SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Ms Elmy"/1) | (@(roleclean,performerclean) "Ms Elmy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1434 matches on Event Comments, 573 matches on Performance Comments, 13 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Magic Cavern; or, Virtue's Triumph

Song: In Act I of mainpiece song by Brett

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Magic Cavern

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron; or, Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

Performances

Mainpiece Title: Maid Of Honour

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End of Act in of mainpiece, as17840922; End of Act IV, as17840917

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Israelites; or, The Pamper'd Nabob

Dance: As17841116

Song: Preceding afterpiece a Trio, composed by an English composer in 1540 [unidentified], by Davies, Darley, Brett. The new Words by Holcroft, the new Accompaniments by Shield

Performances

Mainpiece Title: Finta Principessa

Dance: As17850329hroughout

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Nunnery

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Afterpiece Title: The Humourist; or, Who's Who

Dance: As17850307athi

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Humourist

Dance: As17850430

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: New Readings, by Johnny Bulcalf, With his Journey to London

Afterpiece Title: The Irish Widow

Dance: End of 2nd piece, as17850505

Song: End of Act IV of 1st piece Stand to your Guns by Bannister

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Seeing is Believing: A Dramatic Proverb

Dance: As17850609

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Song: After the Monologue, by Miss Cranford

Monologue: 1785 06 17 End of mainpiece an Occasional Address to the Audience by Wright

Performances

Mainpiece Title: Turk, And No Turk

Afterpiece Title: Nature Will Prevail

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Gretna Green

Afterpiece Title: Harlequin Teague

Music:

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Green Room; or, Cut and Come Again

Afterpiece Title: Gretna Green

Performances

Mainpiece Title: The Feast Of Thalia; Or, A Dramatic Olio

Afterpiece Title: First Course, an Operatic Dish: The Dead Alive

Afterpiece Title: Second Course, a Comic Dish: More Frighten'd than Hurt

Afterpiece Title: a Desert: The Honest Yorkshireman

Monologue: 1785 08 16 End of Second Course, by way of Entremet, Joe Haynes's Epilogue, riding on an Ass, by Wilson

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: Here and There and Every Where

Dance: In afterpiece, by Byrne, Ratchford, Giorgi Jun., Miss Francis, Miss Rowson, Mrs Invill, Giorgi's Scholars, the two Miss Simonets. [The dances were included, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Appearance is against Them

Dance: End of Act II of mainpiece Leap Year, as17851010

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: Percy

Afterpiece Title: Appearance is against Them

Monologue: 1785 12 10 Before the mainpiece an Occasional Address spoken by Holman

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Jubilee

Song: In Act III of mainpiece song by Chapman