SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr and Madam Bentley"/1) | (@(roleclean,performerclean) "Mr and Madam Bentley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4246 matches on Event Comments, 1186 matches on Performance Comments, 553 matches on Performance Title, 37 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Ut Pictura Poesis

Afterpiece Title: Half an Hour after Supper

Performance Comment: [Principal Characters by Kemble, Iliff, Johnson, Williamson, Mrs Barresford, Mrs Edwin, Miss Heard, Miss Prideaux, A Young Lady (1st appearance Mrs Taylor]). [Cast from text (J. Debrett, 1789): Mr Sturdy-Kemble; Captain Berry-Iliff; Frank-Johnson; Mr Bentley-Williamson; Miss Tabitha-Mrs Barresford; Mrs Sturdy-Mrs Edwin; Miss Elizabeth-Miss Heard; Nanny-Miss Prideaux; Miss Sukey-Mrs Taylor.
Cast
Role: Mr Bentley Actor: Williamson

Dance: End 2nd piece: The Graces-the Miss Simonets

Performances

Mainpiece Title: A Medley Concert; Or, An Impromptu Of Whim And Novelty

Performance Comment: With a new Introduction-Mrs Trampwell, her Troop, In which Miss Midnight will give some specimens of Oratory a la mode de Theatre; An Address-Mr Cibber; A Concerto Hooley and Fairley, a Scotch Song-Mr Lauder; Blind Man's Buff, a dance-Lilliputians; A Concerto for French Horns-; The Comic Lectures (in two parts) varied-Mr Cibber; end of First Lecture a piece of Music-; End of 2nd, a new pantomime dance call'd The Taylors-Master Settree, Miss Twist; The music and dresses new. When all the Attic Fire was fled, in Eliza-Miss Gaudry; An auction of Choice curiosities of extraordinary value-Mr Cibber (auctioneer); a new Italian Air-Signora Mimicotti; accompanied on the bassoon-Mynheer Von Poop@Poop Broomstickado; The Italian Peasants-Joly, Madam Dulisse; Also a Grand Comic Ballet called the Marine Boys Marching to Portsmouth-; , in which will be introduced a Hornpipe-Mossis, Miss Durham; Mr Handel's Water Music, with a Preamble on the Kettle Drums-Mother Midnight; Also a Comic Epilogue-Miss Midnight (riding on an Ass).

Afterpiece Title: With a Lilliputian Pantomime call'dHarlequin's Frolic; or, A Voyage to Prussia

Performance Comment: Concluding with a Ballet called The Prussians March to Bohemia-; a new Grotesque Dance callled Colin and his Rival Ladies-.
Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 7-9 July 1698, suggests a premiere in June 1698. In addition, the Preface replies to Jeremy Collier, whose Short View had a second edition appear in mid-May, and the presence of some younger actors--Fairbank and Bullock, for example--in the cast suggests a summer performance. The music for the songs was composed by Daniel Purcell. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: The Campaigners; Or, The Pleasant Adventures At Brussels

Performance Comment: Edition of 1698: Prince Landevile-Evans; Don Leon-Sympson; The Sieur Bondevelt-Johnson; Col. Darange-Mills; Kinglove-Thomas; Min Heer Tomas-Penkethman; Marqui Bertran-Cibber; Van Scopen-Fairbank; Mascarillo-Bullock; Angellica-Mrs Knight; Madam la Marquise-Mrs Verbruggen; Anniky-Mrs Powel; Gusset-Mrs Kent; Fardell-Mrs Lynsey; Prologue-Mr Pinkethman in a Cloak, with a Poetical Wreath on; Epilogue-Mr Cibber (Acting the Fr. Marquis).
Event Comment: king's "On 28th March 1795, I saw the Opera Aci & Galathea by Bianchi. The music is very rich in parts for the wind instruments, and I rather think one would hear the principal melody better if it were not so richly scored. The Opera is too long, especially since Banti has to keep everything going all by herself; for Brida is a good youngster with a beautiful voice but very little musical feeling; and Rovedino, and the good old Braghetti, and the wretched Seconda Donna-they all deserved, and received, not the least applause. The orchestra is larger this year, but just as mechanical and badly placed as it was before, and indiscreet in its accompaniments; in short, it was the 3rd time that this Opera was performed, and everyone was dissatisfied. It happened that, when the 2nd Ballet began, the whole public suddenly became dissatisfied and yelled 'off-off-off,' because they wanted to see the new Ballet which Madam Hilligsberg had given at her Benefice 2 days earlier. Everyone was embarrassed-there was an interval lasting half an hour-until at last a dancer came forward and said, very submissively: 'Ladies and Gentlemen: since the performer [sic, instead of proprietor] Mr Taylor cannot be found, the whole Ballet Company promises to perform the desired ballet next week, for which, however, the Impresario must pay Madam Hilligsberg #300.'That satisfied them, and they then yelled, 'go on-go on;' and thus the old Ballet was performed' (Haydn, 293)

