SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Music High and Low Dutch"/1) | (@(roleclean,performerclean) "Music High and Low Dutch")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1759 matches on Event Comments, 1398 matches on Performance Title, 440 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The first entertainment a Serenata written by the late celebrated Mr Hughes. Music entirely new compos'd by Hook. The second a Burletta [by Lady Dorothea Dubois] in 2 Acts. Benefit for Hook

Performances

Mainpiece Title: Apollo And Daphne

Afterpiece Title: The Divorce

Event Comment: Mainpiece: Not acted these 16 years. [See 19 April 1751.] New Scenes, Machines, Decorations &c. The Characters dress'd in The Habits of the times. This Masque is very well got up with New Scenes & Decorations particularly a Representation of the Grand Naval Review design'd by Mons DeLoutherberg & vastly well Executed had great Applause the piece is very dull (Hopkins Diary). [Macmillan's note from Kemble differs slightly in wording.] Paid five day's salary at #86 13s. 10d. per diem, #433 9s. 2d.; Miss Younge 6 days not on the list #1; Mr Courtney 3 days not on list 7s. 6d.; Mr J. French on Act #10 (Treasurer's Book). The Songs, Chorusses, &c. in the Masque (in the order they are now performed) to be had at the Theatre. The Music by Dr Arne and other masters (playbill). Receipts: #158 12s. (Treasurer's Book)

Performances

Mainpiece Title: Alfred

Performance Comment: Alfred-Reddish; Earl of Devon-Jefferson; Hermit-J. Aickin; Corin-Bannister; Danish King-Palmer; 1st Dane-Brereton; 2nd Dane-J. Bannister; Eltruda-Miss Younge; Edwin-Wright; Attendant-Miss Platt; Vocal Parts-Vernon, Bannister, Champness, Fawcett, Kear, Mrs Wrighten, Mrs Scott, Mrs Hunt, Mrs Smith; The Dances-Como, Grimaldi, Giorgi, Atkins, Mrs Sutton, Sga Giorgi, Sga Crespi; To conclude with a Grand Occasional Scene-; Edition of 1773 adds Emma-Mrs Smith; Edith-Mrs Wrighten.

Afterpiece Title: Miss in Her Teens

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Event Comment: Mr G. very fine in Hastings Miss Young's first appearance in Alicia pretty well She was a little too Mad Mrs Canning a Widow made her first appearance upon the Stage in Jane Shore a Small mean figure very little power (very So, So.) great applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd Stopages #30 5s. 6d.; Paid Salary list #522 18s.; Mr King 6 nights extra salary #3; Mr Johnston's Music Bill for Alfred, &c. #19 16s. 9d.; Mr Baddeley on note per Mr. G G #21. Receipts: #267 11s. (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as 18 Sept

Event Comment: Paid Housekeeper's Bill #5 1s. 5d.: Mr J. Johnston's Music Bill for Deserter &c. #19 11s. 6d. Receipts: #178 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Genii

Cast
Role: Clown Actor: Ackman
Event Comment: Mainpiece: A New Comic Opera. Music by Galuppi and other eminent composers. [N.B. Orfeo deferr'd because Pitrot injured his knee.

Performances

Mainpiece Title: Il Puntiglio Amoroso

Dance: I: La Bagatelle, as17731120; II: A Grand Pastoral Dance, as17731120; End Opera: A Grand Serious Ballet with Grand Chaconne-Mariottini, Bocchini, Sga Mazzoni, Mlle Mimi Faviere

Event Comment: Afterpiece: A Comic Opera altered [by Colman] from Gay. The Music entirely new by Dr Arne. Now acted for the first time in 2 Acts. [The 1776 Edition in Bell's British Theatre lists: Achilles-Mattocks; Peripas-$Reinhold; Lycomedes-$DuBellamy; Diphilus-$Dyer; Ajax-$Dunstall; Ulysses-$Owenson; Diomedes-$Fox; Argytes-$Baker; Deidamia-$Mrs Mattocks; Artemona-$Miss Brown; Philoe-$Miss Valois; Thetis-$Miss Catley. [$Miss Pearce may have played Lesbia).] Paid Banks for the Head of a Figure used in The Fair #1 1s.; Paid Mr Gard for performing 5 nights in the Fair and 3 in the Sorcerer #1. Paid Joseph Besford for performing 5 nights in the Fair 12s. 6d. (Account Book). [Afterpiece unfavorably reviewed in the Westminster Magazine.] Receipts: #149 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Earl Of Essex

Cast
Role: Rutland Actor: Miss Miller

Afterpiece Title: Achilles in Petticoats

Event Comment: A new Comic Opera never acted before. The Music by M. Gasman

Performances

Mainpiece Title: La Contessina

Dance: I: La Bagatelle, as17731120; II: Le Provencal-Mariottini, Sga Mazzoni

Ballet: End Opera: Orfeo e Eurydice. As17731130

Event Comment: [The Public Advertiser notes that the poetry of La Contessina is by Coltellini, poet to the Emperour of Russia, the Music by Gazman, Composer to the Emperour of Russia.

