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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "New Theatre in Goodmans Fields"/1) | (@(roleclean,performerclean) "New Theatre in Goodmans Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8571 results for: Keyword - New Theatre in Goodman's Fields
We found 5062 matches on Event Comments, 2735 matches on Performance Title, 1866 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

8151
17 January 1780 @ Covent Garden

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Every-where

Performance Comment: As17800110, but added: With an Entire New Scene, never introduced before.

8152
29 January 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: The Double Deception

Performance Comment: As17800126, but Fairgrove-Packer in place of Aickin; New Prologue-Mrs Robinson.
Cast
Role: New Prologue Actor: Mrs Robinson.

Afterpiece Title: Fortunatus

8153
02 February 1780 @ Covent Garden

Performances

Mainpiece Title: The Widow Of Delphi

Afterpiece Title: The Deaf Lover

Performance Comment: Principal Characters by Lee Lewes, Whitfield, Robson, Fearon, Thompson, Brunsdon, Bates, Stevens, Wilson, Mrs Morton, Mrs Whitfield, Mrs Wilson. [Cast from text (J. Bowen, (1780): Meadows-Lee Lewes; Canteen-Whitfield; Young Wrongward-Robson; Groom-Fearon; John-Thompson; Servants-Brunsdon, Cushing; Sternhold-Bates; William-Stevens; Old Wrongward-Wilson; Gentlemen-Smith, Ledger; Cook-Painter; Sophia-Mrs Morton; Betsy Blossom-Mrs Wilson; Ladies-Miss Green, Miss Stewart; Mrs Whitfield; New Prologue-Lee Lewes. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: New Prologue Actor: Lee Lewes.

8154
05 February 1780 @ Covent Garden

Performances

Mainpiece Title: Fatal Falshood

Afterpiece Title: The Golden Pippin

Performance Comment: Jupiter-Reinhold; Paris-Mattocks; Momus-Quick; Mercury (1st time)-Robson; Venus-Miss Brown; Pallas-Mrs Morton; Iris-Miss Valois; Juno (with a new Scotch air)-Miss Catley (1st appearance these 3 years).

8155
03 April 1780 @ Drury Lane Theatre

Event Comment: Benefit for Dodd. Mainpiece: Not acted these 20 years. Public Advertiser, 18 Mar.: Tickets to be had of Dodd, New Ormond-street. Receipts: #192 11s. 6d. (65.11.0; 21.13.6; 0.7.0; tickets: 105.0.0) (charge: #78 4s.)

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: The ChristmasTale

Dance: As17791122

8156
05 April 1780 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: A new Comedy, in 5 Acts [1st time; author unknown; not in Larpent MS; not published. Authors of Prologue and Epilogue unknown]. Afterpiece: Never acted here. A Comedy in 2 Acts, taken from Moliere and D'Ancourt. The Doors to be opened at 5:00. To begin at 6:15. Tickets delivered for Vietch, Burton and Miss Brown will be taken

Performances

Mainpiece Title: A School For Ladies; Or, The Levee Of Lovers

Afterpiece Title: No Wit Like A Woman's

Performance Comment: Lovemore-Barber; Sir Peter Pride-Poultney; Clodpole-Newton; Jeffery-M'Millin; Jeremy-Burton; Barnaby Brittle-Barrett; Lady Pride-Mrs Baker; Damaris-Miss Jackson; Mrs Brittle-Miss Brangin.
Cast
Role: Clodpole Actor: Newton

8157
28 April 1780 @ Drury Lane Theatre

Event Comment: Benefit for Hurst and Burton. Public Advertiser, 26 Apr.: Tickets to be had of Hurst at More's, pastry cook, the East End of the New Church, Strand; of Burton, No. 149, Fleet-street. Receipts: #111 18s. (27.0.0; 20.19.6; 0.13.6; tickets: 63 .5.0) (charge: #64 11s. 6d.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Who's The Dupe

Dance: As17791215

Song: End IV: As17800411

8158
02 August 1780 @ Haymarket Theatre

Event Comment: Benefit for the New General Lying-In Hospital, Store-street, Tottenham-Court-Road

