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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "N N"/1) | (@(roleclean,performerclean) "N N")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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191 results for: Keyword - N. N.

We found 76 matches on Event Comments, 57 matches on Performance Comments, 51 matches on Roles/Actors, 12 matches on Performance Title, and 1 matches on Author.

126
27 November 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Queen Mab

Dance: TThe Hungarian Peasants, as17521125, but A Dutch Dance-_; Comic Dance, as17521125

127
22 November 1755 @ Covent Garden

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: Damon and Phillida

Dance: As17551114

128
23 March 1756 @ Covent Garden

Performances

Mainpiece Title: Ulysses

Afterpiece Title: The Frenchified Lady Never in Paris

Dance: FFingalian Dance, as17551126

Music: EEllen a Roon on the German Flute-a young Gentlewoman (from Ireland)

129
02 October 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Ranger

130
13 October 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin's Invasion

131
16 October 1760 @ Covent Garden

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: Harlequin Skeleton

Dance: As17601013

132
31 October 1763 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches

133
04 June 1768 @ Covent Garden

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

134
07 October 1776 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Marriage a la Mode [i

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

135
17 July 1779 @ Haymarket Theatre

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: Midas

Dance: As17790610

136
15 July 1780 @ Haymarket Theatre

Performances

Mainpiece Title: A Widow And No Widow

Afterpiece Title: Fire and Water

137
16 March 1782 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

138
11 April 1782 @ King's Theatre

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely new Ballet, composed by Noverre, Adela of Pontbieu (the subject taken from the History of ancient Chivalry), by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Mlle Baccelli; End of Opera Medea and Jason, as originally composed by Noverre, by Gardel, Mme Simonet, Nivelon, Simonet, Mlle Theodore, Mlle Baccelli

139
29 January 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Vanity

Afterpiece Title: The Gentle Shepherd

140
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

141
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

142
24 April 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Deaf Lover

Dance: As17840311athi

143
28 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Performances

Mainpiece Title: Barbarossa; Or, The Freedom Of Algiers

Afterpiece Title: Thomasand Sally

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot

144
22 May 1788 @ Covent Garden

Performances

Mainpiece Title: Marian

Afterpiece Title: The Maid of the Oaks

Afterpiece Title: Animal Magnetism

Dance: In I 2nd piece: As17880204

145
15 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells

146
07 October 1789 @ Covent Garden

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

147
05 November 1791 @ Covent Garden

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Love in a Camp

148
21 April 1792 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Irishman in London; or, The Happy African

Dance: I: a Fair Scene-; Statute Dance-; End: As17920410

Song: In afterpiece: a Planxty, descriptive of Ireland If you travel the wide world all over (Morning Herald, 23 Apr.)-Johnstone in Character

149
17 September 1792 @ Covent Garden

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

150
25 February 1793 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Midnight Wanderers