Performances

Mainpiece Title: Aci E Galatea

Dance: king's As17950324

Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: Paid 3 day's salary at #100 12s. 6d. per diem #301 17s. 6d. Salaries short-paid last week #168 8s. 6d.; Tabor and Pipe #3 13s. 6d. Louchre [Lauchery] #8 8s. Mr Abington #2; Mr King #3; (Treasurer's Book). [The payment to King was the first of 37 similar ones for extra salary amounting to #111. That to Mrs Abington was the first of weekly payments for her clothes account, amounting to #60 for the season. No further mention will be made of these items.] Receipts: #265 9s. 6d. (Treasurer's Book). [From the Middlesex Journal (7-9 Oct.) quoted by Hampden, Eighteenth Century Journal: "The Way of the World, though confessedly replete with wit and character, is not the most entertaining play in representation. It is so full of plot and intrigue, that it demands an Unusual degree of attention in the performers and audience to excite admiration. On Saturday they seemed averse to assist the author. Mr King in Witwou'd was as entertaining and full of spirits as usual. Mr Jefferson in the gay admired Mirabel (independent of the antique mode of his wig, and formal cut of his clothes, which surely were both uncharacteristic) seemed in attempting to be quite natural, to keep the entire plot of the play in his own bosom, looked more like the father than the Mirabel of Congreve. Mr Reddish was a contrast to his friend Mirabel; he seemed attentive nervous, and played the latter part of his character well....Mrs Abington's person, manner and dress were fashionable and elegant; but though the character was certainly a fine one, there was a want of that spirit best calculated to call her powers into action: her delivery was tediously formal; and had the audience been deprived of their sight they would conclude that Capt. Bobadill had got into petticoats. Her dress was no more decent than Madam Hidou's was on her first appearance last year; stays so low cut before puts modesty to the blush; and will not be countenanced by an English audience, though made after the French fashion....Mrs Greville, to convince the town that she could keep a secret, whispered it to only a few friends in the Pit....her indifference is intolerable, and should be noticed by her employer."

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Deserter

Event Comment: L. C. 5@142, p. 38 (see also Nicoll, Restoration Drama, p. 355): Order to Mr Staggins, Master of his Majesty's Musick, and in his absence to Mr Lock, who officiates for him:--That all His Majesty's musitians doe attend to practise in the theatre at Whitehall at such tymes as Madam Le Roch and Mr Paisible shall appoint for ye practiceing of such musick as is to be in ye French comedy to be acted before His Matie [the 29 May]

Performances

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

Event Comment: Mainpiece [1st time; CO 3, by James Cobb]: Some of the Airs compiled from the best Masters; the rest of the Music, the Overture, Accompaniments, &c. by Linley? Sen. With variety of new Scenery ["A view of Calcuttav, from a painting done on the spot by Hodges, opens the piece" (Public Advertiser, 26 Feb.)], Dresses and Decorations. Public Advertiser, 6 Mar. 1788: This Day is published Love in the East (1s. 6d.). Receipts: #207 8s. 6d. (172.8.0; 33.9.6; 1.11.0)

Performances

Mainpiece Title: Love In The East; Or, Adventures Of Twelve Hours

Performance Comment: Principal Characters by King, Baddeley, Bannister Jun., Aickin, Dignum, Williames, Kelly, Miss Romanzini, Miss Pope, Mrs Wilson, Miss Collett, Mrs Crouch. Cast from text (W. Lowndes, 1788): Mushroom-King; Colonel Baton-Baddeley; Twist-Bannister Jun.; Colonel Bentley-Aickin; Stanmore-Dignum; Capt. Coromandel-Williames; Warnford-Kelly; Rosario-Miss Romanzini; Mrs Muchroom-Miss Pope; Eliza-Mrs Wilson; Lucy-Miss Collett; Ormellina-Mrs Crouch.
Cast
Role: Colonel Bentley Actor: Aickin
Role: Coromandel Actor: Williames