Performances

Mainpiece Title: Bonduca

Afterpiece Title: Midas

Entertainment: End: (for that night only) a Variety of Imitations-G. Saville Carey

8159
17 August 1780 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. Tickets to be had of Bannister Jun. at a print shop, four doors below New-street, St. Martin's Lane

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Dance: II afterpiece: As17800615

Entertainment: End: a Variety of Imitations-Bannister Jun

8160
19 September 1780 @ Drury Lane Theatre

Event Comment: 3rd piece: With Alterations and 3 entire new Scenes [by Richard Brinsley Sheridan]. To conclude with a Representation of the Storming of Fort Omoa in the Bay of Hondurasv [see 3 Jan. 1780. This scene was included in all subsequent performances]. The View and Machinery designed by DeLoutherbourg and executed under his direction. Receipts: #131 16s. 6d. (99.14.0; 31.12.0; 0.10.6)

Performances

Mainpiece Title: The Election

Afterpiece Title: A Bold Stroke for a Wife

Afterpiece Title: Fortunatus

Dance: End IV 2nd piece: Minuet de la Cour-the Miss Stageldoirs

8161
06 November 1780 @ Haymarket Theatre

Performances

Mainpiece Title: The Cabinet Of Fancy

Performance Comment: As17801101, but added: Written by George Alexander Stevens, with considerable Alterations and Additions; the Overture, Recitatives, most of the Airs and Chorus entirely new, composed by Claggett.

8162
08 November 1780 @ Covent Garden

Event Comment: Mainpiece: With new Scenery and Dresses. Afterpiece: Tom Thumb [announced on playbill of 7 Nov.] is obliged to be deferred on account of the Illness of a principal Performer. Receipts: #209 1s. 6d. (205.15.6; 3.6.0)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Humours of an Election

Dance: As17801107

8163
22 November 1780 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Thomas Lewis O'Beirne, based on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue by Frederick Pilon (Crouch, 1, 90). Author of Epilogue unknown. For Pastoral Interlude see 23 Nov.]: With new Scenery and Dresses. Public Advertiser, 13 Dec. 1780: This Day at Noon is Published The Generous Impostor (1s. 6d.). Receipts: #197 3s. 6d. (183.4.0; 13.10.6; 0.9.0)

Performances

Mainpiece Title: The Generous Impostor

Afterpiece Title: The Padlock

8164
22 December 1780 @ Covent Garden

Event Comment: Benefit for the New General Lying-in Hospital in Store-Street, Tottenham-Court-Road. Receipts: #149 1s. 6d. (48.7.6; tickets: 100.14.0) (charge: #105)

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Humours of an Election

Dance: As17801018

8165
27 December 1780 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time: CO 3, by John Burgoyne, based on Silvain, by Jean Francois Marmontel]: With entirely new Music [by William Jackson], Scenes, Dresses, and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. Public Advertiser, 3 Apr. 1781: This Day is published The Lord of the Manor (price not listed). Receipts: #226 19s. (216.15; 9.16; 0.8)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Elopement

8166
29 January 1781 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; P 2, by Richard Brinsley Sheridan; music by Thomas Linley Sen.]: With entire new Scenery, Machinery, Dresses, and Decorations. The Scenery designed by DeLoutherbourg, and executed under his Direction. Nothing under Full Price will be taken. Receipts: #257 19s. (249.16; 8.3)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Dance: As17810123

8167
31 January 1781 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by Frances Brooke, based on the anonymous libretto of Sarti's opera Mitridate a Sinope. Prologue by the Rev. William? Collier (see text). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 54)]: With New Scenes, Dresses, &c. Public Advertiser, 8 Feb. 1781: This Day at Noon will be published The Siege of Sinope. (1s. 6d.). Receipts:#231 5s. (228.10; 2.15)

