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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8571 results for: Keyword - New Theatre in Goodman's-Fields
We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

301
26 March 1795 @ King's Theatre

Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 115, Jermyn-street. 2nd ballet: With new Scenery by Belenger and new Dresses by Sestini. The greater part of the music by Mazzinghi

Performances

Mainpiece Title: Semiramide

Dance: End I: New Divertisement, in which the Pas Russe-Mme Hilligsberg, Mme Hilligsberg's sister in men's clothes; End II: a new Grand Dramatic Pantomime Ballet, in 3 parts, composed by Onorati, Paul et Virginie-Gentili, Aumer, Lahante, Simpson, Mme DelCaro, Miss J. Hilligsberg, Mme Rossi, Mme Hilligsberg who will perform in men's clothes and dance a Scotch Reel in that character

302
28 November 1724 @ Lincoln's Inn Fields

Event Comment: Not Acted these Seven Years. With Alterations. And all the Characters new dress'd. Receipts: #164 1s. 6d. Weekly Journal or Saturday's Post, 5 Dec.: Written by Mr Dryden, the Decorations were magnificent and new, and the Musick new set, which was received with extraordinary Applause

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Music: Vocal Parts-all new Set to Musick

Dance: With proper Dances-

303
22 January 1732 @ Lincoln's Inn Fields

Event Comment: At the Desire of several Persons of Quality. With all New Habits. Receipts: #41 17s. 6d

Performances

Mainpiece Title: The Beggar's Opera

Dance: In: The Grand Agee and his Sultana new-Salle, Mrs Laguerre; The Baulk a new Comic Dance, composed to Country Dance Tunes-Salle, Mrs Laguerre

304
05 March 1734 @ Haymarket Theatre

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Chrononhotonthologos

Music: A new Overture, and an entire new Sett of Act Tunes, by Seedo. A new Overture for the Afterpiece

Performance Comment: A new Overture for the Afterpiece .

Dance: Irish Trot by a Youth but Nine Years old. Hussar by Nivelon and Miss Robinson. Revellers, as17340220

Song: Afterpiece: Songs (in the Italian Stile) by Charke

305
18 May 1736 @ Covent Garden

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Flora

Dance: I: Comic Ballet, as17360417 III: A new Serious Dance by Scholar of Nivelon. IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars

Performance Comment: IV: A new Comic Dance by a Little Miss, Scholar of Nivelon. V: A new Comic Dance in Character of a Polonese by Mlle De L'Isle. End Afterpiece: A new Comic Dance by Nivelon and another of his scholars .

Song: II: By Leveridge

306
19 November 1740 @ Drury Lane Theatre

Event Comment: Written by Dryden and Lee. [With new machinery.

Performances

Mainpiece Title: Oedipus, King Of Thebes

Music: With new Musick The Songs, Choruses new by Mr Arne-Lowe, Savage, Mrs Clive

307
31 December 1742 @ Drury Lane Theatre

Event Comment: BY Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. New Habits and decorations for the dances

Performances

Mainpiece Title: The Stratagem

Dance: II: a New Comic Dance call'd Neopolitan Punch-Checo Torinese, Sga Chiaretta Aquilanti, Boromeo, Mlle Bonneval; IV: A New Comic Dance call'd Italian Gardeners-Checo, Chiaretta

308
03 December 1756 @ Drury Lane Theatre

Event Comment: By Command. Afterpiece: Written by Mr Garrick. Acted by children. Prince of Wales & 4 more went off very well (Cross). New Scenes, Habits and Decorations. Full prices. Prologue-writ by Garrick, spoken by Woodward; Epilogue-Lady Flimnap. [The run of seventeen performances of the afterpieces seems to contradict the judgement of the author of the Theatrical Examiner (1757, p. 89): Lilliput is, I think, the most petit, trifling, indecent, immoral, stupid parcel of rubbish, I ever met with; and I can't help judging it a scandal to the public, to suffer such a thing to pass a second night, which at best was alone calculated to please boys and girls, and fools of fashion; it may gratify them; the manager to debauch the minds of infants, by putting sentiments and glances in their breasts and eyes, that should never be taught at any years, which are sufficiently bad when naturally imbibed. The question of Gulliver, in answer to the infant lady's gross adresses, is horrid, if we allow an audience a common share of delicacy, what should we do with her? and what the devil does it mean. Finally where is the instruction, or even tolerable language, to gild the dirt over. O tempora! O mores!"] Receipts: #210 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: a new farce call'dLa new farce call'dLilliput