Afterpiece Title: All the World's a Stage

Event Comment: Benefit Penkethman, Note, The Subscribers are desir'd not to bring their Tickets this Day, his Friends having promis'd to make this a Jubilee Day to him, and fill the House at the full Price, Mr Penkethman being at a greater Charge than ordinary. For the Entertainment of Madam la Signiora Fount, Signiora, Espagnola, Native d'Barcellone di cale Quallificatta, who will, in a particular Manner, hounour Mr Penkethman...by appearing in her own Country Habit. The Boxes opened to the Pit at 2s. 6d. At five o'clock, by reason of thelength of the Entertainments, and that the Gentry may return to London before 'tis Dark

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Dance: Whimsical Dance between a Miller, his Wife, and a Town Miss-; Chest Dance, after the Italian Manner, between Scaramouch, Punchanello, Coachman, and Cookmaid-; French Peasant and his Wife-; Ladder Dance-a famous Master; Scaramouch-LeSac; Dance by a Flemming in Wooden Shoes-; Dance by a Switzer-; Night Scene of Scaramouch, Harlequin, Cooper, Wife, and others-

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Cast
Role: Dorothy Actor: Mrs Bland
Role: Grandmother Actor: Mrs Booth.

Performances

Mainpiece Title: King And No King

Performance Comment: Downes (Roscius Anglicanus, p. 5): Arbaces-Hart; Tygranes-Burt; Mardonius-Mohun; Gobrias-Wintersel; Lygones-Cartwright; Bessus-Shotterel; Arane-Mrs Corey; Panthea-Madam Gwin.
Cast
Role: Panthea Actor: Madam Gwin.
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 24-26 June 1697, suggests that it was probably first acted not later than May 1697, and there is no specific indication of a premiere earlier than May. In Songs Compleat, 1719, the music for one song is attributed to Croft

Performances

Mainpiece Title: The Intrigues At Versailles; Or, A Jilt In All Humours

Performance Comment: Edition of 1697: Prologue-; Duke de Sanserre-Betterton; Guillamour-Verbruggen; Count de Brissac-Boen [Bowen]; Count de Fiesque-Hudson; Count de Tonnere-Bowman; Sir Plunder Bosies-Underhill; Countess de Sanserre-Mrs Bracegirdle; Countess de Brissac-Mrs Bowman; Madam de Vandosme-Mrs Barry; Daubroy-Mrs Willis; La Busque-Mrs Lawson; Grossiere-Mrs Leigh; Epilogue-Mrs Barry (as in a fret).
Cast
Role: Madam de Vandosme Actor: Mrs Barry

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Brumpton-Keene; Hardy-Cibber; Campley-Wilks; Trusty-Mills; Lady Brumpton-Mrs Rogers; Lady Harriet-Mrs Oldfield; Lady Sharlot-Mrs Bradshaw; Madam d'Epingle-Mrs Willis; Puzzle-Estcourt; Sable-Johnson; Trim-Penkethman; Bumkin-Leigh; Gravedigger-Cross; Fardingale-Norris; Kate Matchlock-Bullock.
Cast
Role: Madam d'Epingle Actor: Mrs Willis
Event Comment: Benefit Mills. At the Desire of several Ladies of Quality. And at the request of some Persons of Quality, 2 Benches of the Pit will be rail'd into the Boxes at the same Price. [Receipts: possibly #127 2s., according to Baggs.