Performances

Mainpiece Title: Lucio Vero

Dance: As17731130

Ballet: Orfeo e Eurydice. As17731130

Event Comment: Paid Mackmillen (shoemaker) #21 17s.; Simpson for new Music for 1773 as per Bill #10 10s.; Connelly (woolen draper) #8 10s. Receipts: #172 13s. (Account Book)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Sylphs

Dance: III: A Dance, as17731014

Event Comment: Mainpiece: By Particular Desire. Payments: Mr D. Garrick's 3 Nights for the Christmas Tale, 30 Dec., 4 & 11 Jan., #84 charges deducted each night--#371 14s. (Treasurer's Book). At Isleworth, James Lacy, Esq.: one of the patentees of Drury Lane Theatre died (Gentleman's Magazine, 44, p. 47). [For full account of Lacy, see Covent Garden Magazine (229-34).] Rec'd of Mr Burges, 1 yrs. rent to Xmas last (#4 4s. King's Tax deducted) #16 16s.; Paid Mr Cropley (linen draper) 2 Bills #66 10s. 6d.; Mr Scott (laceman) #66 1s.; Messrs Lowe & Co. (glaziers) #18 6s.; Mr Burges (bricklayer) #65 8s.; Mr Waller (hosier) #24 5s.; Messrs Barrow & Co., oil, #53 7s. 6d.; Messrs Hopkins & Co. (ironmongers) #30 11s.; Mrs Vaughan (haberdasher) 2 bills, #14 10s. 6d.; Mr Hatsell (mercer) 3 bills, #120 11s.; Mr J. French's draft to Mr Wise #5 10s.; Mr J. Johnston's Music Bill #24 5s. (Treasurer's Book). Receipts: #246 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

Event Comment: A new Serious opera with Grand Choruses, Music entirely new composed by Sacchini. The Dances composed by Pitrot

Performances

Mainpiece Title: Perseo

Dance: I: Pastoral Ballet-Bocchini, Sga Mazzoni; II: Serious Ballet-a Young Lady (Scholar of Tassoni, first appearance); End Opera: Adventures of the Harem of Ispahan-a Grand Persian pantomime ballet-Pitrot, Mimi Faviere, Mlle Faviere, Sga Mazzoni, Bocchinini, Mariottini

Event Comment: Oratorio by Benjamin Stillingfleet, words adapted from Milton, set to Music by John Christopher Smith (Biographia Dramatica)

Performances

Mainpiece Title: Paradise Lost

Music: As17740218

Event Comment: A new Serious Opera. Music by Giordani and other eminent composers

Performances

Mainpiece Title: Antigono

Dance: I: A Grand Serious Ballet, never performed-Mariottini, Nina Favier; II: Pastoral Ballet, as17740222

Ballet: End of Opera: Orfeo e Eurydice. Orfeo-Pitrot; Eurydice-Mlle Mimi Favier

Event Comment: 7:00 p.m. Benefit for Dr Arne. [Before and after Timotheus vocal and instrumental music.

Performances

Mainpiece Title: Catches And Glees

Afterpiece Title: Timotheus

Event Comment: Benefit for Reddish. Music for Mainpiece composed by an eminent Master. Authorship Henry Jones, Reddish, and Dr Hiffernan (Biographia Dramatica). Rec'd Stopages #2 12s. 6d. Paid 4 days salary list #348 14s. 8d.; Mr King's extra salary #2; Mr Garrick on Acct #50; Mr Costain on note #2 2s. (Treasurer's Book). Receipts: #247 1s. 6d. Charges: #72 10s. Profit: #174 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: Vernon

Music: II: A Solemn Hymn-

Dance: IV: The Sailors Revels, as17730918

Event Comment: Oratorio: Written by the late Dr Hawksworth. Set to music by Stanley. Books of the Oratorio may be had of Mr Condell, in Cross St., Bow St., Covent Garden, and at the theatre the night of the performance. Price 1s. [This night Wm. Kenrick delivered his tenth, and apparently last, lecture on The School of Shakespeare. It was on King Lear, and very little could be said in favor of any of his remarks on the passages he selected...[he closed by] presenting the audience an act from Falstaff's Wedding." Monthly Miscellany (April 1774, p. 191), which had reviewed all of his lectures, had commented upon the increasing popularity of them as evidenced by the numbers attending, and presented an engraving of Kenrick in action before his audience.