309
21 February 1764 @ King's Theatre

Event Comment: A New Opera composed by Signor Perez and Signor Piccini, except a few new Airs. N.B. In this opera a new performer lately arrived from abroad will make her first appearance

Performances

Mainpiece Title: Senocrita

Dance: I: As17640214; II: New Dance-Bernardi, Marcucci; II: Le Marriage du Village-Duberval, Miss Auretti

310
08 November 1764 @ Drury Lane Theatre

Event Comment: By Command of their Majesties. Tomorrow, King Henry IV, Part II, Friday being a Holiday, the New Opera of Almena is deferr'd till Saturday, when it will be perform'd for the Benefit of the Author and Composers

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Fortunatus

Dance: I: The Irish Lilt, as17641011; III: A New Scaramouch Dance, as17641013; IV: New Tambourine, as17640929

311
22 April 1775 @ Drury Lane Theatre

Event Comment: Benefit for Bannister. Mainpiece: By Desire. Rec'd stopages #12 7s. Paid salary list #566 6s.; J. French on acct #5 5s. (Treasurer's Book). Mrs Smith's Benefit for 2 May advertised as Cymbeline and a new Comic Opera (in 2 Acts) call'd the Wish. The Music entirely new, the principal characters by Vernon, Bannister, Davies, Mrs Wrighten and Mrs Smith. With a New Occasional Prologue spoken by King. [But this was changed on 27 April.] Receipts: #212 1s. Charges: #66 3s. Profits to Bannister #145 18s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: A New Dance, call'd The Pirates-Como, Sga Crespi. [See17730422.

Entertainment: End Opera: (By particular Desire) Imitations Vocal and Rhetorical-Bannister

312
25 April 1776 @ King's Theatre

Event Comment: Benefit Mr and Mrs Vallouy. The new Dances entirely composed by Vallouy

Performances

Mainpiece Title: Il Bacio

Dance: I: La Fete du Village, as17760224; II: New Serious Ballet, with Chaconne and Minuet de la Cour-Vallouy, Mme Vallouy; End Opera: New Grand Comic Ballet, Les Maissoneurs Distresse-Helm, Mlle Sophie, Sga Tinti, Vallouy, Mrs Vallouy

313
15 March 1777 @ King's Theatre

Event Comment: A new Serious Opera [1st time; SER 3]: With Grand Chorusses. The Poetry by the Abate Conte Zaccaria de Seriman. The Music entirely new by Tragetta [recte Traetta]

Performances

Mainpiece Title: Telemaco

Dance: End I: Serious Ballet, as17770225; End Act II: Les Chasseurs, as17771112, but Mme _Vallouy, Mme Simonet; End Opera: a new Ballet Demi-caractere, +La Clochette-Simonet, Mlle Baccelli, Vallouy, Mme Simonet, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

Cast
Role: a new Ballet Demi Actor: caracteres Les Amusemens Champetres-Mons and Mme Simonet, Sg and Sga Zuchelli.