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Brumpton-Keene; Hardy-Cibber; Campley-Wilks; Trusty-Mills; Lady Brumpton-Mrs Rogers; Lady Harriet-Mrs Oldfield; Lady Sharlot-Mrs Bradshaw; Madam d'Epingle-Mrs Willis; Puzzle-Estcourt; Sable-Johnson; Trim-Penkethman; Fardingale-Norris; Kate Matchlock-Bullock.
Cast
Role: Madam d'Epingle Actor: Mrs Willis

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Brumpton-Keene; Hardy-Cibber; Campley-Wilks; Trusty-Mills; Sable-Johnson; Puzzle-Estcourt; Trim-Pinkethman; Lady Brumpton-Mrs Rogers; Lady Harriet-Mrs Bradshaw; Lady Sharlot-Mrs Porter; Madam D'Epingle-Mrs Bicknell; Mrs Fardingale-Norris; Kate-Bullock.
Cast
Role: Madam D'Epingle Actor: Mrs Bicknell

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Brumpton-Keene; Hardy-Cibber; Campley-Wilks; Trusty-Mills; Sable-Johnson; Puzzle-Estcourt; Trim-Penkethman; Lady Brumpton-Mrs Rogers; Lady Harriet-Mrs Oldfield; Lady Sharlot-Mrs Porter; Madam d'Epingle-Mrs Bicknell; Fardingale-Norris; Kate-Bullock.
Cast
Role: Madam d'Epingle Actor: Mrs Bicknell

Performances

Mainpiece Title: The Lucky Prodigal; Or, Wit At A Pinch

Performance Comment: Edition of 1715 lists: Gerard-Griffin; Charles-Smith; False Marquess-Bullock Jr; Andrew-Knapp; Merlin-Spiller; Jaquinette-H. Bullock; Madam Bertrand-Mrs Kent; Lucinda-Mrs Vincent; Cydne-Mrs Rubridge; Priscilla-Mrs Spiller; Prologue-.
Cast
Role: Andrew Actor: Knapp
Role: Madam Bertrand Actor: Mrs Kent

Afterpiece Title: A Woman's Revenge; or, A Match in Newgate

Performance Comment: Edition of 1715 lists: Thinkwell-Bullock Sr; Freeman-Husband; Bevil-Thurmond; Mixum-Pack; Vizard-C. Bullock; Tim-Spiller; Padwell-Spiller; Harry-Wood; Jack-Rogers; Tom-Ogden; A Fidler-H. Bullock; Celia-Mrs Vincent; Miranda-Mrs Spiller; Corinna-Mrs Thurmond; Mother Griffin-Griffin; Mrs Mixum-Mrs Hunt; Prologue written by Theobald-Keene; Epilogue-Mother Griffin the Bawd.
Cast
Role: Freeman Actor: Husband
Role: Miranda Actor: Mrs Spiller

Dance: Moreau, Shaw, Thurmond Jr, Mrs Schoolding, Mrs Cross; particularly an Italian Night Scene between a +Scaramouch, a Harlequin, and a Punchanello-

Performances

Mainpiece Title: The Tragedy Of Tragedies

Afterpiece Title: The Welch Opera

Performance Comment: Edition of 1731 lists: Squire ap Shinken-Furnival; Master Owen-Davenport; Parson Puzzletext-Reynolds; Robin-Mullart; John-Hallam; William-Jones; Thomas-Dove; Madam ap Shinken-Mrs Jones; Molly-Miss Price; Goody Scratch-Mrs Clark; Sweetissa-Mrs Nokes; Susan-Mrs Mullart; Margery-Mrs Lacy; Betty-Mrs Furnival.
Cast
Role: Madam ap Shinken Actor: Mrs Jones
Event Comment: Afterpiece: With Additions and Alterations, particularly a New Scene, of a Petit Maitre, by Mlle Grognet

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Harlot's Progress; or, The Ridotto Al' Fresco

Performance Comment: Petit Maitre-Mlle Grognet; Kitty-Mrs Clive; Harlequin-Le Brun; Beau Mordecai-Stoppelaer; Debauchee-Mullart; Poudre-Hewson; Mittimus-Topham; Madam Decoy-Mrs Mullart; Constable-Jones; Keeper-Burnet; Porter-Hallam; Jenny-Mrs Davenport; Bess Brindle-Leigh; Pompey-Young Carney; Le Coutillion-Lally; Hungarians-Lally Jr, Mrs Walter; Fingalians-Davenport, Miss Mears; Punch-Olbeldiston; Pierrot-Hewson; Mezzetin-Leigh; Ladies of Pleasure-Mrs Anderson, Miss Atherton, Mrs De Lorme; Marquis de Fresco-Arlequin en Chien; Marquise de Fresco-Mlle Arlequin en Chienne .

