SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mrs Carne"/1) | (@(roleclean,performerclean) "Mrs Carne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17490429 but Hero-Mrs Elmy; Balthasar-_ Fryar-Bridges; Borachio-Blakes; Margaret-Mrs Havard.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Bennet.
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Benefit for Stevens, Mrs Chambers, Mrs Pitt. No building on Stage

Performances

Mainpiece Title: King Henry V

Performance Comment: As17540417 but Fluellin-Arthur; Constable-_; Dauphin-Usher; Hostess-Mrs Pitt.
Cast
Role: Hostess Actor: Mrs Pitt.
Role: Catherine Actor: Mrs Dyer

Afterpiece Title: The Devil to Pay

Performance Comment: As17530924, but Nell-Mrs Chambers, 1st time.
Cast
Role: Nell Actor: Mrs Chambers, 1st time.
Role: Lady Loverule Actor: Mrs Pitt

Song: II: Jenny Bright as the Day-Mrs Chambers; IV: The Favourite Dialogue of No Never-Legg, Mrs Chambers

Dance: III: Italian Peasants, as17531120

Event Comment: [G$Goldsmith's comment in The Bee (1759, p. 14) the following season seems to have glanced at Mrs Pritchard's performance of Jane Shore, since Mrs Pritchard was growing quite stout at this time: In his remarks of "casting" he is distressed at "an actress that might act the Wapping Landlady without a bolster, pining in the character of Jane Shore, and while unwieldy with fat endeavoring to convince the audience that she is dying from hunger." The part at Drury Lane for the next eight years went to Mrs Yates, Mrs Pritchard playing it only once again "for that night only" at her daughter's benefit, 7 April 1766.] Receipts: #140 (Cross); #138 18s. (Winston MS 8)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Garrick; Shore-Mossop; Gloster-Davies; Bellmour-Blakes; Darby-Burton; Catesby-Mozeen; Ratcliffe-Packer; Alicia-Mrs Cibber; Jane Shore-Mrs Pritchard.
Cast
Role: Alicia Actor: Mrs Cibber
Role: Jane Shore Actor: Mrs Pritchard.

Afterpiece Title: The Anatomist

Cast
Role: Beatrice Actor: Mrs Bennet.

Dance: new Pantomime Dance call'd%The Swiss-Grimaldi, Dupuy, Mrs Vernon

Event Comment: Benefit for Mrs Vincent. No building on the Stage. Mr Havard sent word that his Wife dy'd this morning. Mr Lee read his part. Imogen by Mrs Palmer (Hopkins). Charges: #64 4s. (MacMillan). Mrs Havard died this morning, on which account Mr Lee read Bellarius, and introduc'd two long speeches that were never spoke before. Miss Bride, being with child, cou'd (not) go into breeches, Mrs Palmer-Imogen (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: Cymbeline

Performance Comment: As17640326 but Belarius-Lee; Imogen-Mrs Palmer, first time.
Cast
Role: Imogen Actor: Mrs Palmer, first time.
Role: Queen Actor: Mrs Bennet
Role: singing Actor: Mrs Vincent.

Afterpiece Title: The Contrivances

Performance Comment: Argus-Parsons; Rovewell-Vernon; Robin-Moody; Arethusa-Mrs Vincent.
Cast
Role: Arethusa Actor: Mrs Vincent.

Song: III: The song of Sweet Bird-Mrs Vincent; accompanied on the Violin-Mr Pinto

Dance: The Provancalle, as17631014

Event Comment: Benefit for Champness and Mrs Scott. Receipts: #125 13s. 6d. Charges: #37 12s. 6d. Profits to Champness & Mrs Scott: #88 1s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamester

Performance Comment: As17711005, but Mrs Beverly-Miss Younge, 1st time.

Afterpiece Title: The Humours of the Turf

Cast
Role: Clara Actor: Mrs Morland
Role: Jenny Actor: Mrs Davies.

Song: II: A Song-Mrs Scott; V: The Favourite Song of Mad Bess, composed by Purcell-Mrs Scott

Dance: IV: A Hornpipe-A Child seven years old, a scholar of Sg Tassoni, her 1st appearance

Event Comment: Benefit for Mrs Vincent and Mrs Pitt. Charges #64 5s. Deficit to the ladies #9 18s. 9d. apiece, cover'd by income from tickets: Mrs Vincent, #64 16s. (Box 86; Pit 208; Gallery 121); Mrs Pitt; #55 16s. (Box 22; Pit 218; Gallery 176). Receipts: #44 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Mrs Strickland Actor: Mrs Mattocks
Role: Jacintha Actor: Mrs Lessingham
Role: Lucetta Actor: Mrs Green
Role: Clarinda Actor: Mrs Bulkley.

