Event Comment: Benefit the Widow and Four Small Children of the late Henry Carey. Tickets at the stage door, or at the Widow Carey's in Cross St., Hatton-Garden; at Langbourn-Ward Coffee House; and of Mrs Suertt, at the Apple Tree in Cold Bath Fields. N.B. The Unfortunate Widow humbly hopes that the Good Nature and Humanity of her Friends will admit her melancholy circumstances, and the shortness of time, as a sufficient excuse for not waiting on them, and continue the favours, formerly shown to her late Husband, to her and her Distress'd Family, being left entirely destitute of any provision

Event Comment: Benefit Mrs Pritchard. Mainpiece: At the Particular desire of several persons of Quality

Event Comment: Benefit for Mrs Elmy

Event Comment: Each of these 3 acts apiece, Alter'd by Garrick, from Shakespear-Applauded. Mrs Clive fell down in ye Farce, and accus'd Woodward wth doing it on purpose (Cross). [The Bill lists neither cast nor characters for either piece, but advertises them with proper music, songs, dances, and decorations. Beginning with 23 Jan. the Bill lists actors names. Casts here taken from the 1756 ed.] Receipts: #180 (Cross)

Event Comment: Benefit for Mrs Yates. Garrick's first appearance in Chamont in 4 years. Mrs Yates in Monimia for first time. Mrs Cibber's illness has oblig'd Mrs Yates to change her Play from Jane Shore to The Orphan. The Afterpiece (for one night only): A Burlesque Opera of two acts

Event Comment: Benefit for Mrs Crawford. Part of the Pit will be laid into the Boxes. Public Advertiser, 9 Mar.: Tickets to be had of Mrs Crawford, No.3, Adam-street, Adelphi

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 10 Dec: Tickets to be had of Mrs Siddons, No. 149 in the Strand. [The most famous "point" in this play was the parting of Belvidera and Jaffier in Act III, and her words, "Remember twelve!" Boaden, Siddons, 1, 354, refers to Mrs Siddons's "querulous melancholy of tone, partaking of doubt, though still hoping for the best," in uttering these words.] Receipts: #335 5s. (157/15/0; 4/0/6; 0/12/6; tickets: 172/17/0) (charge: free). [Thus, officially, the Account-Book, but Mrs Siddons's total profit, from presents and from additional sums being added by her admirers to the usual price of her tickets, was, according to Public Advertiser, 25 Dec, over #800. This figure is almost certainly an accurate reckoning.]

Event Comment: Benefit for Mrs Brooks. Public Advertiser, 18 July: Tickets to be had of Mrs Brooks, at Mr Woodmason's, No. 68, Pall-mall

Event Comment: Benefit for Mrs Bannister. 2nd piece: Never acted here. Public Advertiser, 17 Aug.: Tickets to be had of Mrs Bannister, Frith-street, Soho

Event Comment: Benefit for Mrs Martyr. [1st piece in place of Look before You Leap, advertised on playbill of 10 Apr. This new farce was withdrawn from cg, and 1st acted at the hay, 22 Aug. 1788.] 2nd piece: In 3 acts. General Advertiser, 5 Apr.: Tickets to be had of Mrs Martyr, No. 28, Great Pultney-street. Receipts: #260 17s. (152.9; 3.17; tickets: 104.11)

Event Comment: Mainpiece: Not acted these 7 years [acted 2 Jan. 1786]. ["In the review of any performance of this character it must be extremely difficult to command an abstraction from the remembrance of what Mrs Siddons was in it...This is not said to introduce any insinuation that the performance of Mrs Esten was an imitation of that of Mrs Siddons, but to excuse it if it was so...The performance was highly meritorious" (Gazetteer, 12 Feb.).] Receipts: #189 19s. (179.2; 10.17)

Event Comment: Benefit for Mrs Mountain. 3rd piece: Not acted these 2 years [not acted since 24 Apr. 1788]. Oracle, 14 May: Tickets to be had of Mrs Mountain, No. 9, Bow-street, Covent-Garden. Receipts: #171 1s. (71.6; 7.0; tickets: 92.15)

Event Comment: Benefit for Mrs Mattocks. By Desire of his Excellency the Ambassador [Yussuf Adijah Effendi] from the Sublime Porte. Morning Chronicle, 19 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russel-street, Covent Garden. Receipts: #362 15s. (226/13; 13/1 3; tickets: 122/9)

