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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "N Tate Esq"/1) | (@(roleclean,performerclean) "N Tate Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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559 results for: Keyword - N. Tate, Esq
We found 353 matches on Event Comments, 110 matches on Author, 93 matches on Performance Comments, 19 matches on Performance Title, and 0 matches on Roles/Actors.

226
31 October 1724 @ King's Theatre

Performances

Mainpiece Title: Tamerlane

227
03 December 1729 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Momus Turn'd Fabulist; Or, Vulcan's Wedding

228
29 October 1733 @ Haymarket Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Opera of Operas; or, Tom Thumb the Great

Dance: V: Les Amants Constants, as17331025 In Afterpiece: Mock Minuet, as17331027

229
05 November 1733 @ Haymarket Theatre

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Opera of Operas

Dance: As17331031

230
24 February 1735 @ Haymarket Theatre

Performances

Mainpiece Title: La Fausse Coquette

Afterpiece Title: Le Francois a Londres

Dance:

231
24 March 1735 @ Crown Tavern

Performances

Mainpiece Title: Concert

Music: Singing by Farinelli and Cuzzoni

232
16 February 1737 @ Covent Garden

Performances

Mainpiece Title: Justin

233
23 October 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Virgin Unmask'd

Dance: DDance-Cooke

234
06 November 1747 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Virgin Unmask'd

235
10 March 1749 @ Haymarket Theatre

Performances

Mainpiece Title: None

236
16 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Ranger

237
27 November 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Queen Mab

Dance: TThe Hungarian Peasants, as17521125, but A Dutch Dance-_; Comic Dance, as17521125

238
22 November 1755 @ Covent Garden

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: Damon and Phillida

Dance: As17551114

239
02 October 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Ranger

240
13 October 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin's Invasion

241
16 October 1760 @ Covent Garden

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Harlequin Skeleton

Dance: As17601013

242
31 October 1763 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches

243
04 June 1768 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

244
07 October 1776 @ China Hall, Lower Road, Rotherhithe

Event Comment: Benefit for Mrs West. Tickets to be had of West, at the Ship, near the Seven Houses, Rotherhithe. Mainpiece: In Act II the triumphal entry of Alexander into Babylonv; In Act IV the grand Banquet where Alexander kills his faithful soldier, old Clytus. [The playbill contains a lengthy synopsis of the plot of the mainpiece; it concludes by noting that "the many flowery passages with which this tragedy abounds does honour to the pen of its author, N. Lee, Esqr., and we may justly say with Mr Pope, 'Such plays alone shou'd please a British ear, as Cato's self had not disdain'd to hear.'"]

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Marriage a la Mode [i

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

245
17 July 1779 @ Haymarket Theatre

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: Midas

Dance: As17790610

246
15 July 1780 @ Haymarket Theatre

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: Fire and Water

247
16 March 1782 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

248
11 April 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely new Ballet, composed by Noverre, Adela of Pontbieu (the subject taken from the History of ancient Chivalry), by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Mlle Baccelli; End of Opera Medea and Jason, as originally composed by Noverre, by Gardel, Mme Simonet, Nivelon, Simonet, Mlle Theodore, Mlle Baccelli

249
29 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Vanity

Afterpiece Title: The Gentle Shepherd

250
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)