Afterpiece Title: The Country Madcap

Cast
Role: Mrs Midnight Actor: Mrs DuBellamy.

Song: II: Ailen Aroon-Mrs Woodman, as17720429

Dance: IV: Minuet-Fishar, Mrs Bulkley; End: A Tambourine, as17720501

Event Comment: Benefit for Miss Stede, Mrs Heard, Mrs Willems, Abbott and Furkins. Tickets deliver'd by Wilkinson, Wooley, Pilfold, T. Ansell, Mrs Hitchcock, Widow Trott, Sherrat, Bassin, Whatley, Doe and Mrs Paddick will be taken. Charges o. [House received in addition to the ready receipts half the value of each beneficiary's tickets.] @Tickets Box Pit Gallery Value Half Value@Miss Stede 28 57 61 #21 13s. #10 16s. 6d.@Mrs Heard 19 34 .. #9 17s. #4 18s. 6d.@Mrs Williams .. 24 21 #5 14s. #2 17s.@Mr Abbott 18 95 75 #26 5s. #13 2s. 6d.@Furkins 22 37 26 #13 13s. #6 16s. 6d.@Wilkinson 28 27 20 #13 1s. #6 10s. 6d.@Wooley 9 42 79 #16 9s. #8 4s. 6d.@Pilfold 37 227 74 50 14s. #25 7s.@T. Ansell 9 66 64 #18 11s. #9 5s. 6d.@Mrs Hitchcock 27 15 45 #13 10s. #6 15s.@Widow Trott 24 4 8 #7 8s. #3 14s.@Sharratt 1 12 19 #3 19s. #1 19s. 6d.@Bassan .. .. .. .. ..@Whatley 5 18 57 #9 13s. #4 16s. 6d.@Doe 2 22 44 #8 4s. #4 2s.@Mrs Paddick 1 14 14 #3 15s. #1 17s. 6d.@Total 230 694 607 #222 6s. #111 3s.@ Receipts: #19 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17720228, but Sir Harry-Quick, 1st time; Theodosia-Mrs Willems, 1st time.
Cast
Role: Theodosia Actor: Mrs Willems, 1st time.
Role: Lady Sycamore Actor: Mrs Pitt
Role: Patty Actor: Mrs Mattocks.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: Mrs Highman Actor: Mrs Ferguson
Role: Lettice Actor: Mrs Green.

Dance: I: A Dance-incident to the piece; II: A Minuet-Dumay, Mrs Heard; End of Opera: Hornpipe-Miss Stede

Event Comment: Benefit for Jacobs, Griffith, Mrs Cross and Mrs Millidge. Paid Master Thomson 11 nights (23rd Inst. incl.) #2 15s.; Black Lyon Bill #3 19s. 2d. (Treasurer's Book). Tickets deliver'd for Benefit of Follett, Mas. Cape, Costin and Miss Berkly will be taken. Receipts: #233 18s. 6d. Charges: #74 14s. Profits to Jacobs, Griffith, Mrs Cross, Mrs Millage: #159 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: As17720225, but Sideboard-Jacobs; William-Griffith; Mrs Lovemore-Miss Younge; Muslin-Mrs Millidge.

Afterpiece Title: Harlequin's Invasion

Cast
Role: Sukey Chitterlin Actor: Mrs Davies.
Role: Mrs Snip Actor: Mrs Bradshaw
Role: Sukey Actor: Mrs Davies

Song: II: The Soldier Tir'd-Mrs Wrighten

Entertainment: V: Bucks Have at Ye All-Master Cape

Event Comment: Benefit for Mrs Bulkley. Mainpiece: Not acted these 5 years. [See 19 April 1769.] Afterpiece: A Farce Never acted there [Wm Whitehead]. Tomorrow (for the only Time this Season) The Merchant of Venice with Love-a-la-Mode. Shylock and Sir Archy by Mr Macklin being the only time of his performing this season. For the Benefit of Miss Macklin (playbill). Charges #66. Profit to Mrs Bulkley #43 6s. 6d. plus #103 16s. from tickets (Box 194; Pit 298; Gallery 106). Paid one half year's paving &c. for the Theatre due Lady Day #26 5s. (Account Book). Receipts: #109 6s. 6d

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scots

Performance Comment: Duke of Norfolk-Smith; Morton-Clarke; Cecil-Hull; Davison-Perry; Giffard-Gardner; Douglas-Miss Macklin; Queen Elizabeth-Miss Miller; Queen Mary-Mrs Bulkley, being their first appearance in those characters.

