SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ms White"/1) | (@(roleclean,performerclean) "Ms White")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1555 matches on Event Comments, 740 matches on Performance Comments, 42 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: "Spectas, et tu Spectabere is the inscription over the curtain in the Little Haymarket Theatre. I was there on 29th [sic] July 1794: they gave a National opera, N. B. a piece in Scottish costumes. The men were dressed in flesh-coloured breeches, with white and red ribbons twisted round their stockings, a short, brightly-coloured, striped masons' apron, brown coat and waistcoat, over the coat a large, broad ensign's sash in the same style as the apron, and black cap shaped like a shoe and trimmed with ribbons. The women all in white muslin, brightly coloured ribbons in their hair, very broad bands in the same style round their bodies, also for their hats. They perform the same abominable trash as at Sadlers Wells. A fellow yelled an aria so horribly and with such exaggerated grimaces that I began to sweat all over. N. B. He had to repeat the aria. 0 che bestie!" (Haydn, pp. 294-95)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: AULD ROBIN GRAY

Performances

Mainpiece Title: The Lad Of The Hills

Performance Comment: As17960409, but Irish Peasantry Defenders White Boys-Miss Leserve.

Afterpiece Title: The Doldrum; or, 1803

Dance: As17960413

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Wicklow Mountains

Performance Comment: Characters by Incledon, Johnstone, Fawcett, Bowden, Townsend, Haymes, Thompson, Mrs Clendining, Mrs Mountain. [Cast from O'Keeffe's Dramatic Works, Vol. II (T. Woodfall, 1798): Felix-Incledon; Sullivan-Johnstone; Billy O'Rourke-Fawcett; Redmond O'Hanlon-Bowden; Franklin-Townsend; Donnybrook-Haymes [in text: Richardson]; Dross-Thompson [in text: Knight]; Helen-Mrs Clendining; Rosa-Mrs Mountain; Irish Peasantry Defenders and White Boys-Linton, Street, Follett, Simmons, Spofforth, Blurton, Abbot, Wilde, Curties, Mrs Castelle, Mrs Watts, Miss Walcup, Mrs Follett, Miss E. Walcup, Mrs Masters, Mrs Norton, Mrs Lloyd, Mrs Blurton, Miss Owen, Miss Logan, Miss Leserve, Mrs Henley.

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Wicklow Mountains

Performance Comment: As17961007, but Irish Peasantry Defenders and White Boys-_Spofforth.

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: The Fairy Festival

Afterpiece Title: Lodoiska

Dance: In 2nd piece: Dances incidental to the Piece, composed by Gentili. Principal Dancers-Gentili, Master Menage, Sga Bossi DelCaro, Mrs Wild

Performances

Mainpiece Title: First Love

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Lodoiska

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The London Hermit

Afterpiece Title: 'Tis All a Farce

Performances

Mainpiece Title: The Flitch Of Bacon

Afterpiece Title: Ways and Means

Afterpiece Title: Fortune's Frolick

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: No Song No Supper

Ballet: End: The Scotch Ghost. As17961029, but Glaude-Grimaldi; The Lady of Dunblain-_; Villagers-Ms _Byrne, Ms _Thompson

Performances

Mainpiece Title: The Rehearsal

Song: I: Beard; III: Lowe; IV: Miss Edwards

Dance: II: Serious Dance, as17430504; V: Tyrolean Dance, as17421129

Performances

Mainpiece Title: Zara

Afterpiece Title: The Tutor

Performances

Mainpiece Title: The Author

Afterpiece Title: HOW TO BE HAPPY

Event Comment: The Duke's Company. Pepys, Diary: Mr Creed and I to White-Fryars, where we saw The Bondman acted most excellently, and though I have seen it often, yet I am every time more and more pleased with Betterton's action

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. An edition dated 1661 lists no cast, no prologue, and epilogue. Pepys, Diary: And so to White-fryars and saw The Little Thiefe, which is a very merry and pretty play, and the little boy do very well

Performances

Mainpiece Title: The Little Thief

Performances

Mainpiece Title: Vittoria Corombona

Performance Comment: [The White Devil] .

