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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "N Tate"/1) | (@(roleclean,performerclean) "N Tate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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271 results for: Keyword - N. Tate
We found 110 matches on Author, 94 matches on Event Comments, 61 matches on Performance Comments, 14 matches on Performance Title, and 1 matches on Roles/Actors.

151
09 October 1756 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Shakespear. Miss Pritchard did Juliet for the First time of her Acting & Met with uncommon Applause, tho' so frightened the first Act, we Scarce cou'd hear her (Cross). Miss Pritchard's was a most remarkable first appearance--the Particularity of the public for her mother--Garrick's patronage and tuition, her own beautiful face, which was fascinating to a degree, had all great attraction. Mrs Pritchard, as Lady Capulet, leading in her daughter as Juliet, the distress of the young lady, the good wishes and tenderness of the town, all combined made an affecting scene--but that partiality dwindled away in the early part of the season (Genest, IV, 474, from Tate Wilkinson). Receipts: #226 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Anatomist

152
28 April 1768 @ Covent Garden

Event Comment: Mainpiece: Altered from Shakespeare and Tate. Afterpiece: Specified as a Musical entertainment in two acts, taken from The Summer's Tale, with alterations and additions by the author. Receipts: #109 7s. (Account Book)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: The History of King Lear Author(s): Nahum Tate
Related Work: King Lear Author(s): Nahum Tate

Afterpiece Title: Amelia

Dance: End: The Highland Reel, as17680307

153
24 November 1774 @ Covent Garden

Event Comment: Afterpiece: By Desire. [The presence of Arante as a character in the mainpiece seems to indicate that Barry returned to the Tate version or brought with him the Garrick modification from dl. She does not appear in the Colman version.

Performances

Mainpiece Title: King Lear

Related Works
Related Work: The History of King Lear Author(s): Nahum Tate
Related Work: King Lear Author(s): Nahum Tate

Afterpiece Title: The Golden Pippin

154
06 February 1778 @ Covent Garden

Event Comment: Benefit for Wilkinson. Mainpiece: Not acted these 3 years. [Afterpiece: Prologue by Samuel Foote. For an account of Tea see Tate Wilkinson, The Wandering Patentee, 1795, 1, 282-90.] Receipts: #221 0s. 6d. (217.5.6; tickets: 3.15.0) (charge: #70)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Author

Afterpiece Title: Tea; or, Tragedy a-la-Mode

Dance: As17780129

155
15 June 1787 @ Covent Garden

Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Afterpiece Title: Love a-la-Mode

156
16 August 1661 @ Theatre in Vere Street

Performances

157
11 March 1676 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

158
13 June 1689 @ Dorset Garden Theatre

Performances

Mainpiece Title: Circe

159
04 December 1689 @ Drury Lane Theatre

Performances

Mainpiece Title: Don Sebastian

160
01 October 1691 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

161
December 1693 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

162
30 March 1706 @ Drury Lane Theatre

Performances

Mainpiece Title: Camilla

163
14 December 1708 @ Queen's Theatre

Performances

Mainpiece Title: Pyrrhus And Demetrius

164
10 January 1713 @ Queen's Theatre

Performances

Mainpiece Title: Theseus

165
27 January 1714 @ Queen's Theatre

Performances

Mainpiece Title: Croesus

Music: As17140123

166
06 December 1717 @ Drury Lane Theatre

Performances

Mainpiece Title: The Nonjuror

167
27 April 1720 @ King's Theatre

Performances

Mainpiece Title: Radamistus

168
25 January 1722 @ Drury Lane Theatre

Performances

Mainpiece Title: The Ambitious Stepmother

169
31 October 1724 @ King's Theatre

Performances

Mainpiece Title: Tamerlane

170
11 December 1725 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Penitent

Song: As17251208

171
19 January 1726 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Penitent

172
08 September 1726 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Penitent

173
03 December 1729 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Momus Turn'd Fabulist; Or, Vulcan's Wedding

174
29 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Opera of Operas; or, Tom Thumb the Great

Dance: V: Les Amants Constants, as17331025 In Afterpiece: Mock Minuet, as17331027

175
05 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Opera of Operas

Dance: As17331031