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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Nathan Field"/1) | (@(roleclean,performerclean) "Nathan Field")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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473 results for: Keyword - Nathan Field
We found 331 matches on Event Comments, 126 matches on Performance Comments, 24 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

126
17 September 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello-kemble ; Roderigo-dodd ; Cassio-bannister Jun

Afterpiece Title: The Quaker

Performance Comment: Steady-Bannister ; Solomon-Parsons ; Easy-Wrighten ; Lubin-Suett; Gillian-Miss Field ; Cicely-Mrs Love ; Floretta-M rs Wrighten .
Cast
Role: Gillian Actor: Miss Field

127
17 October 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Bensley; Stephano-Moody; Trincalo-Baddeley; Caliban-Bannister; Gonzalez-Aickin; Alonzo-Wrighten; Antonio-Phillimore; Sebastian-Wright; Francisco-Wilson; Ferdinand-Barrymore; Ariel-Miss Field; Miranda-Mrs Crouch. Chorus of Spirits-Fawcett, Chaplin, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Barnes, Miss Burnett, Miss Cranford, Mrs Burnett, &c . Mrs Love, Mrs Booth, Miss Barnes, Miss Burnett, Miss Cranford, Mrs Burnett, &c .
Cast
Role: Ariel Actor: Miss Field

Afterpiece Title: All the World's a Stage

Dance: In Act II of mainpiece a Dance of Spirits by Miss Stageldoir, &c.; In Act III a Dance of Fantastic Spirits [performers not listed]; In Act IV a Dance by Hamoir and Mrs Sutton

128
26 October 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Arthur and Emmeline

Performance Comment: Arthur-Kemble; Oswald-Barrymore; Merlin-Aickin; Conon-Packer; Osmond-Staunton; Aurelius-R.Palmer; Grimbald-Bannister; Matilda-Miss Barnes; Emmeline-Miss Farren; Philidel-Miss Field; Venus-Mrs Crouch. The rest of the Vocal Parts by Williames, Danby, Fawcett, Wilson, Chaplin, Alfred, Newbold; Miss Cranford, Miss Burnett, Mrs Love, Mrs Burnett, Mrs Booth . Miss Cranford, Miss Burnett, Mrs Love, Mrs Burnett, Mrs Booth .
Cast
Role: Philidel Actor: Miss Field

Dance: End of mainpiece The Market, as17851024

129
17 November 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Kemble; King-Packer; Horatio-Staunton; Polonius-Baddeley; Laertes-Barrymore; Ostrick-R. Palmer; Rosencraus-Phillimore; Guildenstern-Williames; Player King-Chaplin; Marcellus-Wrighten; Lucianus-Waldron; Gravediggers-Parsons, Burton; Ghost-Bensley; Ophelia-Miss Field; Player Queen-M rs Hedges; Queen-Mrs Hopkins .
Cast
Role: Ophelia Actor: Miss Field

Afterpiece Title: The Caldron

Dance: In afterpiece, as17851018

130
22 November 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble; Hubert-Bensley; Salisbury-Staunton; Pembroke-Williames; Essex-Chaplin; Bastard-Smith; King Philip-Aickin; Dauphin-Barrymore; Prince Arthur-Miss Field; Pandulph-Packer; Austria-Wrighten; Citizen-Fawcett; Chatilion-Bannister Jun.; Queen Elinor-Mrs Hopkins; Lady Blanch-Miss Palmer; Lady Falconbridge-Mrs Hedges; Constance-Mrs Siddons .
Cast
Role: Prince Arthur Actor: Miss Field

Afterpiece Title: Too Civil by Half

131
05 December 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Confederacy

Performance Comment: Brass-King; Gripe-Moody; Money-Trap-Parsons; Clip-Wrighten; Jessamy-Burton; Dick-Palmer; Flippanta-Miss Pope; Corinna-Miss Field; Araminta-Miss Kemble; Mrs Amlet-Mrs Hopkins; Mrs Clogget-Mrs Love; Clarissa-Miss Farren .
Cast
Role: Corinna Actor: Miss Field