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Shuter; Sotherton-Owenson; Jemmy Twinkle-Lewes; Chamberlain-Thompson; Cupid-Miss Brown; Landlady-Mrs Pitt; Miss Flack-Mrs Willems; Filagree-Mrs Green; Mrs Griskin-Mrs Bulkley; With Dances incident to the piece-.
Cast
Role: Landlady Actor: Mrs Pitt
Role: Miss Flack Actor: Mrs Willems
Role: Filagree Actor: Mrs Green
Role: Mrs Griskin Actor: Mrs Bulkley

Entertainment: Epilogue End: (By Particular Desire) New Occasional Epilogue-Mrs Bulkley

Dance: Minuet-Aldridge, Mrs Bulkley (playbill) Fisher, Mrs Bulkley (Public Advertiser)

Event Comment: Benefit for Mrs Sutton. Receipts: #192 6s. Charges: #74 14s. Profits to Mrs Sutton: #117 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Gamesters

Cast
Role: Mrs Wilding Actor: Miss Younge
Role: Penelope Actor: Mrs Abington

Afterpiece Title: The Pigmy Revels

Cast
Role: Colombine Actor: Mrs Sutton

Dance: I: The Irish Fair, as17730918; II: New Grand Pastoral Dance-a Gentleman (his first appearance on that stage), Mrs Sutton; End: Louvre, Minuet (by Particular Desire)-Froment, Mrs Sutton (his scholar)

Event Comment: Benefit for Mrs Sutton. Receipts: #74 14s. Charges: #70 18s. 6d. Profits to Mrs Sutton: #3 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Elopement

Performance Comment: As17751103, but Colombine-Mrs Sutton; Pantaloon-Grimaldi; Lover-Messink.

Dance: II: (By Particular Desire) the Louvre, Minuet-Froment, Mrs Sutton, his scholar; V: The Grand Provencalle-Slingsby, Mrs Sutton

Event Comment: Benefit for Mrs Sutton. Tickets delivered by Thompson will be taken. Public Advertiser, 11 Apr.: Tickets to be had of Mrs Sutton, No. 8, Great Wild Street, Lincoln's Inn Fields. Receipts: #232 1s. 6d. (74.18.0; 22.18.6; 0.0.0; tickets: 134.5.0) (charge: #64 13s.)

Performances

Mainpiece Title: The Way Of The World

Cast
Role: Lady Wishfor't Actor: Mrs Hopkins
Role: Mrs Fainall Actor: Mrs Greville
Role: Betty Actor: Mrs Smith
Role: Peg Actor: Mrs W. Palmer
Role: Millamant Actor: Mrs Abington.

Afterpiece Title: The Irish Widow

Cast
Role: Widow Brady Actor: Mrs Greville.

Dance: End I: a new Comic Dance, The Corn Thrashers-Blurton, Mrs Sutton; End: Minuet de la Cour-Froment, Mrs Sutton (his Scholar); End I: The Irish Fair, as17761031

Event Comment: Tickets delivered by Jackson, Doyle, Prosser, Rowson, Rd. Ledger, Real, Mrs Lampe, Mrs Hamilton, Eves will be admitted. Receipts: #262 9s. 6d. (135/13/0; 3/8/6; tickets: 123/8/0)

Performances

Mainpiece Title: Robin Hood

Cast
Role: Margaret Actor: Mrs Kennedy
Role: Clorinda Actor: Mrs Martyr
Role: Annette Actor: Mrs Wilson
Role: Stella Actor: Mrs Kemble
Role: Angelina Actor: Mrs Bannister.

