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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "N Tate Esq"/1) | (@(roleclean,performerclean) "N Tate Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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559 results for: Keyword - N. Tate, Esq
We found 353 matches on Event Comments, 110 matches on Author, 93 matches on Performance Comments, 19 matches on Performance Title, and 0 matches on Roles/Actors.

251
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

252
24 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Deaf Lover

Dance: As17840311athi

253
28 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: Barbarossa; Or, The Freedom Of Algiers

Afterpiece Title: Thomasand Sally

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot

254
22 May 1788 @ Covent Garden

Performances

Mainpiece Title: Marian

Afterpiece Title: The Maid of the Oaks

Afterpiece Title: Animal Magnetism

Dance: In I 2nd piece: As17880204

255
15 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells

256
07 October 1789 @ Covent Garden

Event Comment: Mainpiece: 4th Time [i.e in continuation of the reckoning for the previous season. Prologue by Robert Merry. Epilogue by Miles Peter Andrews]. "The Dramatist has undergone considerable alterations" (World, 8 Oct., which also states that the Epilogue was new, i.e. not the one, also by Andrews, spoken the previous season). Receipts: #206 15s. (196.7.6; 10.7.6)

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

257
05 November 1791 @ Covent Garden

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Love in a Camp

258
21 April 1792 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irishman in London; or, The Happy African

Dance: I: a Fair Scene-; Statute Dance-; End: As17920410

Song: In afterpiece: a Planxty, descriptive of Ireland If you travel the wide world all over (Morning Herald, 23 Apr.)-Johnstone in Character

259
17 September 1792 @ Covent Garden

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

260
25 February 1793 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Midnight Wanderers

261
18 April 1793 @ Covent Garden

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: The Poor Soldier

Dance: End: The Bouquet, as17930415

262
11 May 1793 @ Covent Garden

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: Sprigs of Laurel

263
10 April 1794 @ Covent Garden

Performances

Mainpiece Title: Fontainville Forest

Afterpiece Title: NETLEY ABBEY

264
23 October 1794 @ Covent Garden

Performances

Mainpiece Title: The Rage

Afterpiece Title: Cymon

Dance: Afterpiece to conclude with: a Dance-

265
30 October 1794 @ Covent Garden

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: Two Strings to Your Bow

266
06 December 1794 @ Covent Garden

Performances

Mainpiece Title: The Town Before You

Afterpiece Title: Netley Abbey

267
31 January 1795 @ Covent Garden

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Two Strings to Your Bow

268
14 February 1795 @ Covent Garden

Performances

Mainpiece Title: The Mysteries Of The Castle

Afterpiece Title: Crotchet Lodge

269
21 February 1795 @ Covent Garden

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: Crotchet Lodge

Ballet: Dermot and Kathlane. As17950219

270
19 March 1795 @ Covent Garden

Performances

Mainpiece Title: Life's Vagaries

Afterpiece Title: Rosina

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

271
06 April 1795 @ Covent Garden

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Performance Comment: A Grand Masque, invented and prepared undyr the Immediate Direction of Noverre, representing the Marriage of Peleus and Thetis-; [The Story from the Greek Writers. Peleus-Farley; Ganymede-Byrn; Proteus-Holland; Hymen-Mrs Martyr; Hebe-Mme Rossi; Minerva-Mrs Follett; Thetis-Mme Prevost (1st appearance); Cupid-Mrs Clendining; Terpsichore-Mlle St.Amand; Discord-Mlle Droma (1st appearance.); [The Masque commences with the View of A Grove-;[, sacred to Cupid and Hymen . Woods, Rocks, and Waterfalls form the Borders of the Sea, which terminates by the Horizon; the Genii of the Morn-; [are seen, preceded by Aurora-; [Fame sounding her Trumpet, proclaims to Mortals the Arrival of Thetis ; several splendid Barges appear, from the last of which Thetis disembarks, attended by Hymen, the Graces-; Groups of Cupids-; Zephyrs-; [Peleus enters, accompanied by Cupid and Minerva with her Suite; Thetis resigns herself to the Protection of Minerva, and perceiving Peleus, is struck with Admiration, but not knowing him, is informed by Cupid, he is her intended Husband-Peleus approaching, offers her his hand, which she respectfully accepts-the Characters retire, and the Clouds gradually dispersing, discover Mount Olympus-; [with the Gods and Goddesses assembled to behold the Nuptials; the Temple of Jupiter- [is seen on one side, that of Cupid on the other; Jupiter-[seated, accompanied by; Juno-; Mars-; Hercules-; Apollo-; Bacchus-; Mercury-; Saturn-; Diana-; Venus-; Ceres-; Victory-; Cybelle-; the Destinies-; Neptune-; [and Amphitrite-; [arise from the Sea in their Watry Car Pluto-; [and Proserpine-; [ascend, together with Rhadamanthus-; Minos-; [and Eacus-; [this is succeeded by A Magnificent Entree, in the following order: Sylvan Dancers-; Instrumental Performers-; Vocal Performers-; Rural Nymphs-; a Magnificent Column- [Richly Decorated, bearing the Emblematical Trophies ff War, Love, the Fine Arts; Rural Swains-; Virgins bearing Baskets of Flowers-; [The Goddess Hebe, attended by Cupids collected in a Picturesque Corbeille de Treillage ; Nymphs and Swains-[, attendants upon Thetis; Terpsichore; Ganymede; Proteus; Minerva borne by Warriors on a Military Trophy; Peleus and Thetis in a Splendid Chariot, drawn by Cupids, and attended by Hymen, Zephyrus : The High Priest; Priests bearing the Altar of Hymen; Tripods with Incense burning, followed by the Virtues, Truth, Justice, Benevolence, Clemency, Glory, Strength and Generosity. After the Procession, Thetis and Peleus being led to the Altar by the High Priest, just as they are receiving the Conjugal Cup, the Goddess Discord appears, enraged at not being invited to the sacred Festival-She attempts, in vain, to spread Confusion by throwing an Apple on the stage, inscribed "For the Fairest"-Cupid presents it to the Dieties, who adjudge it to Thetis-Pluto enraged by the menaces of Discord directs her to be bound in Chains, and forced away, after which the Ceremony is concluded; Peleus and Thetis are placed on a Magnificent Throne, attended by Hymen, Cupid, and the Grace3; variety of Dances are performed; and Peleus and Thetis are crowned with Wreaths. The Appearance of the Stage then changes to another Emblematical Spectacle. Festoons of Flowers descend-Cupids ascend supporting a Medallion and the Letters G. C. [i.e. George Caroline]-the Side Scenes draw off and discover Pyramids formed of Variegated Colours, bearing the Order of the Garter, and the Piece is concluded with a; Grand Chorus-; Dance-Ganymede, Proteus, Hebe, Terpsichore; accompanied on the Harp-Weippert.

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones

272
23 April 1795 @ Covent Garden

Performances

Mainpiece Title: England Preserv'd

Afterpiece Title: The Irish Mimick; or, Blunders at Brighton

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

273
01 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note; Or, Lessons For Ladies

Afterpiece Title: The Sailor's Prize; or, May-Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

274
03 June 1795 @ Covent Garden

Performances

Mainpiece Title: The Secret Tribunal

Afterpiece Title: The Irish Mimick

Afterpiece Title: The Tythe Pig

275
20 June 1795 @ Haymarket Theatre

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: Zorinski