SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ms Macklin"/1) | (@(roleclean,performerclean) "Ms Macklin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1562 matches on Event Comments, 1401 matches on Performance Comments, 206 matches on Author, 39 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Judas Macchabaeus

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Dance: Grandchamps, Mlle Auretti

Performances

Mainpiece Title: Sampson

Performances

Mainpiece Title: Romeo And Juliet

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The King and Miller

Dance: [As17500926

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Belshazzar

Afterpiece Title: Concerto on Organ

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Lethe

Dance: HHornpipe-Matthews, the Little Swiss; With Entertainments as will be express'd in the Great Bills

Song: I: Song-Beard

Performances

Mainpiece Title: Jeptha

Performances

Mainpiece Title: Samson

Performances

Mainpiece Title: Judas Macchabaeus

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Lethe

Dance: Devisse, Mad Auguste

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Double Disappointment

Dance: Mlle Auretti

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Genii

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Choice of Hercules

Performances

Mainpiece Title: Jephtha

Performances

Mainpiece Title: Samson

Event Comment: MMacklin has built two magnificent Rooms, ground floor [one] for Coffee, the other a [meeting] Room (Winston MS 8). [The Tuner pub. at 1s. by Dr Hiffernan. Fifty-three pages touching on theatre in general but particularly on Boadicia. There is no plot in the play...Boadicia is a monster well deserving what she suffers; therefore is neither an object of Terror or Compassion: but of Detestation. Sh deserts us in the third act...Tender-hearted Venusia is introduc'd to be whined to death...There is scarce any sentiment throughout; no moral to be deduced...the Diction...favors more of the level, languid, and underepic, than of the vigorous marrowy, tragic style...Never was Author more oblig'd to Performers, they acted to the full amount of his meaning; the Matter often fail'd Mr Garrick's continued and vigorous exertion."] Receipts: #180 (Cross)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: Lo Studente A La Moda

Dance: Entertainment-[unspecified]

Performances

Mainpiece Title: Artaserse

Performances

Mainpiece Title: L'amour Costante

Dance: [Unspecified.]

Performances

Mainpiece Title: Virginia

Performances

Mainpiece Title: Saul

Performances

Mainpiece Title: Judas Macchabaeus

Performances

Mainpiece Title: Samson