Performances

Mainpiece Title: The Fall Of Egypt

Music: As17740218

Event Comment: A Sacred Oratorio set to Music by Giardini. To begin at 12 noon at the Lock Hospital Chapel near Hyde Park corner. Benefit for the Charity. Tickets 10s. 6d

Performances

Mainpiece Title: Ruth

Music: First Violin, Concerto-Giardini

Event Comment: Miss Younge being ill Mrs Lessingham was borrow'd from Covent Garden to play Imogen (Hopkins Diary). Benefit for Dibdin. Paid extra bassoons & flute 3 nights in Christmas Tale (7th March incl.) #7 4s.; Tallow chandler's 7th Bill #20 13s. Heroine of the Cave Music Bill #2 3s. 9d.; Ditto Prompter's Bill #1 5s.; Housekeeper's Bill #3 6s. 5d. Properties #1 2s. 8d.; St George's Hospital subs. 1 year #10 10s.; Mr J. French's draft #23 19s. 9d.; Mr Everard's Note to Egerton #5 3s. 4d.; Chorus 2 nights (this incl.) #3 11s. (Treasurer's Book). The Comedy of Twelfth Night, which was to have been performed this Evening, is oblig'd to be changed, on account of the Indisposition of Miss Younge; Therefore Mr Dibdin humbly hopes that his friends will accept of Cymbeline in its stead. Tickets deliver'd for Twelfth Night will be taken. Receipts: #184 9s. Charges #68 15s. 6d. Profit to Dibdin: #115 14s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Deserter

Dance: III: The Mountaineers, as17730930

Event Comment: Benefit for Reinhold. Mainpiece: Acted but once these 6 years. [See 29 Dec. 1769.] Charges #66 3s. 6d. Profit to Reinhold #66 7s. 6d., plus #111 9s. from tickets (Box 287; Pit 194; Gallery 106). Paid Mr Kingswood for feathers &c. #5 10s.; Paid Holmden (Breechesmaker) #1 13s. 6d.; Paid Fisher for the Music of the Sylphs #42; Paid Besford for making properties #20 15s. Receipts: #132 11s. (Account Book)

Performances

Mainpiece Title: King Henry Iv, Part I

Performance Comment: As17740315 but Prince John-_; Douglas-_; Westmorland-_; Blunt-_; Bardolph-_; Francis-_.
Cast
Role: Westmorland Actor: Thompson

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: DuBellamy

Song: II: The Song of Mad Tom will be sung in Character-Reinhold

Event Comment: Benefit for Mrs Hartley. Mainpiece: By Particular Desire, with New Music, Dresses and Decorations. Interlude taken from Prior's celebrated poem, The Nut Brown Maid. Books of the Interlude to be had at the Theatre. Adapted by Henry Bate. Charges: #72 9s. 6d. Profit to Mrs Hartley #54 15s., plus #61 18s. from tickets (Box 202; Pit 76). Paid Whitfield for making cloaths #33 17s. 4d.; Paid Mr Walker for trimmings &c. #13 4s. Receipts: #127 4s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17731208; After which: New Poetical Interlude, Henry and Emma: Parts-Smith, Hull, Miss Brown, Mrs Hartley; To conclude with: a New Air and Chorus by Dr Arne-

Event Comment: A serious Opera, the Music entirely new composed by Sacchini. The Tempest Dance composed by Barthelemon. The last Serious Ballet composed by Jomelli

Performances

Mainpiece Title: Nitteti

Related Works
Related Work: Nitteti Author(s): Antonio Andrei

Dance: I: Ballet-Mariottini, Nina Favier; II: The Tempest; or, The Happy Shipwreck, an Heroic Ballet with a Grand Chaconne-Pitrot, Mimi Favier, other parts-Nina Favier, Sga Mazzoni, Mariottini, Bocchini; End Opera: Ballet, Chaconne-Fierville

Event Comment: Benefit for Mrs Bradshaw, Mrs Millidge, Mrs Johnston. Afterpiece by Allan Ramsay, with the Original Music, New Accompanyments, and a New Medley Scotch Overture. By Particular Desire. Paid Properties #1 17s. 7d. (Treasurer's Book). Receipts: #207 15s. Charges: #65 10s. Profits: #142 5s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Cast
Role: Varland Actor: Parsons.
Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vandertop

Entertainment: End Act II: Imitations[, Vocal and Rhetorical-Bannister; [Act III: An Ode to Masonry-Vernon, Dodd, Bannister; [Act V: Judge Tycho's Sentence-Weston. [See17740505.

Event Comment: Benefit for Sga Marchetti. A Cantata, music by Sacchini which has never been performed before. Tickets 10s. 6d. To begin at 7:00 p.m

Performances

Mainpiece Title: Il Trionfo Della Costazza

Music: After I: Solo on Hautboy-Fischer; End Opera: Solo on Violincello-Crosdell, to conclude with a Grand Overture

Event Comment: A new Serious Opera. The Music by Giordani and other eminent composers. With alterations and new songs for Miss Davies

Performances

Mainpiece Title: Artaserse

Related Works
Related Work: Artaserse Author(s): Ferdinando Bertoni

Dance: I: New Serious Ballet-; in which aChaconne composed by Jomelli-Fierville; II: La Bagatelle, as17740505; III: L'Embarass du choix, as17740505