Afterpiece Title: The Jubilee

132
07 December 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Smith; Manly-Bensley; Count Basset-Dodd; John Moody-Moody; Squire Richard-Suett; Sir Francis Wronghead-Parsons; Lady Grace-Mrs Ward; Lady Wronghead-Mrs Hopkins; Miss Jenny (with songs)-Miss Field; Trusty-Miss Hale; Myrtilla-Miss Barnes; Mrs Motherly-Mrs Love; Lady Townly-Miss Farren .
Cast
Role: Miss Jenny Actor: Miss Field

Afterpiece Title: The Jubilee

133
08 December 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Strangers At Home

Performance Comment: Principal Characters by King, Bannister Jun., Barrymore, Dignum, Williames, Phillimore, Bannister; Mrs Wrighten, Mrs Jordan, Miss Field, Mrs Crouch. [Cast from text (Harrison and Co., 1786): Aldobrand-King; Laurence-Bannister Jun.; Montano-Barrymore; Octavio-Dignum; Regnalto-Williames; Fabio-Phillimore; Firelock-Bannister; Roberto-Jones; Alice-Mrs Wrighten; Rosa-Mrs Jordan; Laura-Mrs Forster [i.e. formerly Miss Field]; Viola-Mrs Crouch.] hathi. hathi.

Afterpiece Title: All the World's a Stage

134
14 January 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Performance Comment: As17850917, but Gillian-Mrs Forster [i.e. formerly Miss Field] .i.e. formerly Miss Field] .

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

135
07 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Performance Comment: As17851017, but Ariel-Mrs Forster [i.e. formerly Miss Field] .i.e. formerly Miss Field] .

Afterpiece Title: The Virgin Unmask'd

Related Works
Related Work: An Old Man Taught Wisdom; or, The Virgin Unmask'd Author(s): Henry Fielding

Dance: As17851017

136
02 June 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17851207, but Miss Jenny-Mrs Forster [i.e. formerly Miss Field] .i.e. formerly Miss Field] .

Afterpiece Title: Catherine and Petruchio

Dance: As17860601

137
21 May 1793 @ Covent Garden

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt

Cast
Role: Captain Fieldair Actor: Incledon

Afterpiece Title: A Divertisement

Music: End I 3rd piece: a sonata from Op. 2, by Clementi, on one of Longman and Broderip's newly invented Grand Piano Forte Harpsichords, by the celebrated-Master Field a Child of Nine Years Old

Performance Comment: 2, by Clementi, on one of Longman and Broderip's newly invented Grand Piano Forte Harpsichords, by the celebrated-Master Field a Child of Nine Years Old.
Cast
Role: by the celebrated Actor: Master Field a Child of Nine Years Old.

Entertainment: Monologue. As17930410

138
22 May 1794 @ Haymarket Theatre

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Wilkinson; Osmond-Field; Rodolpho-Jones; Sitfredi-Wewitzer//Laura-Miss Herbert [thus Oracle; Morning Herald: Mrs Lawson]; Sigismunda-Miss Thomas(1st appearance) .
Cast
Role: Osmond Actor: Field

Afterpiece Title: THREE WEEKS AFTER MARRIAGE

Performance Comment: Sir Charles Racket-Wilkinson; Lovelace-Field; Woodley-Jones; Drugget-Wewitzer//Mrs Drugget-Mrs Thompson; Nancy-Mrs Jones [thus Oracle; Morning Herald: Mrs Lawson]; Dimity-Mrs Wewitzer [thus Oracle; Morning Herald: Miss Kent]; Lady Racket (1st time)-Miss Thomas .
Cast
Role: Lovelace Actor: Field

Music: End of mainpiece Master Julien Baux, a Child under Six Years of Age, will perform a Concerto on the Violin by Viotti

Monologue: 1794 05 22 End of afterpiece an Occasional Address by Miss Thomas

139
26 December 1794 @ Covent Garden

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Mago and Dago; or, Harlequin the Hero

