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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Native dBarcellone di cale Quallificatta"/1) | (@(roleclean,performerclean) "Native dBarcellone di cale Quallificatta")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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305 results for: Keyword - Native d'Barcellone di cale Quallificatta
We found 207 matches on Performance Title, 64 matches on Performance Comments, 34 matches on Event Comments, 10 matches on Author, and 0 matches on Roles/Actors.

226
11 March 1793 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Governor; or, The Creolian Insurrection

Performance Comment: European Officer-Byrn; Henriquez (the Governor)-Follett; Insurgent Chief-Farley; Blacks, Creolians-Holland, Platt, Ratchford, King, Jackson, Blurton; Creolian Insurgents-Rayner, Wilde, Allen, Powers, Gaurion; Spanish Officers-Evatt, Lee, Rowson, Coombs; Natives of the Island-Jones, Richardson, Dodimear [the playbill erroneously calls each one of the Natives 'Miss'; see17930316 Notaries-Hill, Smith; The Grandchild-Master Menage; Creolian Girl-Miss Smith; Creolian Women-Mrs Ratchford, Mrs Bayzand; Black Women-Mrs Watts, Miss Francis, Mrs Crowe, Mrs Cranfield; Donna Juliana (Daughter to the Governor)-Mme Rossi.
Cast
Role: Natives of the Island Actor: Jones, Richardson, Dodimear

227
16 November 1793 @ Covent Garden

Performances

Mainpiece Title: The German Hotel

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Death of Captain Cook

Performance Comment: As17931106 PART I. A Nuptial Procession, with the Performance of the Marriage Ceremony, according to the Custom observed at O'Whyee. The Manner of a Combat between two Natives. PART II. The Arrival of the Resolution. The Disembarkation of the English, with the Ceremonies observed at entering into a Treaty of Peace with the Natives. A Preparation for a Human Sacrifice. The Assassination of Captain Cook. PART III. A Representation of the Naval and Military Honour, observed on erecting a Pile to the Memory of Captain Cook by the Officers of the Resolution. The Ceremony performed on the same occasion, according to the Manner of the Natives of O'Whyee. To conclude with a Representation of a Burning Mountain.

228
19 August 1732 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Dance: SSt. Giles' Jig-Lilliputian; Highland Dance-Native of Scotland; Je ne scai quoy-D'Vallois, Mrs Walter

Performance Comment: Giles' Jig-Lilliputian; Highland Dance-Native of Scotland; Je ne scai quoy-D'Vallois, Mrs Walter.
Cast
Role: Highland Dance Actor: Native of Scotland

229
10 October 1753 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Capulet-Sparks; Montague-Bridgwater; Escalus-Gibson; Benvolio-Usher; Paris-Anderson; Lady Capulet-Mrs Barrington; Friar Lawrence-Ridout; Gregory-Bennett; Sampson-Collins; Abram-Dunstall; Balthazar-White; Mercutio-Dyer; Tibalt-Cushing; Nurse-Mrs Pitt; Juliet-aYoung Gentlewoman (who never appeared on any stage before); [With a Masquerade Dance- [proper to the play; [and an Additional Scene introduced representing the Funeral Procession of Juliet-; [which will be accompanied with a Solemn Dirge-; the vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Miss Young, Mrs Chambers; [With an Occasional Prologue-Barry.*c1753 10 10 cg A Prologue by Barry to introduce a young gentlewoman in Juliet (Miss Nossiter) who never appear'd upon any stage. Great Applause. The Prologue about Mrs Cibber's Leaving Rich (Cross). Romeo was perform'd by Barry and Juliet by Miss Nossiter, being the first time of her appearing on any theatre. The delicacy of her figure, and her gracefull distress, obtained for her the warmest applause; and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.] and as she grew more animated in the progress, she frequently alarmed the audience with the most striking attitudes. If this young actress studies the management of her voice, and attains a more simple elocution--she will prove a shining ornament to the stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct.). [The Occasional Prologue was printed in the Public Advertiser, 20 Nov.: @Who could have thought that Juliet could e'er prove@False to her Romeo, faithless to her Love?@She Mrs Cibber? on whose voice the raptured audience hung,@Caught with th'angelic music of her tongue;@Whose native tenderness so oft has charm'd;@Whose grief afflicted, and whose Rage alarm'd,@Deaf to her vows, and to her Romeo's calls,@Has fled alas from our Verona's walls!@In such a plight what cou'd poor Romeo do?@Why, Faith, like modern lovers, seek anew;@And happy shall I think me in my Choice,@If 'tis approv'd of by the public voice.@ Twenty three more lines present the qualifications for Miss Nossiter to play the part, and plead for an encouraging round of applause for her.]

230
06 May 1782 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: A Fete, scene I

Performance Comment: A Forest. The Death of the Stag (singers not listed). Overture by Dr Arne. Hunting song, Give round the word, by Doyle. Foresters' Dance, scene II. The Cave of Echo. The Vauxhall Echo Catch, They say there is an echo here, by Davits, Robson, J. Wilson, Doyle, scene m. Mount Ida. Venus and the Grace, to whom she complains for the loss of her son [She that will but now discover}. Venus-Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy; the music by Hook; the words by Hull. SCENE VI. The Cavern of Despair. Mad Tom, by Reinhold; the music by Purcell. SCENE VII. A Palace and a Banquet. Honest Friends and jovial Souls (singers not listed). To conclude with a Chorus and Dance. Attendant Genius-Miss Langrish .
Cast
Role: . Venus Actor: Mrs Morton, scene IV. A Hall. Four and twenty fidlers all on a row, as17820423 scene V. A Camp. For Freedom and his Native Land, by Mrs Kennedy