314
23 February 1779 @ King's Theatre

Event Comment: A new Comic Opera; the Music by the celebrated Gretry

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet connected with the Opera, by Genii of the various Arts- (See17790302 Pedal Harp-Hochbrucher; End II: new Ballet by Fairies of the Court of Azore,-Banti, Sga Tinti, LeDet, Henry, young Miss Simonet, Mlle Baccelli (1st appearance this season); End Opera: new serious Ballet, Le Couronnement de Zemire-Mons and Mme Simonet, Banti, Sg and Sga Zuchelli, Sga Tinti, Slingsby

315
15 May 1779 @ King's Theatre

Event Comment: Opera [1st time; COM 3, by Carlo Francesco Badini, based on The Duenna, by Richard Brinsley Sheridan]: the Music entirely new by Bertoni

Performances

Mainpiece Title: La Governante

Dance: End I: new Ballet, Les Paysans Voles-Banti, Sga Tinti, Sg and Sga Zuchelli; End II: Ballet by Fairies, as17790302End Opera: new Ballet Espagnol, La Serenade Interrompuee-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, LeDet; with a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guittar-Noferi

316
14 December 1779 @ King's Theatre

Event Comment: Mainpiece: A new Comic Opera (in 2 acts); the music by Sacchini. Afterpiece: A serious Opera [1st time; SER I, author unknown; a pasticcio]. The music selected from several eminent Composers [BUC lists only Bertoni]

Performances

Mainpiece Title: La Contadina In Corte

Afterpiece Title: Il Soldano Generoso

Dance: End I: new Pantomime Dance (composed by Zuchelli) Il Desertore-Sg and Sga Zuchelli, Henry, young Miss Andreas, Miss Simonet; End II: a grand Masquerade Dance-the other partsSg and Sga Zuchelli, Sga Tantini, Henry, Slingsby; in which a Chaconne(in character by the various Masks)-; and which will open with a Minuet-Favre Guiardele, Mme Simonet (1st appearance this season); End afterpiece: new Grand Balletconnected with the Opera-Favre Guiardele, Mme Simonet, Sga Tantini, Slingsby

317
16 March 1782 @ King's Theatre

Event Comment: A new Serious Opera in 3 acts (1st time [in London; 1st performed at Munich, 1771]); the Music entirely new, composed by Rauzzini

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I Divertisement Dance, as17820205; End of Act II New Divertisement Dance, as17820216; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

Cast
Role: ; End of Opera a new Tragi Actor: Pantomime Ballet

318
02 May 1782 @ King's Theatre

Event Comment: For the better convenience of the company, during the Performance the Pit will be open as usual, and the passage through the Boxes into the Galleries will be open. As soon as the Performance is over, the Supper Rooms will be opened, and, during the time of Supper, the Pit will be covered and the Galleries shut up. The Decorations are entirely new planned, and executed by Novosielski. The whole under the Direction of Crawford. Tickets 2 guineas each. The Doors to be opened at 9:00. The Performance to begin at 10:00. [Le Picq was from the Opera, Naples.]

Performances

Mainpiece Title: A Grand Masked Ball, With A Supper

Dance: End of Part I a new Dance (1st time; composed by Noverre), Apollon et let Muses by Le Picq (1st appearance in England), Nivelon, Mme Simonet, Mlle Theodore, Sga Crespi, Mlle Baccelli; End of Part 11 a New Dance, demicharacter (composed by Noverre) by Le Picq, Nivelon, Slingsby, Mlle Theodore, Sga Crespi, Mlle Baccelli

319
31 January 1789 @ King's Theatre

Event Comment: "The [new] Dance, if such it can be called, was like the movements of heavy Cavalry. It was hissed very abundantly. Gallini has the excuse of not having been able to get better dancers" (World, 2 Feb.)