Performance Comment: Vocal Characters-Bernard, Gray, Street, Linton, Mrs Martyr; Harlequin-Byrn; Clown-Follett; Dago-Farley; Mago-Richardson; Father to Columbine-Hawtin; Zany-Simmons; Columbine-Mme Rossi; Seraphil-Mrs Martyr; I. The Cave of Magov. The Meeting of Fantastic Spirits-the Arrival of Mago-his Address to Seraphil-Richardson; II. Dago's Cavernv. The Magic Concerto-the Phantom of Harlequin-the escape of Columbine. III. A Mountainous Snow Scenev. The Drift of Snow-the Preservation of Columbine, and the Re-animation of the frozen Harlequin. Song by Seraphil-Mrs Martyr; IV. A Romantic Summer Viewv. It blows Hot and Cold-a Storm-an angry Parley between Mago and Dago. V. Inside of the Woodman's Cottagev. Thy introduction of Count Ugolino, with a display of the Magic Powers of Harlequin and Dago. VI. A Precipice, with a Distant Valleyv. The flight of Harlequin, Columbine, and Clown-with the ayrial pursuit of Dago and his Imps. VII. An Inn-Yard near Londonv. The Humours of a Stage Coach-the descent of the Aerial Characters, and Adventures by Lanthern Light. VIII. A Bedchamber at an Innv. A Rumpus in the Dark-the Mistakes of the Night-the Apparition. IX. A Smith's Shop and Forgev. Harlequin changes to a Blacksmith-Columbine to an Anvil-the Bed to a Forge-many Irons in the Fire. X. The Adam and Eve at Pancrasv. The Promenade, with a song, A New Trade for a Jew-Bernard; XI. The Trap-Ball Groundv. The Humours of the Whirligig-one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street; XVII. A Sketch from Naturev, which changes to A Flemish Fetev, from Teniers. A Throw with the dice-Seven's the Main-Win her and wear her. XVIII. A Gardenv. Dago's Triumph-Friends are faithless-The Picture reversed. XIX. Temple of Fortunev. A new Game of Gards-the odd Trick-Fortune's a Jilt-a Visit from her eldest Daughter, Miss Fortune, with a Song in Character- XX. A Landscapev. A Puzzle for the Pursuers-Jack in the Green-Mirth in full Measure-the Cream of the Jest-the Devil in the Milk Pails. XXI. The Outside of a Cottagev. Not at Home-the Clown in the Pig-stye-Miss in the Dumps-Papa in a Passion-all in a Blaze. XXII. A Street with Apothecary's Shopv. Medical Feeling, or the pluckt Apothecary-how to kick up a Dust, and how to come off with flying Colors. XXIII. Inside of the Apothecary's Shopv. Dr Wormwood in full Practice-the Remedy worse than the Disease-Dago's Vengeance-the Dissection of Harlequin-all Alive and Leaping. XXIV. A Dreary Dell and Hermitagev. Harlequin Triumphant-The Recovery of the Talisman-Dago in Durance. XXV. Mago's Hall in the Chrystal Rockv. Beauty the Reward of Virtue-Forget and Forgive-the Reconciliation, All's Well that Ends Well.
Cast
Role: The Trap Actor: Ball Groundv. The Humours of the Whirligig-one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: The Humours of the Whirligig Actor: one below sees all-the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: one below sees all Actor: the ups-and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: the ups Actor: and-downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: and Actor: downs of life, with the disaster. XII. A Streetv. Harlequin in the dumps-Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: Harlequin in the dumps Actor: Zany in the wrong box, with the Battle of the Wigs, Shoes, Cabages, Cucumbers, Ribbons, and Ram's-horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: and Ram's Actor: horns. XIII. Milliners' Work-Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: Milliners' Work Actor: Roomv. The Knight of the Band-box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: The Knight of the Band Actor: box overcome-Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: box overcome Actor: Harlequin's jump thro' a Cloak-and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street
Role: Harlequin's jump thro' a Cloak Actor: and the Clown in a scrape. XIV. A Corn Field and Distant Countryv. The Transformation of the Band-boxes-the Assembly of Scarecrows. XV. A Dark Woodv. Columbine turned Fidler-Every one their Hobby-Flight of the English Zebra, or the Kennington Hunter. XVI. A Country Alehousev. The Tinker's Glee-Gray, Linton, Street

