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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8571 results for: Keyword - New Theatre in Goodman's Fields
We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

8201
17 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: Who's the Dupe

Song: dl

Dance: Plutus-Staunton; Wit-Miss George; the Dance by Mr and Miss Hamoir. End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs

Performance Comment: End of Act I of mainpiece New Hornpipe by Master Butler (Scholar of Miller); End of Act III The Soldier Tir'd, as17840414; End of mainpiece The Minuet de la Cour and Allemande by the Miss Stageldoirs .

Song: In mainpiece an Interlude of

8202
06 July 1784 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; F 2, by Elizabeth Inchbald; text, unauthorized (Dublin: For the Booksellers, 1788), assigns no parts]: With new Scenery, Machinery and other Decorations

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: A Mogul Tale

Dance: As17840528

Song: As17840617

8203
25 August 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Lord Russel

Performance Comment: As17840820, but Lord Howard and Hubert by two other Gentlemen; added: Attendant, Officers, Guards. Before the Play an entire new Address, written and to be spoken by the Gentleman who performs the part of Lord Russel [Home]. Prologue and Epilogue as17840820.

8204
02 December 1784 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (see text)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 14 Dec. 1784: This Day is published The Carmelite (1s. 6d.). "We never saw [Kemble] wandering to the audience; he never turned his eye around for applause when he had closed an animated period, nor ever entertained his intervals of silence with glances at the side-boxes, like some of his contemporaries, not to mention the great Palmer, nor Davies, &c." This behavior "he has so happily caught from Mrs Siddons" (Public Advertiser, 22 Dec.). Receipts: #233 17s. (216/15/0; 16/10/6; 0/11/6)

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Spanish Rivals

8205
14 December 1784 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Mariage de Figaro, by Pierre Augustin Caron de Beaumarchais; incidental music by William Shield. In 1789 reduced to an afterpiece of 3 acts. Prologue by the author (Europaen Magazine, Dec. 1784, p. 467)]: With new Dresses, Decorations, &c. Public Advertiser, 10 Mar. 1785: This Day is published The Follies of A Day (1s. 6d.). [For an account of Holcroft's shorthand transcription of the original, taken down during a performance in Paris, and the hasty rehearsals of it in London, see Elbridge Colby, A Bibliography of Thomas Holcroft, 1922, pp. 48-50.]

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Wewitzer, Thompson, Holcroft, Mrs Martyr; Mrs Bates, Mrs Webb, Miss Wewitzer, Miss Younge. [Cast from text (G. G. J. and J. Robinson, 1785): Count Almaviva-Lewis; Don Guzman-Quick; Antonio-Edwin; Doctor Bartholo-Wilson; Basil-Wewitzer; Doublefee-Thompson; Figaro-Holcroft [in text: Bonnor (see17841215)]; Page-Mrs Martyr; Bounce-Stevens; Courier-Jones; Crier of the Court-Bates; Servant-Newton; Countess-Mrs Bates; Marcelina-Mrs Webb; Agnes-Miss Wewitzer; Susan-Miss Younge.] Prologue spoken by the Author. [This was spoken at the 1st 22 performances only (see17841217, and 22 Feb. 1785).] hathi. Prologue spoken by the Author. [This was spoken at the 1st 22 performances only (see17841217, and 22 Feb. 1785).] hathi.
Cast
Role: Servant Actor: Newton

Afterpiece Title: The Citizen

8206
22 December 1784 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue by the author. Epilogue by Edward Topham (see text). In 1794 this was altered by the author, and reduced to 4 acts]: With new Scenes and Dresses. Public Advertiser, 25 Jan. 1785: This Day is published The Natural Son (1s. 6d.). Receipts: #175 19s. 6d. (154/12/0; 21/0/0; 0/7/6)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Gentle Shepherd

8207
04 January 1785 @ King's Theatre

Event Comment: Sga Ferrarese continuing very much indisposed the new Serious Opera [Demetrio, announced in Public Advertiser, 3 Jan.] is unavoidably postponed [see 8 Jan.]

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17850101 throughout

8208
11 January 1785 @ King's Theatre

Event Comment: 2nd dance: With several new Airs composed by Barthelemon

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Divertissement, as17841218; End of Opera The Deserter. Skirmish-Slingsby; the other characters by Lepicq, Mme Rossi [playbill of 13 May 1784 lists: The Deserter-Lepicq; Louisa-Mme Rossi], Henry, Zuchelli, Mme Degville, Nivelon, Mlle Dorival

8209
19 January 1785 @ Covent Garden

Event Comment: Windham Diary (30 Jan. 1784), 41: On the Wednesday 1 went to see Mrs Crawford in 'Belvidera', and found her much as I expected, though her disparity was very great. I can perhaps better conceive the delusion that, aided by a little prejudice [in favor of Mrs Siddons] and the recollection of Mrs C. in better times, could hesitate about the preference. The chief faults that I should find would be, that her articulation was cramped and timid, her tones sometimes colloquial and vulgar, her action confined, and her countenance inexpressive. A new man of the name of Pope performed; I pronounced him in my own judgment as inferior, upon the whole, to Brereton. [Henderson's 1st appearance as Pierre was at Bath, 14 Oct. 1773.]