Afterpiece Title: The Commissary

Performance Comment: The Commissary-Quick; Isaac Fungus-Fearon; Gruel-Thompson; Simon-Helme; Coachman-Stevens; Young Loveit-Davies; Mrs Loveit-Mrs Pitt; Jenny-Mrs Poussin; Dolly-Miss Platt; Mrs Mechlin-Mrs Webb .
Cast
Role: Mrs Loveit Actor: Mrs Pitt
Role: Jenny Actor: Mrs Poussin
Role: Mrs Mechlin Actor: Mrs Webb

Dance: End of mainpiece Rural Merriment by Jackson and Mrs Ratchford, to conclude with a Caledonian Reel by Eves and Mr and Mrs Ratchford

Event Comment: Benefit for Mrs Martyr. Public Advertiser, 20 Apr.: Tickets to be had of Mrs Martyr at Mr Robley's, Bow-street, Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: As17850330but Victoria-Mrs Bannister .
Cast
Role: 850330but Victoria Actor: Mrs Bannister
Role: Alphonso Actor: Mrs Kennedy
Role: Catalina Actor: Mrs Wilson
Role: Lorenza Actor: Mrs Martyr

Afterpiece Title: The Deserter

Performance Comment: Henry (1st time)-Mrs Martyr; Skirmish-Edwin; Russet-Darley; Simpkin-Cubitt; Margaret-Mrs Davenett; Jenny-Mrs Wilson; Louisa-Mrs Bannister .
Cast
Role: Henry Actor: Mrs Martyr
Role: Margaret Actor: Mrs Davenett
Role: Jenny Actor: Mrs Wilson
Role: Louisa Actor: Mrs Bannister

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

Event Comment: Benefit for Mrs Pope. Public Advertiser, 23 Mar.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Receipts: #267 12s. (178.4.6; 3.13.6; tickets: 85.14.0)

Performances

Mainpiece Title: The School For Wives

Performance Comment: Belville-Lewis; General Savage-Ryder; Conolly-Aickin; Torrington-Quick; Leeson-Farren; Captain Savage-Davies; Leech-Fearon; Ghastly-Wewitzer; Spruce-Bernard; Crow-Thompson; Miss Walsingham-Mrs Mattocks; Lady Rachael Mildew-Mrs Webb; Mrs Tempest-Mrs Bernard; Miss Leeson-Miss Tweedale; Mrs Belville-Mrs Pope.

Afterpiece Title: The Maid of the Oaks

Performance Comment: Hurry-Edwin; Dupely-Bernard; Old Groveby-Fearon; Oldworth-Thompson; Sir Harry Groveby-Davies; The Musical Characters-Cubitt, Miss Stuart, Miss Rowson; Maria (with the original song)-Mrs Mountain; Lady Bab Lardoon (for that night only)-Mrs Pope.
Cast
Role: Maria Actor: Mrs Mountain
Role: Lady Bab Lardoon Actor: Mrs Pope.

Dance: In I afterpiece: Dance-Byrne, Mrs Ratchford, Mrs Goodwin

Entertainment: Monologue. End: Occasional Address-Mrs Pope

Performance Comment: End: Occasional Address-Mrs Pope.
Cast
Role: Occasional Address Actor: Mrs Pope.

Performances

Mainpiece Title: The Dramatist

Cast
Role: Marianne Actor: Mrs Wells
Role: Lady Waitfor't Actor: Mrs Webb

Afterpiece Title: The Farmer

Cast
Role: Molly Maybush Actor: Mrs Martyr
Role: Louisa Actor: Mrs Mountain
Role: Landlady Actor: Mrs Platt
Role: Betty Blackberry Actor: Mrs Mattocks.

Entertainment: Vocal Imitations, as17890515, but Mrs Wrighten (+World, 24 May); End: Imitation [of Mrs Siddons in the "ring" speech, Act II. ii (World, 23 May) from Isabella]-Mrs Wells

Performance Comment: ii (World, 23 May) from Isabella]-Mrs Wells.
Cast
Role: from Isabella] Actor: Mrs Wells.
Role: Vocal Imitations Actor: Mrs Wells
Role: ] Actor: Mrs Wells
Role: ] Actor: Mrs Wells.
Event Comment: Account-Book: Tickets delivered by Atkins, Masters, Roberts, Young, Painter, Curteen, Bourrelier, Longley, Dalby, Mrs Doyle, Jackson, Mrs Clark will be admitted. Receipts: #378 17s. (56.16.6; 5.14.6; tickets: 316.6.0)

Performances

Mainpiece Title: The Mourning Bride

Cast
Role: Leonora Actor: Mrs Platt
Role: Zara Actor: Mrs Pope.

