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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "N Tate"/1) | (@(roleclean,performerclean) "N Tate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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498 results for: Keyword - N. Tate
We found 338 matches on Author, 95 matches on Event Comments, 61 matches on Performance Comments, 14 matches on Performance Title, and 1 matches on Roles/Actors.

451
14 February 1795 @ Covent Garden

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Crotchet Lodge

452
21 February 1795 @ Covent Garden

Performances

Mainpiece Title: England Preservd

Afterpiece Title: Crotchet Lodge

Ballet: Dermot and Kathlane. As17950219

453
19 March 1795 @ Covent Garden

Performances

Mainpiece Title: Lifes Vagaries

Afterpiece Title: Rosina

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

454
06 April 1795 @ Covent Garden

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle

Afterpiece Title: Windsor Castle

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

455
23 April 1795 @ Covent Garden

Performances

Mainpiece Title: England Preservd

Afterpiece Title: The Irish Mimick or Blunders at Brighton

Afterpiece Title: Windsor Castle

Afterpiece Title: Windsor Castle

456
01 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note Or Lessons For Ladies

Afterpiece Title: The Sailors Prize or May Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

457
03 June 1795 @ Covent Garden

Performances

Mainpiece Title: The Secret Tribunal

Afterpiece Title: The Irish Mimick

Afterpiece Title: The Tythe Pig

458
20 June 1795 @ Haymarket Theatre

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Zorinski

459
23 October 1795 @ Covent Garden

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Secret Tribunal

Afterpiece Title: The Shipwreck or Treachery and Ingratitude

Song: In 3rd piece: a song-Townsend

460
07 November 1795 @ Covent Garden

Performances

Mainpiece Title: Speculation

Afterpiece Title: Rosina

461
23 January 1796 @ Covent Garden

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: The Poor Soldier

462
02 February 1796 @ Covent Garden

Performances

Mainpiece Title: The Days Of Yore

Afterpiece Title: Lock and Key

Afterpiece Title: The Shipwreck

Dance: As17951031

463
19 March 1796 @ Covent Garden

Performances

Mainpiece Title: The Lie Of The Day Or A Party At Hampton Court

Afterpiece Title: Catharine and Petruchio

Afterpiece Title: Harlequins Treasure 0

Afterpiece Title: Harlequins Treasure 1

Afterpiece Title: Harlequins Treasure 2

464
09 April 1796 @ Covent Garden

Performances

Mainpiece Title: The Lad Of The Hills Or The Wicklow Gold Mine

Afterpiece Title: Crotchet Lodge

Dance: With a new Irish Ballet (composed by Byrn)Spinsters' Lottery-Byrn, Platt, Mrs Watts, Miss Smyth, Mlle St.Amand. [Announced in playbill, but "The dance advertised was changed to another, on account of the indisposition of one of the performers" (Morning Herald, 11 Apr.).

465
11 June 1796 @ Haymarket Theatre

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Liar

Afterpiece Title: Bannian Day

466
29 October 1796 @ Covent Garden

Performances

Mainpiece Title: Fortunes Fool

Afterpiece Title: The Irish Mimick or Blunders at Brighton

467
05 November 1796 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Olympus in an Uproar or The Descent of the Deities

468
19 November 1796 @ Covent Garden

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Deaf Lover

469
19 December 1796 @ Covent Garden

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin and Oberon or The Chace to Gretna

470
10 January 1797 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Comus

471
16 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: Raymond and Agnes or The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

472
26 December 1797 @ Covent Garden

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin and Quixotte or The Magic Arm

473
11 January 1798 @ Covent Garden

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Harlequin and Quixotte

474
24 March 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Prize

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

475
12 November 1798 @ Covent Garden

Performances

Mainpiece Title: Ramah Droog Or Wine Does Wonders

Afterpiece Title: The Ghost

Entertainment: Procession. End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.

Performance Comment: End II: A Return from a Tiger Hunt- [, to the Rajah's Palace, representing the Rajah on an Elephant, returning from Hunting the Tiger, preceded by his Hircarrahs, or military Messengers, and his State Palanquin-the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin; also by Nairs (or Soldiers from the South of India), Poligars (or Inhabitants of the Hilly Districts), with their Hunting-dogs, other Indians carrying a dead Tiger, and young Tigers in a Cage; a number of Seapoys-Musicians on Camels and on Foot-Dancing Girls. [This was included in all subsequent performances.]This was included in all subsequent performances.]
Cast
Role: and his State Palanquin Actor: the Vizier on another Elephant-the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin
Role: the Vizier on another Elephant Actor: the Princess in a Gaurie, drawn by Buffaloes-the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin
Role: drawn by Buffaloes Actor: the Rajah is attended by his Fakeer, or Soothsayer, his Officers of State, and by an Ambassador from Tippoo Sultaun in a Palanquin