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Magic Cavern

8210
20 January 1785 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; P 2 (?), author unknown. MS not in Larpent; not published]: The Scenery, &c., partly new and partly selected from old and approved Pantomimes. Receipts: #205 7s. (156/6/0; 46/16/6; 2/4/6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron; or, Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

8211
25 January 1785 @ King's Theatre

Event Comment: A new Comic Opera [1st performed at Rome, 1781]; the Music by Cimarosa

Performances

Mainpiece Title: Il Pittore Parigino

Dance: As17850122 throughout

8212
31 January 1785 @ Haymarket Theatre

Performances

Mainpiece Title: King Charles I

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Performance Comment: IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross .

8213
04 February 1785 @ Drury Lane Theatre

Event Comment: Mainpiece: With new Dresses and Decorations. Receipts: #275 1s. 6d. (246/0/0; 28/10/0; 0/11/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: All the World's a Stage

Song: As17850202, but omitted: Barrymore

8214
12 February 1785 @ Covent Garden

Event Comment: Beaumarchais' New Comedy [The Follies of a Day announced on playbill of 10 Feb.] is unavoidably postponed, on Account of Mrs Bates's Indisposition. [Afterpiece in place of The Poor Soldier, similarly announced.]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: Afterpiece to be concluded as17841027

8215
24 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Woollery. [Author and speaker of Prologue unknown.] The characters to be new dressed, in the habits of the times. Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster. The Doors be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Apprentice

8216
26 February 1785 @ King's Theatre

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1780]); the Music by Anfossi

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival

8217
15 March 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Performance Comment: Sir Gilbert Pumpkin-Connell; Harry Stukely-Cross; Charles Stanley-Benson; Waiter-Johnstone; Hostler-Stevens; William-Jones; Cymon-Owen; Diggory-Dutton; Jenny (the new character)-Mrs Waldron; Miss Sprightly-Mrs Benson; Miss Bridget Pumpkin-Mrs Henley .

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

8218
19 March 1785 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day

Cast
Role: Servant Actor: Newton

Afterpiece Title: Midas

Performance Comment: The Principal Characters, for that Night, will be reversed. Apollo-Mrs Kennedy; Midas-Mrs Webb; Mysis (with a new song)-Mr Johnstone; Juno-Mr Wewitzer; Nysa-Mr Quick; Daphne-Mr Edwin (the 1st, and positively the Only Time of their appearing in those characters). The Rest of the Piece as usual [see17841213.] imitations. End of Act II of mainpiece, as17850312athi .see17841213.] imitations. End of Act II of mainpiece, as17850312athi .

8219
02 April 1785 @ King's Theatre

Event Comment: An entirely new Comic Opera in 2 acts [by Filippo Livigni]; the Music being the first Essay of Cherubini in this Country

Performances

Mainpiece Title: Finta Principessa

Dance: As17850329hroughout

8220
11 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

Afterpiece Title: The St

Performance Comment: Giles's Scrutiny; or, The Cries of London in a New Stile. Returning Officer-Bannister; Voters-Moody, Baddeley, Bannister Jun., R. Palmer, Suett, Dignum, Williames, Barrymore, Wright, Chapman, Alfred, Wilson, Phillimore, Chaplin, &c .

Afterpiece Title: Rosina

Monologue: 1785 04 11 End of Act I of mainpiece The History of John Gilpin, the Linen Draper by Baddeley

8221
12 May 1785 @ King's Theatre

Event Comment: Opera: The Music by Sir Christopher Gluck; with the additons of John Christ. Bach, and with the choice of several pieces of Handel. The Whole under the direction of Anfossi. Director of and 1st singer in the Chorus-Webb. The Scenes invented and painted by Novosielski. The Dresses entirely new, executed by Sestini. [Libretto (J. Jarvis, 1785): SER 3.]

Performances

Mainpiece Title: Orfeo

Dance: Dances incidental to the Opera composed by Lepicq, and performed by him, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

8222
28 May 1785 @ King's Theatre

Event Comment: A Comic Opera, with Alterations and entirely new Airs composed by Anfossi

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act i Divertissement, as17850224; End of Opera Don Juan, as17850407

8223
30 July 1785 @ Haymarket Theatre

Event Comment: The new Comedy of I'll Tell You What! [announced on playbill of 29 July] is obliged to be deferr'd on Account of the Indisposition of Parsons [see 4 Aug.]

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Agreeable Surprise

Dance: End of Act I of mainpiece The Merry Lasses, as17850705 End of Act III, as17850728

8224
02 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Rosina

Afterpiece Title: Gretna Green

Song: End of 1st piece The Soldier tir'd of War's Alarms; End of Act I of 2nd piece Colin cur'd of roving, both by Miss George. duologue. End of 2nd piece A New Lecture on Heads by the two Miss Vernells (their 1st appearance on any stage)

Performance Comment: duologue. End of 2nd piece A New Lecture on Heads by the two Miss Vernells (their 1st appearance on any stage) .

8225
05 October 1785 @ Covent Garden

Event Comment: By Command of Their Majesties. [In mainpiece the playbill assigns Stockwell to Aickin, but "Fearon, in consequence of Aickin's illness, took the part of Stockwell at a short notice and upon the whole acquitted himself respectably" (Morning Chronicle, 6 Oct.).] "There is an infinite combination in Mrs Abington, a power of making everything new yet conformable to the character (Public Advertiser, 14 Oct.). Receipts: #328 11s. 6d. (326/11/0; 2/0/6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Rehearsal