Afterpiece Title: Don Juan

Dance: In Afterpiece: Mrs Ratchford, Mrs Goodwin, Byrne, Jackson

Event Comment: Benefit for Miss Brunton. 1st piece [1st time; T 3, by Mariana Starke, based on La Veuve du Malabar, by Antoine Marin LeMierre. Prologue by William Thomas Fitzgerald. Epilogue by Richard John Hughes Starke (see text)]: With new Scenes and Dresses. And a Procession representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Hqsband. 2nd piece: Not acted these 18 years [acted 4 May 1776. Miss E. Brunton was from the Norwich theatre]. Morning Chronicle, 1 Feb. 1791: This Day is published The Widow of Malabar (1s. 6d.). Public Advertiser, 21 Apr.: Tickets to be had of Miss Brunton, No. 35, Gerrard-street, Soho. [The mainpiece is sometimes stated to have been 1st acted at Mrs Crespigny's private@theatre@in@Camberwell, 1790, but "'The Widow of Malabar' was not first produced at Mrs Crespigny's Theatre. The Tragedy performed there is called 'The British Orphan' (also by Mariana Starke)" (Gazetteer, 24 Jan. 1791).] Receipts: #338 13s. (208.7; 2.8; tickets: 127.18)

Performances

Mainpiece Title: The Widow Of Malabar

Performance Comment: Principal Characters by Holman, Farren, Thompson, Powel, Evatt, Harley, Mrs Rock, Miss Brunton. Cast from text (William Lane, 1791): Young Bramin-Holman; Raymond-Farren; Narrain-Thompson; 2nd Bramin-Powel; Albert-Evatt; Chief Bramin-Harley; Fatima-Mrs Rock; Indamora-Miss Brunton; Prologue-Holman; Epilogue-Mrs Mattocks.
Cast
Role: Fatima Actor: Mrs Rock
Role: Epilogue Actor: Mrs Mattocks.

Afterpiece Title: The Man of Quality

Performance Comment: Lord Foppington-Bernard; Sir Tunbelly Clumsey-Ryder; Young Fashion-Macready; Nurse-Mrs Pitt; Miss Hoyden-Miss E. Brunton (1st appearance in London).
Cast
Role: Nurse Actor: Mrs Pitt

Afterpiece Title: The Two Misers

Cast
Role: Page Actor: Mrs Martyr
Role: Countess Actor: Mrs Bernard
Role: Marcelina Actor: Mrs Webb
Role: Susan Actor: Mrs Pope.
Role: Jenny Actor: Mrs Mountain
Role: Harriet Actor: Mrs Martyr.

Song: In: Bannister, Johnstone, Darley, Duffey, Mrs Mountain, Miss Stuart, Miss Rowson, Mrs Martyr; The Music by Stevens-

Entertainment: Monologue. Preceding 2nd piece: Occasional Address-Miss Brunton

Event Comment: Benefit for Mrs Mountain. Mainpiece: Not acted these 7 years. Gazetteer, 7 May: Tickets to be had of Mrs Mountain, No. 9, Bow-street, Covent-Garden. Receipts: #251 11s. 6d. (95.12.6; 4.1.0; tickets: 151.18.0)

Performances

Mainpiece Title: Lionel And Clarissa; Or, The School For Fathers

Performance Comment: Lionel-Johnstone; Sir John Flowerdale-Hull; Colonel Oldboy-Quick; Harman-Davies; Jenkins-Bannister; Jessamy-Mrs Achmet (1st appearance in that character); Diana (1st time)-Mrs Warrell; Lady Oldboy-Mrs Webb; Jenny (1st time)-Mrs Martyr; Clarissa-Mrs Mountain (1st appearance in that character).
Cast
Role: Jessamy Actor: Mrs Achmet
Role: Diana Actor: Mrs Warrell
Role: Lady Oldboy Actor: Mrs Webb
Role: Jenny Actor: Mrs Martyr
Role: Clarissa Actor: Mrs Mountain

Afterpiece Title: Catherine and Petruchio

Cast
Role: Curtis Actor: Mrs White
Role: Catherine Actor: Mrs Mattocks.

