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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ms Wallis"/1) | (@(roleclean,performerclean) "Ms Wallis")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1779 results for: Keyword - Ms Wallis

We found 1434 matches on Event Comments, 476 matches on Performance Comments, 14 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

101
27 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Green Room

Afterpiece Title: The English Merchant

Afterpiece Title: The Sheep Shearing

Song: End of Act I of mainpiece a favourite song by Miss George; End of Act IV Admiral Benbow by Bannister

Monologue: 1783 08 27 As 13 Aug. IMITATIONS. As 20 Aug

102
21 January 1784 @ Haymarket Theatre

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Talisman

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

103
04 May 1784 @ Covent Garden

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Merry Wives of Windsor

Afterpiece Title: Bribery on both Sides

Dance: End of mainpiece The Poney Races (performers not listed; see17840428)

104
10 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

105
12 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: A Trip To Elysium; Or, Foote, Weston, And Shuter In The Shades (as Performed For Wilson's Benefit Last Season, At The Above Theatre [on 10 Aug

Afterpiece Title: The Miser

Afterpiece Title: Twistings and Twinings; or, Tea's the Twaddle

Afterpiece Title: The Quaker

Song: 3rd piece to conclude with Tippee against Twaddle by Wilson

Monologue: 1785 02 12 Following the Singing Joe Haynes's Epilogue, riding on an ass, by Wilson. imitations. End of Act I of 4th piece Imitations, Vocal and Rhetorical, by way of Dialogue. A Gentleman (1st appearance [unidentified]) will take off the Speakers, and Decastro will take off the Singers, with a Dying Scene. After which, Plank, the carpenter, will take them both off

106
18 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: The Winter's Tale

Afterpiece Title: An Author on the Wheel; or, A Piece cut in the Green-Room

Afterpiece Title: ROSINA

Song: In 2nd piece the Sheep-sbearing Song by Miss Phillips. imitations. In 3rd piece, by Bannister Jun

107
26 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Sons Of Anacreon

Afterpiece Title: William and Susan; or, The Sailor's Sheet-Anchor

Afterpiece Title: The Devil upon Two Sticks

Afterpiece Title: Gretna Green

Song: In 1st piece, as17850819; End of 3rd piece, as17850719

108
26 December 1786 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Enchanted Castle

109
21 April 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Transformation; Or, The Manager An Actor In Spite Of Himself

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Invisible Mistress

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

110
08 May 1789 @ Covent Garden

Performances

Mainpiece Title: A School For Widows

Afterpiece Title: The Highland Reel

111
04 June 1790 @ Covent Garden

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Dramatist

Afterpiece Title: Nootka Sound; or, Britain Prepar'd

112
07 March 1791 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

113
10 May 1791 @ Covent Garden

Performances

Mainpiece Title: National Prejudice

Afterpiece Title: The Poor Soldier

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

114
18 May 1791 @ Covent Garden

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

115
16 August 1791 @ Haymarket Theatre

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Northern Inn; or, The Days of Good Queen Bess

116
15 May 1792 @ Covent Garden

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: A Cure for a Coxcomb; or, The Beau Bedevil'd

Song: In 3rd piece: will be introduced the following Favorite songs: When virtue forms-Mrs Davis; The Bottle-Davies; The Pleasures of the Chace-Incledon; Farewell each Tonish Life-Munden; Bucket of Water, 'Tis a mighty fine thing-Johnstone; Kitty Grogan, Tho' I'm no dancing master-Johnstone; Anna's Love-Incledon; The Pig, You all must have heard-Fawcett; To-morrow, In the downhill of life-Darley; You are aw nodding-Mrs Harlowe; Coach box, You may feast your ears-Cubitt

117
15 June 1792 @ Haymarket Theatre

Performances

Mainpiece Title: Poor Old Hay-market; Or, Two Sides Of The Gutter

Afterpiece Title: The Young Quaker

Afterpiece Title: The Son-in-Law

118
30 June 1792 @ Haymarket Theatre

Performances

Mainpiece Title: The Suicide

Afterpiece Title: Young Men, and Old Women

119
05 November 1793 @ Haymarket Theatre

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: GUY FAWKES

Afterpiece Title: THE PADLOCK

Song: 2nd piece: To conclude with God save the King, and a new Grand Emblematick Transparency

120
02 May 1794 @ Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: NAPLES BAY; or, The British Seamen at Anchor

Afterpiece Title: THE FOLLIES OF A DAY

Dance: In 2nd piece A Medley Hornpipe in Wooden Shoes by Byrn

Song: End of 1st piece Black-Eyed Susan by Incledon

121
26 May 1794 @ Covent Garden

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Afterpiece Title: THE SHIPWRECK; or, French Ingratitude

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

122
04 June 1794 @ Covent Garden

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: A LOYAL EFFUSION

Afterpiece Title: THE HIGHLAND REEL

Dance: In 2nd piece Hornpipe by Bayzand

Song: 2nd piece: To conclude with a Song and Chorus [Come ye who from your souls (BUC, 281)], in Honor of His Majesty's Birth-Day

123
29 November 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Nobody

124
22 April 1795 @ Haymarket Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

125
06 May 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: Jack Of Newbury

Afterpiece Title: The Triumph of Hymen

Afterpiece Title: Tit for Tat