes a letter from Timothy Calfskin requesting refund of 4 shillings since his wife was frightened by the noise of the "wild Irish" and ran from the playhouse.] Receipts: #191 4s. (Account Book)

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Oxonian in Town

Dance: End: The Irish Lilt, as17670921

Event Comment: Mainpiece: A Comedy [by Wm Kenrick] never perform'd before. The characters New Dress'd. [Theatrical Monitor, No VIII (16 Dec. 1767) approved the mainpiece--"engages the mind, affects the passions, totally divested of indecency"--but thought Garrick's art of "puffing" was evident in his note at foot of playbills, "Those Ladies and Gentlemen, who have taken places for this day, are desired to send their servants by one o'clock, in order to ascertain the same, otherwise they cannot be secured," since the house, except the first night, had not been half full. N.B. This note appeared in an Advance Bill, but did not appear in the Bill of the Day.

Performances

Mainpiece Title: The Widow'd Wife

Afterpiece Title: The Old Maid

Event Comment: A new serious opera. Music composed by several. The comic opera is obliged to be deferred on account of the Indisposition of Sga Guadagni

Performances

Mainpiece Title: Sifare

Event Comment: Benefit for Westminster New Lying in Hospital, near Westminster Bridge. N.B. Those Ladies and Gentlemen who have taken tickets, are desired to secure places immediately, of Mr Johnston at the Stage Door. [The Theatrical Monitor, No IX, asked this day for a public declaration of receipts and salary expenditures for the 1766-67 season from Garrick and Lacy. Not receiving it the war breaking out in January came to absorb his interest, and the estimate never appeared.] Receipts: #261 4s. 6d. (Winston MS 10)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Deuce Is in Him

Dance: End: Hearts of Oak, as17671022

Event Comment: Characters new Dress'd. Receipts: #244 17s. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Oxonian in Town

Event Comment: Characters New Dressed. [The Theatrical Monitor No X (30 Jan. 1768), gives a six-page review of the mainpiece under the usual Aristotelian topics: Fable, Characters, Moral, Sentiment, Diction, rather disapproving of the play on all of them. Praises the performers.

Performances

Mainpiece Title: False Delicacy

Performance Comment: Parts by Holland, King, Reddish, Cautherly, J. Palmer, Wright, Watkins, Mrs Abington, Mrs Baddeley, Mrs Jeffries, Miss Reynolds, Mrs Dancer. With Prologue, Epilogue. Cecil-King; Lord Winworth-Reddish; Col. Rivers-Holland; Sir Harry Newburgh-J. Palmer; Sidney-Cautherley; Lady Betty Lambton-Mrs Abington; Mrs Harley-Mrs Dancer; Miss Marchmont-Mrs Baddeley; Miss Rivers-Mrs Jeffries; Sally-Miss Reynolds; Footmen-Wright, Watkins; Prologue-King; Epilogue (writ. by Garrick)-Mrs Barry (Genest, V, 163, and Edn. 1768).
Cast
Role: Sir Harry Newburgh Actor: J. Palmer

Afterpiece Title: Flora

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Register Office

Performance Comment: As17671125, but with a new Character [Mrs Doggerel] Miss Pope.

Dance: I: Comic Dance-Shuter, Mrs King

Event Comment: Sga Campolini and Sg Guglielmi are extremely sorry that the New Dances intended to be performed this night are prevented on account of the indisposition of Sga Radicatti. The Poetry, taken from an old Book, is altered and adapted to the present Taste by Bottarelli; Music by Piccini. Benefit for Signora Campolini and Guglielmi. Scene Painters and Machinists-Bigari and Conti

Performances

Mainpiece Title: Sesostri

Event Comment: Benefit of the British Lying-In Hospital for Married Women in Brownlow St., By Special Licence of the Right Hon. the Lord Chamberlain...will be performed (for that night only) a new Comedy, never acted before...To avoid giving the least offence by too pressing a Solicitation, no Tickets have been sent to any of the Governours or Subscribers. But the Committee hope that this caution will induce every well-wisher to the useful Charity to exert their interest in its favors

Performances

Mainpiece Title: The Indiscreet Lover

Event Comment: Afterpiece: A new Opera of Two Acts [by Robert Dossie]. Music by Rush

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Statesman Foil'd

Dance: As17680530

Event Comment: Afterpiece: A new Burletta never performed before, composed by Mr Barthelemon. [Text by Ralph Schomberg.

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Judgment of Paris

Dance: As17680530