Song: In: Sweet Passion of Love-Mrs Mountain; End I afterpiece: Hark the Lark at Heaven's Gate (with accompaniments by Dr Arnold)-Johnstone, Blanchard, Bannister, Mrs Mountain

Music: Mainpiece: With a new Overture (for that night only)-Pleyel; End I: (for that night only) a duet on the violin and tenor-Mme Gautherot, Mountain; End: a concerto on the violin-Mme Gautherot

Event Comment: Benefit for Mrs Billington. Gazetteer, 11 May: Tickets to be had of Mrs Billington, No. 53, Poland-street. Receipts: #351 9s. 6d. (261.1.6; 1.5.0; tickets: 89.3.0)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17891116, but King-Hull; Ophelia (with the original airs)-Mrs Billington (1st appearance in that character).
Cast
Role: Ophelia Actor: Mrs Billington
Role: Player Queen Actor: Mrs Lefevre
Role: Queen Actor: Mrs Pope

Afterpiece Title: Marian

Cast
Role: Page Actor: Mrs Martyr
Role: Countess Actor: Mrs Bernard
Role: Marcelina Actor: Mrs Webb
Role: Susan Actor: Mrs Pope.

Song: In: Mad Bess (composed by Purcell)-Mrs Billington; accompanied-Knyvett; In afterpiece: Sweet Bird (from L'Allegro il Penseroso, by Handel)-Mrs Billington; accompanied on the violin (for that night only)-Weichsel

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Prospero-Bensley; Alonzo-Packer; Antonio-Phillimore; Ferdinand-Kelly; Gonzalez-Fox; Stephano-Moody; Trincalo-Baddeley; Caliban-Williames; Ariel-Miss Romanzini; Hyppolito-Mrs Williames; Miranda-Mrs Crouch; Dorinda-Miss Farren.
Cast
Role: Hyppolito Actor: Mrs Williames
Role: Miranda Actor: Mrs Crouch

Afterpiece Title: The Island of St

Performance Comment: Marguerite. The Mask-Kelly; Commandant-Barrymore; Turnkey-Suett; Officer-Sedgwick; Thomas-Banks; Lawyer-Waldron; Mob-Hollingsworth, Chapman, Webb, Fairbrother, Lyons; Jonas-Bannister Jun.; Nannette-Miss Romanzini; Abbess-Mrs Edwards; Teresa-Miss Barnes; Nuns-Mrs Shaw, Mrs Davis, Mrs Gawdry, Miss Palmer; Carline-Miss Hagley.

Song: Mainpiece: Vocal Parts-Kelly, Dignum, Sedgwick, Danby, Mrs Edwards, Miss Hagley, Mrs Crouch; III: a Chorus of Furies-; V: the Masque of Neptune and Amphitrite. Neptune-Sedgwick, Amphitrite Mrs Edwards

Performance Comment: Neptune-Sedgwick, Amphitrite Mrs Edwards.
Event Comment: Benefit for Mrs Bland and Mrs Powell. Morning Herald, 17 Apr.: Tickets to be had of Mrs Bland, St. Alban's-street, Pall-mall; of Mrs Powell, No. 12, Little Russell-street, Covent-Garden. Receipts: #369 9s. (125.15.0; 52.0.6; 3.5.0; tickets: 188.8.6) (charge: #164 4s.)

Performances

Mainpiece Title: The Tempest

Performance Comment: As17911227, but Miranda-Miss Collins (1st appearance in that character); Dorinda-Mrs Powell (1st appearance in that character).
Cast
Role: Dorinda Actor: Mrs Powell
Role: Ariel Actor: Mrs Bland
Role: Hyppolito Actor: Mrs Goodall

Afterpiece Title: The Spoil'd Child

Performance Comment: As17911001, but Tag (1st time)-Bland; John-Benson; Maria (1st time)-Mrs Bland; an additional Song (for that night only)-Mrs Jordan.
Cast
Role: Maria Actor: Mrs Bland
Role: an additional Song Actor: Mrs Jordan.
Role: Mrs Malaprop Actor: Mrs Hopkins
Role: Lydia Languish Actor: Mrs Jordan
Role: Lucy Actor: Mrs Edwards.
Role: Little Pickle Actor: Mrs Jordan
Role: Miss Pickle Actor: Mrs Hopkins
Role: Margery Actor: Mrs Booth
Role: Susan Actor: Mrs Edwards.