Afterpiece Title: The What d'ye Call It

231
06 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: L'allegro Ed Il Penseroso [, Part I Only]; Grand Selection 0

Afterpiece Title: Acis and Galatea

Afterpiece Title: A New Grand Selection

Performance Comment: The undaunted Britons-Dignum (Atterbury); Fairest Isles-Miss Leak, Chorus [King Arthur, by Purcell]; Gentle Airs-Harrison; accompanied on the violoncello-Mason [Athalia]; From rosy bowers-Miss Poole (Purcell); The praise of Bacchus, Bacchus ever fair and Young-Welsh [Alexander's Feast]; Concerto on the violin-Janiewicz; Dear is my little native vale-Mrs Harrison (Sir W. Parsons); The Maid of the Rock-Master Welsh [Dignum]; Together let us range the fields-Mr and Mrs Harrison (Solomon, by Boyce); God save Great George our King (with new accompaniments by Dr Arnold)-Full Chorus.
Cast
Role: Dear is my little native vale Actor: Mrs Harrison

Song: In 1st piece: Sweet bird-Mrs Ferguson (her 1st performance); accompanied on the violin-Shaw; End 2nd piece: an Italian Scena-Mrs Ferguson

232
13 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Grand Selection 0

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Ariadne)-; Wake son of Odin-Leete (Stevens); What boots it where thy soldier-Miss Leak; Dear is my little native vale-Master Welsh; When Britain from her sea@girt shore-Dignum, Clark, Letee; Britain's best bulwarks-Chorus; Softly rise-Harrison; accompanied on the bassoon-Holmes (Solomon, by Boyce); Se ti perdo-Miss Poole; Tune your harps-Mrs Harrison (Esther); When all the air shall ring-Miss Poole, Miss Leak (Dr Arne); God save the King-Chorus.
Cast
Role: Dear is my little native vale Actor: Master Welsh

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

233
16 March 1793 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Governor

Performance Comment: As17930311but European Officer-_; here called Henriquez-Byrn; Insurgent Chief-_; called Nunez-Farley; Creolian Girl-_; called Orra-Miss Smith; Governor-Follett given no name; Natives of the Island-Messrs Jones, etc.
Cast
Role: Natives of the Island Actor: Messrs Jones, etc.

234
14 June 1710 @ Greenwich

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music ....The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro

235
25 April 1763 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

236
16 December 1777 @ King's Theatre

Performances

Mainpiece Title: Vittorina

Dance: End I: New Ballet, as17771104; End II: new ballet, Demicaractere, composed by Banti, Les Bohemiens-Sg and Sga Banti, Sg and Sga Zuchelli; End Opera: La Polonaise Favourite, as17771104

237
11 March 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I Divertissement Villageois, as17860218; End of Opera a New Divertissement (composed by Giroux) by Vestris, Sga Carolina, Sga Crespi, Henry, Marseilles, Duquesney Jun., the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England)

238
08 May 1724 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Several choiceConcertos-the Youth [J. Clegg][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth

239
08 January 1735 @ Covent Garden

Performances

Mainpiece Title: Ariodante

240
21 February 1772 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

241
27 April 1772 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Part I.Overture-Abel; Duo Violincello, Violin-Vachon, Duport; Concerto on German Flute-Wendling; Solo on Viol di Gamba-Abel; Concerto on French Horn-Ponta; Part II.Concerto Hautboy-Fischer; Concerto on Harpsichord-Hulmandel; Solo on Violincello-Duport; Concerto on Violin-Vachon; Full piece-Vachon

242
02 December 1774 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Romance of An Hour

Dance: I: The Vintage Festival, as17741007; End Opera: The Irish Lilt-Aldridge, Miss Valois. [See17731005]

243
04 November 1777 @ King's Theatre

Performances

Mainpiece Title: Le Due Contesse

Dance: WithNew Dances composed by Simonet-; End I: new ballet, demi-caractere Le Devin du Village-Mons and Mlle Banti, Sg and Sga Zuchelli Colin-Banti; +Colette-Mlle Banti; End II: +New BalletSerious and Demi-caractere-; in which a Pas de Quatre-Mons and Mme Simonet, Mons and Mlle Banti; to conclude with the Chaconne of Froquett-; End Opera: new serious ballet La Polonaise Favourite-Mons Simonet, Mme Simonet, Mlle Baccelli, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

244
15 May 1779 @ King's Theatre

Performances

Mainpiece Title: La Governante

Dance: End I: new Ballet, Les Paysans Voles-Banti, Sga Tinti, Sg and Sga Zuchelli; End II: Ballet by Fairies, as17790302End Opera: new Ballet Espagnol, La Serenade Interrompuee-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, LeDet; with a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guittar-Noferi

245
22 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Summer Amusement

Afterpiece Title: Seeing is Believing: A Dramatic Proverb

Dance: As17830610

246
06 January 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17840103 throughout

247
10 June 1784 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing: A Dramatic Proverb

Afterpiece Title: Gretna Green

Afterpiece Title: The Election of the Managers

248
16 November 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Romance of an Hour

Dance: End of mainpiece a new Comic Dance, The Affrighted Dwarf, with a whimsical Transformation into Mad Moll (performers not listed)

Monologue: 1784 11 16 End of Act IV of mainpiece Bucks have at ye all by Cross

249
18 December 1784 @ King's Theatre

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

250
04 January 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: As17850101 throughout