140
09 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Orphan

Cast
Role: Principal Pantomime Characters Actor: Bologna Jun., Bologna, Follett, Dyke, Hawtin,Blurton, Abbot, Wilde, Curties, Findlay, Cranfield, Parsloe, Davis, Master Blackmore, Mrs Parker, Mlle St.Amand, Mrs Follett, Mrs Norton, Miss Leserve, Mrs Henley

Afterpiece Title: Harlequin's Return

Performance Comment: Principal Pantomime Characters. Harlequin-Bologna Jun.; Sammy Scrip-Simmons; Outre (his Man)-Bologna; Father to Columbine-Hawtin; Clown (his Man)-Follett; The other Pantomime Characters-Goostree Jun., Parsloe, Coombs, Noble; Columbine-Mlle St.Amand; Principal Vocal Characters. Jack Junk-Townsend; Fisherman-Linton; Harlequin's Father-Street; Mimic-Rees; Lawyers-Gray, Abbot, Blurton, Wilde; Country Boy-Miss Sims; Potter's Girl-Mrs Clendining; Milk@maid-Miss Wheatley; Harlequin's Mother-Mrs Henley; Lapland Witch-Mrs Iliff; Other Vocal Characters-Ms Castelle, Ms Watts, Ms Follett, Ms Norton, Ms Lloyd, Ms Burnett, Ms G. Walcup, Ms Bologna, Ms Gray; Sylph-Mrs Martyr; The Pantomime commences with a Sea View-the Father and Mother of Harlequin enter from their Hut and meeting their Friend, a Fisherman, according to Evening custom, deplore the absence of their Son, whom they conceive lost at Sea-a small Bark is discernable at a distance, which enlarging as it approaches, and making towards them, gives them hopes, which are realized by their Son's landing in the habit of a Sailor; but are dreadfully disappointed on finding that, being wrecked on the Coast of Lapland, a Witch of that Country, for his wishing to re-visit England, had struck him dumb; but to make amends bestowed on him an Enchanted Sword, which has the various qualities of becoming Sable when Danger is near, and being waved in different Directions produces the effect of making Dance, Laugh or Sleep those living objects it is employed upon-Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley; The wind blew fresh and fair-Townsend; Inside of Fisherman's Cottage, change to Corn-field. Brave offspring of Ocean-Mrs Martyr; Country Publicans. A Prize in the Lottery and its consequence. Outside of Town Hall. Behold natty Sammy-Simmons, Bologna; Changes to Inside of Ditto. Rustic rejoicings-Harlequin in armour, and Columbine's escape. Rural View. In the spring when the meadows-Miss Sims, Miss Wheatley; Milk pail change to Milk-maids, Garland, and Jack in the Green. Artist's Chamber. You take off good likenesses-Rees; in which a Variety of New Imitations-Rees; Fashionable Rout change to Billingsgate. Catch-Linton, Street, Gray, Abbot, Blurton, Wilde, Dyke, Curties, Mrs Castelle, Mrs Leserve, Mrs Bologna; Garden of Love. Chamber. Harlequin and Columbine in jeopardy-make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining; Inside View of the Pottery, change to Subterraneous Cavern. Rash stripling-Mrs Iliff; Bottle changes to Tarantula-the effects of its bite upon Harlequin, cured by Music. By sweet Music's powerful Note-Mrs Martyr; Cavern of Necromancy. With the entrance to the Fiery Gulph, where the Witch consults her Familiar, guarded by an immense Dragon, whose power is counteracted by that of the Sylph, who after singing the following air, Hither haste the young and gay-Mrs Martyr changes the Scene to The Bower of Constancy; The Lovers are united by their Parents, and the Piece concludes with an appropriate Finale-.
Cast
Role: change to Corn Actor: field. Brave offspring of Ocean-Mrs Martyr

