SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ms Ward"/1) | (@(roleclean,performerclean) "Ms Ward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1490 matches on Event Comments, 958 matches on Performance Comments, 20 matches on Performance Title, 14 matches on Author, and 7 matches on Roles/Actors.

Performances

Mainpiece Title: Alexander; Or, The Rival Queens

Afterpiece Title: A Duke and no Duke

Dance: As17670729 but Italian Peasant-Dulm ($Neville)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Duke and no Duke

Dance: II: The Fingalian Dance-; III: New Hornpipe-; End Opera: The Italian Peasants-Miss Froment

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Related Works
Related Work: Scaramouch a Philosopher, Harlequin a School-Boy, Bravo, Merchant and Magician Author(s): Edward Ravenscroft

Dance: FFingalian-; New Hornpipe, as17670805

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Knights

Dance: FFingalian-; New Hornpipe, as17670805

Performances

Mainpiece Title: The Patron

Afterpiece Title: The Taylors

Dance: Several entertainments-Miss Froment

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Fondlewife and Laetitia

Song: II: DuBellamy

Dance: IV: Fingalian-; End: Italian Peasants, as17670805

Entertainment: PPost@Haste Observations from his Journay to Paris-Shuter (for that Night only)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Related Works
Related Work: Scaramouch a Philosopher, Harlequin a School-Boy, Bravo, Merchant and Magician Author(s): Edward Ravenscroft

Dance: FFingalian-; New Hornpipe, as17670805

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Lethe

Dance: End: Dance-Miss Froment

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Taylors

Dance: Miss Froment

Performances

Mainpiece Title: Countess Of Salisbury

Afterpiece Title: Miss in Her Teens

Dance: Miss Froment

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Lying Valet

Dance: End: Miss Froment

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The School Boy

Related Works
Related Work: Scaramouch a Philosopher, Harlequin a School-Boy, Bravo, Merchant and Magician Author(s): Edward Ravenscroft

Dance: End: Miss Froment

Event Comment: NNeville MS Diary: The last three he [Foote] has not done for some time. I like Woodward better in young Philpot. Both add some crochets of their own. I don't think he took off Mr Whitefield well. Cole, Shift and Smirk he does inimitably. He has a great command of features in the ludicrous way, not such as that of Garrick

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Citizen

Related Works
Related Work: The Citizen Turned Gentleman Author(s): Edward Ravenscroft

Dance: II: New Serious Dance-; End: New Comic Dance, The Gallant Peasant-Miss Froment

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mayor of Garratt

Dance: SSerious Dance-; The Gallant Peasant, as17670904

Entertainment: By Desire, Occasional Prologue on opening the Theatre-Mr Foote; in which will be introduced Through the Wood Laddie-the real Blackamoor Lady (Neville)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Daphne and Amintor

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Queen Mab

Related Works
Related Work: Queen Mab Author(s): Henry Woodward

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Lyar

Dance: End: The Fingalian-Miss Froment; End I Farce: Hornpipe-Miss Froment

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Holland; King Henry-Havard; Richmond-Palmer; Buckingham-Jefferson, first time in this character; Tressel-Cautherley; Norfolk-Burton; Stanley-Bransby; Lord Mayor-Baddeley; Catesby-Packer; Ratcliff-Strange; Lieutenant-Moody; Prince Edward-Miss Rogers; Duke of York-Miss Collett; Lady Anne-Mrs Palmer; Duchess of York-Mrs Johnston; Queen-Mrs Pritchard.
Cast
Role: Prince Edward Actor: Miss Rogers

Afterpiece Title: Fortunatus

Related Works
Related Work: Fortunatus Author(s): Henry Woodward

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Smith; Old Knowel-Gibson; Young Knowel-Dyer; Wellbred-Mattocks; Bobadil-Woodward; Mas. Stephen-Shuter; Brainworm-Dunstall; Downright-Gardner; Clement-Morris; Mas. Matthew-Cushing; Cash-Perry; Formal-Wignell; Cob-Massey; Cob's Wife-Mrs Pitt; Bridget-Mrs Baker; Dame Kitely-Mrs Bulkley (late Miss Wilford); By Particular Desire, The New Occasional Prologue-Powell.
Cast
Role: Bobadil Actor: Woodward

Afterpiece Title: The Upholsterer

Performance Comment: Barber-Woodward; Quidnunc-Dunstall; Pamphlet-Shuter; Harriet-Mrs Baker; Termagant-Mrs Green.
Cast
Role: Barber Actor: Woodward

Dance: End: Serious Dance, as17670916

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: Othello

Afterpiece Title: Like Master Like Man

Dance: IV: Serious Dance-; End: Comic Dance-Miss Froment

Performances

Mainpiece Title: Cymon

Performances

Mainpiece Title: King John

Afterpiece Title: The Coronation