Performances

Mainpiece Title: Vittoria Corombona

Performance Comment: [The White Devil] .
Event Comment: See Boswell, Restoration Court Theatre, pp. 56-57, for a stage which may have been used for the puppets, and also Speaight, English Puppet Theatre, p. 73. Pepys, Diary: To my Lord's again, thinking to speak with him, but he is at White Hall with the King, before whom the puppet plays I saw this summer at Covent-garden are acted this night

Performances

Mainpiece Title: Puppets

Event Comment: This was probably acted by the King's Company, which acted the play several times in 1660-61. Pepys, Diary: At White Hall by appointment, Mr Creed carried my wife and I to the Cockpitt, and we had excellent places, and saw the King, Queen, Duke of Monmouth, his son, and my Lady Castlemaine, and all the fine ladies; and The Scornfull Lady, well performed. They had done by eleven o'clock

Performances

Mainpiece Title: The Scornful Lady

Performances

Mainpiece Title: The Step-mother

Performance Comment: Edition of 1664: Sylvanus-Sandford; Filamor-Bettertun; Adolph-Young; Tetrick-Underhill; Fromund-Price; Crispus-Smith; Capito-Metborn; Gracchus-Lovell; Sergius-Rob. Noke; Pontia-Mrs Williams; Caesarina-Mrs Bettertun; Violinda-Mrs Davies; Brianella-Mrs Long; The Prologue to the King- at the Cockpit at White-Hall; The Prologue to the Stage-; The Epilogue to the House-the Step-Mother; The Epilogue to the King-; Instrumental Vocal Recitative Musick by Mr Lock-.
Event Comment: Charles II to Madame, 10 Dec. 1663: I am just now going to see a new play (C. H. Hartmann, Charles II and Madame[1934], p. 89). The Duke's Company. W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, suggests that it was The Step-Mother which was given on this occasion. The edition of 1664 lists: The Prologue to the King at the Cockpit at White-Hall. The Epilogue to the King

Performances

Mainpiece Title: The Step Mother

Event Comment: The King's Company. Pepys, Diary: By coach to White Hall, thinking to have met at a Committee of Tangier, but nobody being there but my Lord Rutherford, he would needs carry me and another Scotch Lord to a play, and so we saw, coming late, part of The Generall, my Lord Orrery's (Broghill) second play; but, Lord! to see how no more either in words, sense, or design, it is to his Harry the 5th is not imaginable, and so poorly acted, though in finer clothes, is strange. And here I must confess breach of a vowe in appearance, but I not desiring it, but against my will, and my oathe being to go neither at my own charge nor at another's, as I had done by becoming liable to give them another, as I am to Sir W. Pen and Mr Creed; but here I neither know which of them paid for me, nor, If I did, am I obliged ever to return the like

Performances

Mainpiece Title: The Generall

Event Comment: See Boswell, Restoration Court Stage, pp. 22-56. Pepys, Diary: This night I am told the first play is played in White Hall noon-hall, which is now turned to a house of playing. I had a great mind, but could not go to see it

Performances

Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Event Comment: The Duke's Company. Boswell (Restoration Court Stage, p. 282) thinks that this play given on the L. C. lists--see Nicoll, Restoration Drama, p. 346--between 29 Oct. and 6 Nov., may have been acted on this day. See also an order for supplies for the comedians acting at court in Alwin Thaler, Shakespear to Sheridan, p. 290. Pepys, Diary: I to White Hall, where I staid walking up and down till night, and then got almost into the playhouse, having much mind to go and see the play at Court this night; but fearing how I should get nome, because of the bonefires and the lateness of the night to get a coach, I did not stay

Performances

Mainpiece Title: Mustapha