Event Comment: [Miss Molini is identified by MS annotation on Kemble playbill. She had 1st appeared at this theatre on 17 Feb. 1798.] Receipts: #194 7s. 6d. (133.4.6; 58.6.0; 2.17.0)

Event Comment: [Miss Thornton is identified by MS annotation on Kemble playbill.

Event Comment: Mrs Sullen-$Mrs Roberts (Cross Diary)

Event Comment: Mrs Abington Phillis first time-Very well (Hopkins Diary). Paid 5 days salary list at #104 4s.; #520 1s. 8d.; Mrs Jewell 11 days not on list #5 10s.; Mr Johnston 4 days not on list #1 6s. 8d.; Blurton 11 days additional salary 18s. 4d.; Carpenter 11 days additional salary 18s. 4d. Receipts: #240 14s. 6d. (Treasurer's Book)

Event Comment: Miss Hopkins first time Maria --well receiv'd Mrs Abington Spoke a New Epilogue in Character of Philly Nettletop great Applause (Hopkins Diary). Paid Mr Bate's bill for composing The Theatrical Candidates #32 11s. Receipts: #124 19s. (Treasurer's Book)

Event Comment: Mrs Abington's First appearance in Clarinda . She was very easy and like the Character. Mr G. as Usual play'd finely (Hopkins Diary). Rec'd of Mr Parker in full of note #30. Receipts: #279 16s. 6d. (Treasurer's Book)

Event Comment: [Miss Brown is identified in European Magazine, Oct. 1782, p. 309.] Receipts: #113 15s. (91/11/0; 22/2/6; 0/1/6)

Event Comment: [Mrs Belfille was from the Norwich theatre.] Account-Book, 6 Dec.: Paid Mrs Belfille for a Stage Dress #21 10s. 6d. Afterpiece: Not acted these 15 years [acted 15 Jan. 1776]. The Doors will be opened at 5:15. To begin at 6:15 [see 30 Apr. 1787]. Receipts: #243 5s. 6d. (238.1.0; 5.4.6)

Event Comment: Mainpiece: Not acted these 6 years [not acted since 28 Apr. 1773]. With new Scenes [by French and Carver (text)] and Dresses. [In the Vocal Parts the playbill lists Sga Prudom, but "at the end of the second act, Smith came forward and apologized for the absence of Signora Prudom, and begged that Mrs Wrighten might be permitted to take her part . . . Mrs Wrighten was received with applause" (London Chronicle, 20 Oct.). Sga Romanzini was from the Royal Circus.] Receipts: #123 8s. 6d. (92/15/0; 29/11/0; 1/2/6)

Event Comment: [Miss Collett was from dl. Burton is listed in the afterpieces at both dl and the hay.

Event Comment: [Mrs Esten had 1st acted Lady Bab Lardoon at Bath in the season of 1786-87.] Receipts: #135 5s. 6d. (124.8.6; 10.17.0)

Event Comment: [Miss Broadhurst is identified in Oracle, 17 Jan.] Receipts: #306 18s. (302.6; 4.12)

Event Comment: [Mrs Esten had 1st acted Lady Bab Lardoon at Bath in the season of 1786-87.] Receipts: #135 5s. 6d. (124.8.6; 10.17.0)

Event Comment: [Mrs Gilbert was from the Birmingham theatre. Epilogue to 2nd piece not listed on playbill, but "The Epilogue was vociferously called for, and spoken by Vapid" (Oracle, 24 Sept.).] Receipts: #215 3s. 6d. (198.10.0; 16.13.6)

Event Comment: [Mrs Hedges, who is identified by MS annotation on Kemble playbill, was from the hay.] Receipts: #115 8s. (86.1; 27.17; 1.10)

Event Comment: Benefit Christopher Smith Jr (the composer). The Habits and the Scenes proper to the Subject. Words by Mr Humphrey. Pit and Boxes 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d

Event Comment: [Miss Farren was from the hay. And see dl, 8 Oct.

Event Comment: [Miss Cleland, who was from the Edinburgh theatre, is identified in Lysons, Collectanea. Cleland was a stage name; her real name was Buttery.] Afterpiece [1st time; P 2, by James Messink]: To conclude with an exact Representation of the Procession at an Eastern Marriage [based on sketches made in India by Tilly Kettle, the portrait painter (Theatre Notebook, VIII, 6)]. The Scenery by Richards, Carver, Hodgins, Cipriani, Catton and others. The Music composed by [Michael] Arne. The Pantomime by Messink. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. Public Advertiser, 12 Jan. 1782: The Openings between every Scene and all internal parts of the Theatre are now so crouded by people absolutely necessary in one character or another that were they not judiciously arranged and marshalled, they would stand in each other's way, and create inextricable confusion. All that appears before an Audience as moving with the ease, regularity and promptitude of clock-work is the result of much Contrivance and many exertions of bodily Labour. Ibid, 16 Feb. 1782: This Day is published The Choice of Harlequin (1s.). Receipts: #270 19s. (265/15; 5/4)

Event Comment: [Miss Andrews' 1st appearance on the stage was at dl on 13 May 1796.] The Publick is respectfully informed that, in consequence of the Benefit advertised for To-morrow, at the Theatre-Royal in Covent Garden, no Entertainments will be given here on that night; it being the wish of the Proprietor of this Theatre to promote, by any means in his power, the success of the above charitable purpose

Event Comment: Mrs Bradshaw & Mrs Johnston great Applause to the Farce (Hopkins Diary). Benefit for Mrs Bradshaw and Mrs Johnston. Afterpiece: Written by Henry Fielding, not played for 25 years. [Actually last played there 19 May 1759.] Music compiled from the works of the most eminent composers. Rec'd from Sinking Fund (2nd) #525, from Stopages #14 2s. Paid salary list #564 16s.; J. French on acct #5 5s. (Treasurer's Book). Receipts: #114 2s. 6d. Charges: #66 12s. 6d. Profits to Mrs Bradshaw and Mrs Johnston: #47 10s. (Treasurer's Book)

Event Comment: Benefit Mrs Clive. As 10 March. Tickets at Mrs Clive's House, Cecil Street, the Strand

Event Comment: [Mrs Edwards is identified in European Magazine, July 1786, p. 60. Address by Thomas Busby (ibid.}.]

Event Comment: [Miss Walpole was from the Crow Street Theatre, Dublin.] Receipts: #178 19s. 6d. (146.17.0; 31.13.6; 0.9.0)

Event Comment: [Miss Storer is identified by MS annotation on Kemble playbill.] Receipts: #118 11s. (117.13.6; 0.17.6)

Event Comment: [Miss Frodsham was from the Manchester theatre.]