141
20 November 1660 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. Pepys, Diary: Mr Shepley and I to the new Play-house near Lincoln's-Inn-Fields (which was formerly Gibbon's tennis-court), where the play of Beggar's Bush was newly begun; and so we went in and saw it, it was well acted: and here I saw the first time one Moone [Mohun], who is said to be the best actor in the world, lately come over with the King, and indeed it is the finest play-house, I believe, that ever was in England

Performances

Mainpiece Title: The Beggar's Bush

142
25 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Evelyn, Diary: After divers yeares, that I had [not] seene any Play, I went to see acted the Scornfull Lady at a new Theater in Lincolns-in fields

Performances

Mainpiece Title: The Scornful Lady

143
11 September 1661 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: Walking through Lincoln's Inn Fields observed at the Opera a new play, Twelfth Night, was acted there, and the King there; so I, against my own mind and resolution, could not forbear to go in, which did make the play seem a burthen to me, and I took no pleasure at all in it; and so after it was done went home with my mind troubled for my going thither, after my swearing to my wife that I would never go to a play without her

Performances

Mainpiece Title: Twelfth Night

144
06 February 1663 @ The (first) Drury Lane Theatre

Event Comment: Pepys, Diary: Thence to Lincoln's Inn Fields; and it being too soon to go to dinner, I walked up and down, and looked upon the outside of the new theatre, now a-building in Covent Garden, which will be very fine

Performances

145
06 August 1663 @ no theater listed

Event Comment: Pepys, Diary: Though nine o'clock at night, carried them [Mary Joyce, Anthony Joyce and Kate Joyce] into a puppet play in Lincolnes Inn Fields, where there was the story of Holofernes, and other clockwork, well done

Performances

Mainpiece Title: Puppet Plays

146
06 May 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This play is on the L. C. list 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Gervase Jaquis to the Earl of Huntington, 7 May: Upon monday last the Duchesse of Newcastl's play was Acted in the theater in Lincolns Inne field the King and the Grandees of the Court being present and soe was her grace and the Duke her husband (Hastings MS., Ha 7657, Huntington Library)

Performances

Mainpiece Title: The Humorous Lovers

147
09 May 1667 @ Whitehall or St. James's

Performances

Mainpiece Title: The Schoole Of Complements

Performance Comment: [Love Tricks, by James Shirley.] Edition of 1667: The Prologue-; [No actors' names. Epilogue-. [As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.

148
30 November 1668 @ Whitehall or St. James's

Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See William VanLennep, "Plays on the English Stage", p. 13. The edition of 1668 states: As it was Acted (with great Applause) by the Servants of His Royal Highness the Duke of York, at the Theatre in Lincolns-Inn Fields

Performances

Mainpiece Title: The Changeling

149
22 April 1669 @ Theatre in Vere Street

Event Comment: Pepys, Diary:, 23 April: My wife stopped me; and, after a little angry talk, did tell me how she spent all day yesterday with M. Batelier and her sweetheart, and seeing a play at the New Nursery, which is set up at the house in Lincoln's Inn Fields, which was formerly the King's house

Performances

150
September 1671 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. The date of the first performance is quite uncertain, but the fact that the Prologue was spoken at Lincoln's Inn Fields and refers to that theatre as "a damn'd House," appropriate to its status before the Company's removal to Dorset Garden (9 Nov. 1671), would place it in the early autumn. The presence of unfamiliar names in the cast and the statement in the Dedication to its "hasty Representation" suggest a summer or early autumn performance before the principals had resumed their places in the Company. See Nicoll, Restoration Drama, p. 424, for other complications in the dating of this play

Performances

Mainpiece Title: Herod And Mariamne

Performance Comment: Edition of 1673: Prologue at the Theatre in Lincolns@Inn@Fields-; Epilogue-Mariamne; Herod-Medburn; Pheroras-Crosby; Alexas-John Lee; Tyridates-Smith; Arsanes-Norris; Polites-Anthony Lee; Sosius-Gillow; Mariamne-Mrs Spencer; Salome-Mrs Mary Lee; Alexandra-Mrs Osborn.
Cast
Role: Prologue at the Theatre in Lincolns@Inn@Fields Actor: