SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "N Tate"/1) | (@(roleclean,performerclean) "N Tate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 110 matches on Author, 94 matches on Event Comments, 61 matches on Performance Comments, 14 matches on Performance Title, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: Hamlet

Cast
Role: Hamlet Actor: Garrick.
Role: King Actor: Sparks
Role: Ghost Actor: Delane
Role: Horatio Actor: Havard
Role: Polonius Actor: Taswell
Role: Laertes Actor: Blakes
Role: Ostrick Actor: Neale
Role: Lucianus Actor: Yates
Role: Rosencraus Actor: Simpson
Role: Guildenstern Actor: Usher
Role: Gravediggers Actor: Macklin, Ray
Role: Marcellus Actor: Bransby
Role: Bernardo Actor: Marr
Role: Player King Actor: Winstone
Role: Player Queen Actor: Mrs Yates
Role: Queen Actor: Mrs Bennet
Role: Ophelia Actor: Mrs Clive

Afterpiece Title: The Virgin Unmask'd

Cast
Role: Lucy Actor: Mrs Clive.

Dance: DDance-Cooke

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Richard Actor: Garrick
Role: King Henry Actor: Delane
Role: Buckingham Actor: I. L? Sparks
Role: Richmond Actor: Havard
Role: Stanley Actor: Winstone
Role: Tressel Actor: Blakes
Role: Catesby Actor: Usher
Role: Lieut. Actor: Ray
Role: King Edward V Actor: Miss Cole
Role: Duke of York Actor: Miss Yates
Role: Ratcliff Actor: Simson
Role: Tyrell Actor: Bransby
Role: Blunt Actor: Burton
Role: Lord Mayor Actor: Taswell
Role: Oxford Actor: Bransby
Role: Norfolk Actor: Blakes
Role: Queen Elizabeth Actor: Mrs Elmy
Role: Duchess of York Actor: Mrs Bennet
Role: Lady Anne Actor: Mrs Woffington.

Afterpiece Title: The Virgin Unmask'd

Cast
Role: Lucy Actor: Mrs Clive.

Performances

Mainpiece Title: None

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Hero Actor: Mrs Elmy
Role: Balthasar Actor: _ Fryar-Bridges
Role: _ Fryar Actor: Bridges
Role: Borachio Actor: Blakes
Role: Margaret Actor: Mrs Havard.
Role: Dogberry Actor: Taswell
Role: Country Dance Actor: included at end of play.
Role: add Country Dance Actor: .
Role: add Masquerade Dance Actor: Mrs Addison.
Role: a Masquerade Dance Actor: Matthews
Role: to conclude with a Country Dance Actor: the Characters.
Role: Benedick Actor: Garrick for the first time
Role: Don Pedro Actor: Havard
Role: Leonato Actor: Berry
Role: Don John Actor: Winstone
Role: Claudio Actor: Lee
Role: Friar Actor: Bridges
Role: Sexton Actor: Ray
Role: Town Clerk Actor: James
Role: Verges Actor: Neale
Role: Conrade Actor: Bransby
Role: 1st Watchman Actor: Vaughan
Role: 2nd Watchman Actor: Marr
Role: Ursula Actor: Miss Cole
Role: Beatrice Actor: Mrs Pritchard
Role: Musical parts Actor: Beard, Reinhold, Mrs Clive.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: also Goodall Actor: Winstone
Role: Mrs Highman Actor: Mrs Bennet.
Role: Drunken Colonel Actor: Woodward
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Performances

Mainpiece Title: Every Man In His Humour

Cast
Role: Justice Clement Actor: Burton.
Role: Kitely Actor: Garrick
Role: Bobadill Actor: Woodward
Role: Brainworm Actor: Yates
Role: Master Stephen Actor: Shuter
Role: Old Knowell Actor: Berry
Role: Young Knowell Actor: Ross
Role: Wellbred Actor: Palmer
Role: Cob Actor: Mozeen
Role: Master Matthew Actor: Vaughan
Role: Downright Actor: Winstone
Role: Cash Actor: Blakes
Role: Formal Actor: Costollo
Role: Dame Kiteley Actor: Mrs Ward
Role: Bridget Actor: Miss Minors
Role: Tib Actor: Mrs Cross

Afterpiece Title: Harlequin Ranger

Cast
Role: Other characters Actor: Johnson, Mrs +Simpson.
Role: Harlequin Actor: Woodward
Role: New Music Actor:

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Feignwell Actor: Woodward
Role: Obadiah Prim Actor: Taswell
Role: Periwinkle Actor: Shuter
Role: Sir Philip Modelove Actor: Blakes
Role: Anne Lovely Actor: Mrs Clive
Role: Simon Pure Actor: Vaughan
Role: Boy Actor: Mas. Cross
Role: Tradelove Actor: Burton
Role: Freeman Actor: Palmer
Role: Mrs Prim Actor: Mrs James
Role: Sackbut Actor: Winstone
Role: Betty Actor: Mrs Bennet
Role: Masked Lady Actor: Mrs Toogood.

Dance: TThe Hungarian Peasants, as17521125, but A Dutch Dance-_; Comic Dance, as17521125

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Cast
Role: Antony Actor: Barry
Role: Ventidius Actor: Sparks
Role: Dolabella Actor: Smith
Role: Cleopatra Actor: Mrs Woffington
Role: Octavia Actor: Mrs Bellamy
Role: Alexas Actor: Dyer
Role: Serapion Actor: Marten
Role: Myris Actor: Redman
Role: Charmion Actor: Mrs Baker
Role: Iras Actor: Miss Mullart.

Afterpiece Title: Damon and Phillida

Cast
Role: Damon Actor: Lowe
Role: Arcas Actor: Anderson
Role: Corydon Actor: Bennet
Role: Mopsus Actor: Dunstall
Role: Cymon Actor: Collins
Role: Phillida Actor: Miss Young.

Dance: As17551114

Performances

Mainpiece Title: Ulysses

Afterpiece Title: The Frenchified Lady Never in Paris

Cast
Role: Lady Actor: Mrs Woffington
Role: Palamede Actor: Dyer
Role: Rhodophil Actor: Gibson
Role: Doralice Actor: Mrs Barrington

Dance: FFingalian Dance, as17551126

Music: EEllen a Roon on the German Flute-a young Gentlewoman (from Ireland)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Jovial Crew

Cast
Role: Old Rents Actor: Sparks
Role: Hearty Actor: Beard
Role: Springlove Actor: Clarke
Role: Randal Actor: Dunstall
Role: Oliver Actor: Dyer
Role: Justice Clack Actor: Shuter
Role: Hilliard Actor: Baker
Role: Vincent Actor: Mattocks
Role: Meriel Actor: Mrs Vincent
Role: Rachel Actor: Miss Brent, with dances incident to the Opera.

Afterpiece Title: Harlequin Skeleton

Cast
Role: A Chasseur Royal Actor: Mattocks
Role: Aerial Spirits Actor: Granier, Mrs Granier
Role: Jupiter in character of Harlequin Actor: Miles
Role: Doctor Actor: Bencraft
Role: Colombine Actor: Mrs Dyer
Role: Merlin Actor: Legg
Role: Mercury Actor: Baker
Role: Pierrot Actor: Lalauze.

Dance: As17601013

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Romeo Actor: Holland
Role: Mercutio Actor: Palmer
Role: Escalus Actor: Bransby
Role: Paris Actor: Jackson
Role: Tibalt Actor: Lee
Role: Capulet Actor: Burton
Role: Fryar Lawrence Actor: Havard
Role: Lady Capulet Actor: Mrs Bennet
Role: Nurse Actor: Mrs Cross
Role: Juliet Actor: Mrs Palmer
Role: the vocal parts Actor: Vernon, Champnes, Mrs Vincent, Miss Young
Role: a Masquerade Dance Actor: Miss Baker
Role: add Montague Actor: Moody
Role: Benvolio Actor: Packer
Role: Old Capulet Actor: Johnston
Role: Friar John Actor: Clough
Role: Balthasar Actor: Ackman
Role: Gregory Actor: Mozeen
Role: Sampson Actor: Clough
Role: Abram Actor: Marr

Performances

Mainpiece Title: Cymbeline

Cast
Role: New Occasional Prologue Actor: Powell.
Role: Caius Lucius Actor: Gardner
Role: Helen Actor: Miss Mills.
Role: Posthumus Actor: Powell
Role: Iachimo Actor: Smith
Role: Pisanio Actor: Hull
Role: Philario Actor: Morris
Role: Cymbeline Actor: Gibson
Role: Cloten Actor: Yates
Role: Bellarius Actor: Clarke
Role: Guiderius Actor: Bensley
Role: Arviragus Actor: Perry
Role: Queen Actor: Mrs Vincent
Role: Imogen Actor: Yates
Role: In Act II a Masquerade Dance Actor: incident to the Play
Role: Singing Actor: Mrs Thompson.

Afterpiece Title: Midas

Cast
Role: Apollo Actor: Mattocks.
Role: Midas Actor: Shuter
Role: Damaetas Actor: Dibdin
Role: Sileno Actor: Baker
Role: Jupiter Actor: Legg
Role: Pan Actor: Dunstall
Role: Nysa Actor: Mrs Mattocks
Role: Juno Actor: Mrs Stephens
Role: Daphne Actor: Mrs Baker
Role: Mysis Actor: Mrs Thompson.

Dance: III: The Highland Reel, as17680307

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Cast
Role: Alexander Actor: West
Role: Hephestion Actor: Russell
Role: Lysimachus Actor: Smith
Role: Cassander Actor: Comerford
Role: Polyperchon Actor: Jones
Role: Perdiccas Actor: Johnson
Role: Thessalus Actor: Dancer
Role: Aristander Actor: Thomas
Role: Eumenes Actor: Brown
Role: Clytus Actor: Lewis
Role: Roxana Actor: Mrs Wilks
Role: Sysigambis Actor: Mrs Ross
Role: Parisatis Actor: Miss Taylor
Role: Satira Actor: A Gentlewoman

Afterpiece Title: Marriage a la Mode [i

Cast
Role: Sir Charles Racket Actor: West
Role: Drugget Actor: Lewis
Role: Lovelace Actor: Smith
Role: Woodley Actor: Johnson
Role: Mrs Drugget Actor: Mrs Ross
Role: Nancy Actor: Miss Taylor
Role: Dimity Actor: Mrs Wilks
Role: Lady Racket Actor: Mrs West

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

Performances

Mainpiece Title: A Widow And No Widow

Cast
Role: Macfable Actor: Bannister
Role: Dr Alfred Actor: Blissett
Role: O'Kite Actor: Egan
Role: Spurious Actor: Usher
Role: Coachman Actor: Jackson
Role: Jemmy Daisey Actor: R. Palmer
Role: Splash Actor: Edwin
Role: Boy Actor: Master Hitchcock
Role: Lucy Actor: Mrs Kennedy
Role: Peg Pennyworth Actor: Mrs Love
Role: Betty Actor: Miss Wood
Role: Mrs Splash Actor: Mrs Poussin
Role: Pin Actor: Mrs W. Palmer
Role: Mrs Sharp Actor: Mrs Montague
Role: Prologue Actor: Palmer.

Afterpiece Title: Midas

Cast
Role: Midas Actor: Edwin
Role: Apollo Actor: Wood
Role: Sileno Actor: Massey
Role: Jupiter Actor: Simpkinson
Role: Damaetas Actor: Blissett
Role: Pan Actor: Bannister
Role: Daphne Actor: Mrs Hitchcock
Role: Juno Actor: Mrs Poussin
Role: Mysis Actor: Mrs Love
Role: Nysa Actor: Miss Twist.

Dance: As17790610

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: Fire and Water

Cast
Role: Du Actor: Bellamy, Wewitzer, Blissett, Barrett, Gardner, Massey, Kenny, Stevens, Edwin, Mrs Webb, Miss Harper. Cast from text
Role: Launch Actor: Bannister
Role: Tremor Actor: Wilson
Role: Frederick Actor: Du-Bellamy
Role: Du Actor: Bellamy
Role: Fripon Actor: Wewitzer
Role: San Benito Actor: Blissett
Role: Firebrand Actor: Barrett
Role: Sulphur Actor: Gardner
Role: Ambuscade Actor: Edwin
Role: Commode Actor: Mrs Webb
Role: Nancy Actor: Miss Harper
Role: unassigned Actor: Massey, Kenny, Stevens.

Performances

Mainpiece Title: The Man Of The World

Cast
Role: : Sir Pertinax Macsycophant Actor: Macklin
Role: Lord Lumbercourt Actor: Lee Lewes
Role: Sidney Actor: Aickin
Role: Mel vile Actor: Clarke
Role: Counsellor Plausible Actor: Wewitzer
Role: Serjeant Eitherside Actor: Booth
Role: Tomlins Actor: L'Estrange
Role: John Actor: Thompson
Role: Sam Actor: J. Wilson
Role: Egerton Actor: Lewis
Role: Lady Macsycophant Actor: Miss Platt
Role: Constantia Actor: Miss Satchell
Role: Betty Hint Actor: Mrs Wilson
Role: Nanny Actor: Mrs Davenett
Role: Lady Rodolpha Lumbercourt Actor: Miss Younge.