Event Comment: Account-Book: Tickets delivered by Shotter, Mrs Pitt, Wall, Berecloth, Young, Hasler, Sturgeon, Noble, Bonsor, Little, Brice, Thompson (gallery office-keeper), Abbot, Curties will be admitted. Receipts: #304 15s. (27.19.6; 1.5.0; tickets: 275.10.6)

Event Comment: Benefit Mrs Knight. At the particular Desire of several Ladies of Quality. Receipts: money #27 17s. 6d. and tickets #23 13s. The Epilogue was printed in Weekly Journal or British Gazetteer, 7 April, with a note: The Author of the following Epilogue would never have thought of publishing such a Trifle, but to let the Town see that scandalous Piece (as some were pleas'd to call it) not fit to be spoken. Mrs Knight's Zeal to the Government (which she has always express'd at the Worst of Times) cannot be enough applauded....It was wrote with no other Design than to do her some Service on her Benefit-Day; but has had indeed a quite contrary Effect, and kept back that Part of her Audience whose Money is as good as other Peoples, tho' their Principles (as being Tories) are the worst in the World

Event Comment: Not Acted these Twenty Years. Tickets for Oroonoko, deferred by Mrs Layfield's indisposition, will be taken at this play

Event Comment: Benefit Mrs Egleton. At the Desire of several Persons of Quality. Afterpiece: a new Ballad Opera of two Acts. Written by Mrs Egleton. [Apparently not published.] Receipts: money #28 12s. 6d.; tickets #102 3s. (or #102 5s.)

Event Comment: Mainpiece: Written by the late Mr Otway. At Common Prices. 6 p.m. N.B. There is a new Passage to the Pit.,. also a large Lobby for the Servants that keep Places. Receipts: #65. Egerton 2320: ye first night of Mr Right's appearance. Cato given out, but cou'd not be play'd, Mrs Cibber not being ready in Maria we cou'd play no Play but the Orphan Mrs Thurmond having left us

Event Comment: Benefit Mrs Mills. At the particular desire of several Ladies of Quality. Servants admitted to keep places on the stage. Tickets to be had of Mrs Mills at her House in Nassau Street, near Soho. Stage form'd into side boxes

Event Comment: Adapted for the stage, as alter'd from Milton's Masque at Ludlow Castle (General Advertiser). Benefit for Beard. Ready Money #94 15s., plus #102 9s. from tickets. Charges #60. Paid Mrs Lane for Rent of Cowley in full to Michaelmas last #41. (Account Books, Egerton 2268) [Cowley was Rich's estate at Uxbridge. Notice about Amphitheatre (see 23 March) repeated.] Tickets of Beard at his house in Red Lyon Square

Event Comment: Benefit for Mrs Vincent and Mrs Lampe. Afterpiece: Not acted these 10 years. Written by Addison, set by Arne. No building on the Stage

Event Comment: Benefit for Mrs Cibber. Tickets delivered for The Orphan will be taken. No building on stage. [Goldsmith, in his Bee (Vol. 1759, p. 56), commenting on Mad Clairon s' excellent preservation of character on stage, glances at Mrs Cibber, perhaps in this night's performance: 'I can never pardon a lady on the stage who, when she draws the admriation of the whole audience, turns about to make them a low courtesy for their applause. Such a figure no longer continues Belvidera , but at once drops into Mrs Cibber." See comment upon her deportment as Ophelia , 29 April 1763.

Event Comment: Benefit for Mrs Elmy. Mainpiece: By Particular Desire. Afterpiece: Taken from Mrs Centlivre's Sequel to the Busy Body. [Afterpiece is Woodward's adaptation (Crow St. Theatre, Dublin 1760) pruned to three acts (Biographia Dramatica).

Event Comment: Benefit for Mrs Yates. Farce in 2 acts written by Murphy for Mrs Yates (Genest, V, 67)

Event Comment: By Permission. Benefit Barry. Tickets for the 10th instant will be taken. Being positively the last time of performing. Afterpiece: Taken from the Mistake. Neville MS Diary: Barry's expression of the savageness of the Moor, particularly with his eyes, is very great. Mrs Dancer does not suit herself in the character of Desdemona. We had two dances by Miss Froment with a foolish Farce in two acts