Performances

Mainpiece Title: Ifigenia In Aulide

Dance: End I: New Divertissement, as17890110; End Opera: an entire new ballet (never performed), Les Fetes Provencales (composed by Noverre)-Didelot, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

320
28 April 1789 @ King's Theatre

Event Comment: The Gentlemen of the Opera Band are particularly requested to attend at twelve o'clock the Rehearsal of the new Ballet, for which they already have had notice, otherwise Mlle Guimard cannot appear this Evening, which nothing could prevent except her not having had a General Rehearsal

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Admete-as17890402; in the course of which the celebrated Minuet of Iphigenia (performed with universal applause in Paris)-Mlle Guimard (1st appearance), Didelot; a new Pas de Deux Anacreontique (composed by Noverre)-Mlle Guimard, Didelot; End Opera: a new Pantomine Ballet, composed by Noverre, the music by Federici, Annette et Lubin-Mlle Guimard, Nivelon, Didelot, Mlle Emilie Colombe, Beaupre, Mlle Saulnier and see17890609

321
01 June 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: First Love

Afterpiece Title: The Prize

Dance: End 2nd piece: New Dance-; in which The Princess of Wales's New Minuet and Gavot-J. and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville

Performance Comment: and Miss D'Egville; and to conclude with a New Reel-Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville.
Cast
Role: and to conclude with a New Reel Actor: Miss and Master Menage, Miss Phillips, Mrs Fialon, Miss S. and G. D'Egville.

322
19 April 1798 @ King's Theatre

Event Comment: Benefit for Mme Rose Didelot. Semiramide [advertised in Morning Chronicle, 18 Apr.] cannot be given this evening on account of the necessary Machinery in the new Ballet. Tickets to be had of Mme Rose Didelot, No. 8, Hay-Market

Performances

Mainpiece Title: Cinna

Dance: End I: A New Divertisement-; Minuet de la Cour-Didelot, Mme Rose; End Opera: a new grand Ballet, composed by Gallet, Enee et Didon-Didelot, Mme Rose, Laborie, Mme Hilligsberg, Miss Hilligsberg, Mme Laborie, St.Pierre

323
16 April 1799 @ Covent Garden

Event Comment: Benefit for Munden. 2nd Piece [1st time in London; MF 2, by Thomas John Dibdin, 1st acted at Manchester, 15 Mar. 1793. Text (Huddersfield: J. Brook [1795] gives cast for Manchester]: The Music (with a new Waltz Overture, and an accompaniment for the Tamborine & Triangle) composed by Reeve. 3rd piece [1st time; M. INT 1]. Morning Chronicle, 4 Apr.: Tickets to be had of Munden, No. 16, Clement's-inn. Receipts: #630 12s. 6d. (237.13.0; 2.10.0; tickets: 390.9.6)

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Sunshine after Rain

Afterpiece Title: The Jolly Crew; or, Tars at Anchor

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

324
15 April 1800 @ King's Theatre

Event Comment: A New Grand Serious Opera (1st time in this Country [1st performed at Parma, 1782]); the Music by Sarti [with additions by Federici]. With entirely new Scenes, Machinery and Decorations, designed by Marinari, and executed under his direction; and new Dresses, invented by Sestini. "The Opera...is founded upon the story of Dryden's Alexander's Feast, of which, indeed, it is merely a literal, and, of course, an elegant and tasteful translation into Italian by Count Gaston di Brizzonie [recte Rezzonico]

Performances

Mainpiece Title: Alessandro E Timoteo (alexander's Feast, From dryden)

Dance: End I: A New Bacchanalian Divertisement Ballet, connected with and incidental to the Opera (introduced by a prelude of Chorus), the Music by Sarti, the Action and Dance by D'Egville, and performed-Didelot, Deshayes, Mlle Parisot, Mme Laborie, Mme Hilligsberg; End Opera: La Fille Mal Gardee-Mlle Parisot (will perform part originally represented by Mme Rose Didelot)

325
15 December 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Fall of Phaeton

Song: the first time of her performance on that theatre, viz.the first time of her performance on that theatre, viz. In III: An Italian Song beinging Di Lor Mio-Miss Cecilia Young; III: Torna mi Vegbeggiar-Miss Cecelia Young both from the Opera of Alcina

Performance Comment: the first time of her performance on that theatre, viz. In III: An Italian Song beinging Di Lor Mio-Miss Cecilia Young; III: Torna mi Vegbeggiar-Miss Cecelia Young both from the Opera of Alcina.