Afterpiece Title: The Positive Man

Cast
Role: : Sir Toby Tacet Actor: Quick
Role: Rupee Actor: Edwin
Role: Grog Actor: Lee Lewes
Role: Bellcamp Actor: Whitfield
Role: Lake Actor: Booth
Role: Maurice Actor: Egan
Role: Stern Actor: Fearon
Role: Quid] Actor: Darley
Role: Sailors Actor: J. Bates, Jones
Role: Bowsprit Actor: Bates
Role: Cable Actor: Mrs Kennedy
Role: Lady Tacet Actor: Mrs Webb
Role: Florimel Actor: Mrs Lessingham
Role: Nancy Actor: Mrs Wilson
Role: Cornelia Actor: Mrs Martyr.

Performances

Mainpiece Title: I Viaggiatori Felici

Cast
Role: : Giannetto Actor: Viganoni
Role: Patterio Actor: Morigi
Role: Don Gastone Actor: Manzoletto
Role: Pasquino Actor: Micheli
Role: Isabella Actor: Sga Lorenzini
Role: Lauretta Actor: Sga Salpietro
Role: Bettina Actor: Sga Allegranti.

Dance: End of Act I an entirely new Ballet, composed by Noverre, Adela of Pontbieu (the subject taken from the History of ancient Chivalry), by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Mlle Baccelli; End of Opera Medea and Jason, as originally composed by Noverre, by Gardel, Mme Simonet, Nivelon, Simonet, Mlle Theodore, Mlle Baccelli

Performances

Mainpiece Title: The School For Vanity

Cast
Role: : Sir Hercules Caustic Actor: King
Role: Sighwell Actor: Palmer
Role: Lord Frolic Actor: Dodd
Role: Valentine Onslow Actor: Brereton
Role: Secondhand Actor: Baddeley
Role: Scrape Actor: R. Palmer
Role: Alderman Ingot Actor: Parsons
Role: Scurry Actor: Phillimore
Role: Servants Actor: Chaplin, Kenny, Alfred, Spencer
Role: Widow Wherret Actor: Mrs Bulkley
Role: Lady Blaze Actor: Mrs Hopkins
Role: Pucker Actor: Mrs Wrighten
Role: Helena Caustic Actor: Miss Phillips
Role: Ophelia Wyndham Actor: Miss Farren.

Afterpiece Title: The Gentle Shepherd

Cast
Role: Patie Actor: Miss Collett
Role: Roger Actor: Barrymore
Role: Symon Actor: Moody
Role: Sir William Worthy Actor: Aickin
Role: Glaud Actor: Suett
Role: Bauldy Actor: Dodd
Role: Jenny Actor: Mrs Wells
Role: Mause Actor: Mrs Love
Role: Madge Actor: Mrs Booth
Role: Peggy Actor: Miss Wheeler

Performances

Mainpiece Title: I Rivali Delusi

Cast
Role: : Il Conte di Belfiore Actor: Bartolini
Role: Masotto Actor: Franchi
Role: Titta Actor: Tasca
Role: Mingotto Actor: Schinotti
Role: La Contessa Actor: Sga Catenacci
Role: Livietta Actor: Sga Schinotti
Role: Dorina Actor: Sga Rachele Dorta.

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performances

Mainpiece Title: I Rivali Delusi

Cast
Role: : Il Conte di Belfiore Actor: Bartolini
Role: Masotto Actor: Franchi
Role: Titta Actor: Tasca
Role: Mingotto Actor: Schinotti
Role: La Contessa Actor: Sga Catenacci
Role: Livietta Actor: Sga Schinotti
Role: Dorina Actor: Sga Rachele Dorta.