Performances

Mainpiece Title: The Siege Of Sinope

Afterpiece Title: Harlequin Free-Mason

8168
17 February 1781 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by John Delap, based on the Suppliants, by Aeschylus, and the Haraclidae, by Euripides. Prologue by Hester Lynch Thrale (Thraliana, I, 484-85). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 57)]: With New Dresses and Decorations. Public Advertiser, 1 Mar. 1781: This Day is published The Royal Suppliants (1s. 6d.). Receipts: #181 10s. 6d. (158.0.0; 22.2.0; 1.8.6)

Performances

Mainpiece Title: The Royal Suppliants

Afterpiece Title: The Deuce is in Him

8169
24 February 1781 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Larpent MS 548; not published. On 24 Mar. altered by the author as Second Thoughts are Best. Prologue by Richard Josceline Goodenough (Public Advertiser, 8 Mar.). Author of Epilogue unknown]: With New Scenes and Dresses. Receipts: #226 15s. 6d. (224.3.0; 2.12.6)

Performances

Mainpiece Title: The World As It Goes; Or, A Party At Montpelier

Afterpiece Title: The Jovial Crew

8170
23 March 1781 @ Covent Garden

Performances

Mainpiece Title: Elfrida

Music: End Part I: concerto on the hautboy-LeBrun; End Part II: concerto on the violin-Salomon (1st public performance in this Kingdom)

Entertainment: Monologue.End Oratorio: Collins's Ode on the Passions-Henderson (Public Advertiser, 24 Mar.); , accompanied with new Airs, Chorus-Dr Arnold, under whose direction the whole Music will be conducted

Performance Comment: End Oratorio: Collins's Ode on the Passions-Henderson (Public Advertiser, 24 Mar.); , accompanied with new Airs, Chorus-Dr Arnold, under whose direction the whole Music will be conducted.

8171
24 March 1781 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Hannah Cowley. Not published. An alteration of her The World as it Goes, acted on 24 Feb. Prologue by B. Walwyn (London Chronicle, 28 Mar.)]: With New Scenes and Dresses. Receipts: #170 1s. (168.14.6; 1.6.6)

Performances

Mainpiece Title: Second Thoughts Are Best

Afterpiece Title: The Upholsterer

Dance: As17801107

8172
12 June 1781 @ Haymarket Theatre

Event Comment: Mainpiece: The Overture and New Musick composed by Dr Arnold

Performances

Mainpiece Title: Summer Amusement; Or, An Adventure At Margate

Afterpiece Title: The Author

Dance: End I: Dance-Master Byrn, Miss Byrn

8173
07 July 1781 @ Haymarket Theatre

Event Comment: The new Musical Comedy of The Baron [announced on playbill of 6 July] is obliged to be deferred till Monday

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Dead Alive

8174
08 August 1781 @ Haymarket Theatre

Event Comment: 1st piece [1st time; PREL I, by George Colman elder; also ascribed to George Keate. Larpent MS 565; not published]: In Three Scenes of Dialogue. 2nd piece: The Music compiled by Dr Pepusch. 3rd piece [1st time; B. BALL I (see king's, 29 Mar.)]: Ballet Tragi-Comique by Signior Novestris [i.e. George Colman, the elder]. The Music by Signior Gluck. With New Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino. Morning Chronicle, 9 Aug.: Bannister with great good sense played chastely, and suffered the burlesque to arise out of his serious performance of Polly, not attempting to render the character ridiculous by making it more outre than it was rendered by his voice and figure

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

8175
22 August 1781 @ Haymarket Theatre

Event Comment: Benefit for Wilson. Second Course [1st time; M. INT I, by James Cobb. Larpent MS 567; not published]: With Songs and a New Overture. Entrement [1st time: INT I, by Charles Stuart. Larpent MS 566; not published]. Desert: Never acted here; by Permission of Harris [proprietor of cg. The playbill assigns Princess Huncamunca to Mrs Kennedy, but "Huncamunca was very well performed by a Lady who resembled Mrs Kennedy in her voice" (Public Advertiser, 23 Aug.; and see 24 Aug.)]

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Song: In Second Course: Auld Robin Gray-Miss Harper