Song: Vocal Parts, as17911109, but _Sedgwick, Mrs _Crouch; Masque of Neptune and Amphitrite, as17911125

Event Comment: Benefit for Mrs Billington. Mainpiece: Not acted these 3 years [acted 13 May 1790]. Public Advertiser, 28 Apr.: Tickets to be had of Mrs Billington, No. 53, Poland-street, Oxford-road. Receipts: #320 4s. 6d. (205.14.6; 3.10.0; tickets: 111.0.0) (charge: #105)

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Lionel-Johnstone; Colonel Oldboy-Quick; Sir John Flowerdale-Hull; Harman-Davies; Jenkins-Darley; Jessamy-Marshall; Diana-Mrs Mountain; Lady Oldboy-Mrs Webb; Jenny-Mrs Martyr; Clarissa (1st time)-Mrs Billington.
Cast
Role: Diana Actor: Mrs Mountain
Role: Lady Oldboy Actor: Mrs Webb
Role: Jenny Actor: Mrs Martyr
Role: Clarissa Actor: Mrs Billington.

Afterpiece Title: The Deserter

Performance Comment: Henry-Johnstone; Russet-Darley; Simkin-Cubitt; Skirmish-Blanchard (1st appearance in that character); Jenny-Mrs Martyr; Margaret-Mrs Davenett; Louisa (with Auld Robin Gray) (1st time)-Mrs Billington.
Cast
Role: Jenny Actor: Mrs Martyr
Role: Margaret Actor: Mrs Davenett
Role: Actor: Mrs Billington.

Song: In: an additional Obligato Bravura Song (composed by Sacchini,)-Mrs Billington; accompanied on the violin-Weichsel; the favorite Rondo, Se Ti Perdo (composed by Guglielmi)-Mrs Billington (as introduced in The Woodman)

Music: End II: a concerto on the Grand Piano Forte-Mrs Billington

Performances

Mainpiece Title: The Beggar's

Dance: In Act III of mainpiece Hornpipe, as17931116; End of mainpiece Dermot and Kathlane, as17931022

Opera: As17931012, but Mrs Peachum-Mrs Henley. Also THE MIDNIGHT HOUR. As17931102, but Cecily-Mrs Leicester

Performance Comment: Also THE MIDNIGHT HOUR. As17931102, but Cecily-Mrs Leicester .
Cast
Role: Cecily Actor: Mrs Leicester
Event Comment: Benefit for Mrs Martyr. By Special Desire of the Turkish Ambassador [Yussuf Adijah Effendi]. 2nd piece [1st time; M. INT 1, probably by William Pearce. Text (Glindon and Co., 1795)]: The Music composed by Shield, Reeve, &c. The Dance and Procession by Byrn. With a Naval Medley Overture composed by Dr Arnold. In the course of the Piece will be represented the Engagement in which the brave Captain Robert? Faulknor fell [in an action off Guadeloupe on 5 Jan. 1795] between the English Frigate the Blanche and the French Frigate La Pique. To conclude with the Funeral Procession of Capt. Faulknor (composed by Byrn), accompanied by a new Dead March (composed by Shield). Morning Chronicle, 21 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street, Covent-garden. Receipts: #402 10s. (201.0; 5.19; tickets: 195.11)

Performances

Mainpiece Title: The Bank Note

Performance Comment: As17950501, but Miss_ Hopkins; Mrs_ Norton. Prologue, Epilogue as17950501.
Cast
Role: Mrs Bloomfield Actor: Mrs Mattocks
Role: Sally Flounce Actor: Mrs Lee
Role: Lady Supple Actor: Mrs Davenport
Role: Maid Actor: Mrs Norton
Role: Gentlewoman Actor: Mrs Follett

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Performance Comment: Lieut. Steady-Incledon; Pounce-Munden; Lieut. Oakly-Bowden; Capt. Faulknor-Claremont; Capt. O'Cutter-Johnstone; Boatswain-Thompson [added by text]; Mora (a Negro Girl)-Mrs Martyr.
Cast
Role: Mora Actor: Mrs Martyr.

Afterpiece Title: Tom Thumb

Performance Comment: As17941010, but Huncamunca-Mrs Clendining; Doodle-_; Noodle-_. [Young Standen billed as: A child only six years old.]Young Standen billed as: A child only six years old.]
Cast
Role: Huncamunca Actor: Mrs Clendining
Role: Dollalolla Actor: Mrs Martyr.

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)