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Performances

Mainpiece Title: Tancred And Sigismunda

Cast
Role: Tancred Actor: Kemble
Role: Siffredi Actor: Bensley
Role: Osmond Actor: Farren
Role: Rhodolpho Actor: R. Palmer
Role: Officers Actor: Phillimore, Wilson, Chaplin
Role: Laura Actor: Miss Kemble
Role: Sigismunda Actor: Mrs Siddons

Afterpiece Title: The Deaf Lover

Cast
Role: John Actor: Burton
Role: William Actor: Alfred
Role: Joe Actor: Wilson
Role: Robert Actor: Kenny
Role: Meadows Actor:
Role: Canteen Actor: Suett
Role: Young Wrongward Actor: Phillimore
Role: Groom Actor: Fawcett
Role: Sternhold Actor: Wrighten
Role: Cook Actor: Chaplin
Role: Old Wrongward Actor: Baddeley
Role: Sophia Actor: Miss Wheeler
Role: Chambermaid Actor: Miss Barnes
Role: Betsy Blossom Actor: Mrs Wilson

Dance: As17840311athi

Performances

Mainpiece Title: Barbarossa; Or, The Freedom Of Algiers

Cast
Role: Barbarossa Actor: Sidney
Role: Othman Actor: Marriot
Role: Sadi Actor: Harper
Role: Aladin Actor: Simpson
Role: Officer Actor: Wilson
Role: Selim Actor: Sterne
Role: Irene Actor: Mrs Sterne
Role: Attendant Actor: Mrs Simpson
Role: Zaphira Actor: Mrs Marriot.

Afterpiece Title: Thomasand Sally

Cast
Role: Squire Actor: Sidney
Role: Thomas Actor: Wilson
Role: Huntsmen and Sailors Actor: The rest of the Company
Role: Dorcas Actor: Mrs Fowler
Role: Sally Actor: Mrs Sterne.

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot

Cast
Role: favorite Prologue Actor: Marriot.

Performances

Mainpiece Title: Marian

Cast
Role: Edward Actor: Johnstone
Role: Sir Henry Freeman] Actor: Bowden
Role: Robin Actor: Blanchard
Role: Thomas Actor: Darley
Role: Jamie Actor: Fearon
Role: Oliver Actor: Thompson
Role: Peggy Actor: Mrs Kennedy
Role: Patty Actor: Mrs Martyr
Role: Fanny Actor: Miss Paye
Role: Kitty Actor: Mrs Byrne
Role: Marian Actor: Mrs Billington.

Afterpiece Title: The Maid of the Oaks

Cast
Role: Dupely Actor: Lewis
Role: Old Groveby Actor: Fearon
Role: Oldworth Actor: Thompson
Role: Sir Harry Groveby Actor: Davies
Role: Hurry Actor: Edwin
Role: Maria Actor: Mrs Mountain
Role: Lady Bab Lardoon Actor: Mrs Abington
Role: ] Actor: Cubitt, Miss Stuart, Mrs Morton.

Afterpiece Title: Animal Magnetism

Cast
Role: Picard Actor: Rock in place of Cubitt.
Role: Doctor Actor: Quick
Role: La Fleur Actor: Edwin
Role: Marquis D'Lancy Actor: Pope
Role: Jeff'ry Actor: Blanchard
Role: Constance Actor: Mrs Wells
Role: Lisette Actor: Mrs Mattocks
Role: 880324but Towha Actor: Evatt.
Role: Towha Actor: Helme
Role: Otoo Actor: Darley
Role: Omai Actor: Blurton
Role: Harlequin Actor: Brown
Role: Oediddee Actor: Mrs Kennedy
Role: Oberea Actor: Mrs Martyr
Role: Don Struttolando Actor: Macready
Role: Clown Actor: Wewitzer
Role: Britannia Actor: Mrs Platt
Role: Londina Actor: Mrs Watts
Role: Colombine Actor: Mrs Rock
Role: An English Sailor Actor: Edwin.

Dance: In I 2nd piece: As17880204

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Cast
Role: Vapid Actor: Lewis
Role: Lord Scratch Actor: Quick
Role: Ennui Actor: Edwin
Role: Harry Neville Actor: Middleton
Role: Peter Actor: Thompson
Role: Willoughby Actor: Macready
Role: Florville Actor: Blanchard
Role: Servant Actor: Evatt
Role: Marianne Actor: Mrs Wells
Role: Lady Waitfor't Actor: Mrs Webb
Role: Letty Actor: Miss Brangin
Role: Louisa Courtney Actor: Miss Brunton
Role: Prologue Actor: Bernard
Role: Epilogue Actor: Miss Brunton.

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells

Cast
Role: Vocal Imitations Actor: Mrs Wells
Role: ] Actor: Mrs Wells
Role: ] Actor: Mrs Wells.