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Indiana-Mrs Heron; Tom-Cibber; Phillis-Mrs Clive; Sir John-Mills; Bevil-W. Mills; Myrtle-A. Hallam; Sealand-Milward; Cimberton-Griffin; Humphrey-Shepard; Daniel-Master Arne; Lucinda-Miss Holliday; Mrs Sealand-Mrs Shireburn; Isabella-Mrs Mullart .
Cast
Role: Sealand Actor: Milward
Role: Mrs Sealand Actor: Mrs Shireburn

Afterpiece Title: The Harlot's Progress

Performance Comment: Petit-Maitre-Mlle Grognet; Kitty-Mrs Clive; Harlequin-Le Brun; Beau Mordecai-Stoppelaer; Debauchee-Mullart; Mittimus-Topham; Poudre-Este; Madam Decoy-Mrs Mullart; Constable-Jones; Keeper-Burnet; Porter-Hallam; Jenny-Miss Davenport; Bess Brindle-Leigh; Pompey-Young Carney; Le Coutillion-Lally Sr; Hungarians-Lally Jr and Mrs Walter; Fingalians-Davenport and Mrs D'Lorme; Punch-H. Tench; Pierrot-Holt; Mezzetin-Leigh; Ladies of Pleasure-Mrs Anderson, Mrs Davenport, Miss Brett .

Dance: I: English Maggot by S. Lally and Mrs Walter. III: The Revellers by Essex, Miss Latour, S. Lally, Miss Mann, Holt, Mrs Delorme. IV: Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Man; Swains and Nymphs by Lally, Miss Latour, Holt, Mrs Anderson, Davenport, Mrs Delorme, Topham, Mrs Davenport

Performance Comment: Lally and Mrs Walter. III: The Revellers by Essex, Miss Latour, S. Lally, Miss Mann, Holt, Mrs Delorme. IV: Grand Dance in Momus: Sailor-Nivelon; Lively Lass-Miss Man; Swains and Nymphs by Lally, Miss Latour, Holt, Mrs Anderson, Davenport, Mrs Delorme, Topham, Mrs Davenport . Swains and Nymphs by Lally, Miss Latour, Holt, Mrs Anderson, Davenport, Mrs Delorme, Topham, Mrs Davenport .

Song: In II: The Original Song in the Play, by Mrs Cibber

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: As17340415 but Sir Edward-Lacy; Teresia-Miss Horsington; Trueman-Hale; Cheatly-Aston; Shamwell-Wignell; Hack'em-Hall; Attorney-Harrington; Isabella-Miss Bincks; Lucy-Miss Norsa; Ruth-Mrs Cook; Madam Hack'em-Hallam .
Cast
Role: Madam Hack'em Actor: Hallam

Afterpiece Title: The School Boy

Dance: French Sailor and his Lass by Malter and Mlle Salle

Song: The Black and White Joke by Leveridge and Laguerre

Performances

Mainpiece Title: Abra Mule

Afterpiece Title: The Country House

Performance Comment: Bernard-Mullart; Marquis-Chapman; Janno-Hippisley; Luca-Morgan; Madam Bernard-Mrs Bullock .
Cast
Role: Madam Bernard Actor: Mrs Bullock

Dance: II: Richmond Maggot by Le Sac and Miss Rogers. IV: By Mlle Salle. v: Scots Dance by Glover, Miss Rogers, &c

Performances

Mainpiece Title: George Dandin; Or, The Wanton Wife

Performance Comment: Dandin-Dessessars; De Sotenville-Verneuil; Clitendra-De Shayes; Lubin-Maker; Colin-Cochoy, the Lilliputian; Angelica-Mrs Maker; Claudine-Mrs Cochoy; Madam de Sotenville-Franciscque .
Cast
Role: Dandin Actor: Dessessars
Role: Madam de Sotenville Actor: Franciscque

Afterpiece Title: Le Cocu Imaginaire

Dance:

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Country House

Performance Comment: Bernard-Mullart; Madam Bernard-Mrs Forrester; Marquis-Chapman; Mawkin-Mrs Kilby; Janno-Hippisley.
Cast
Role: Madam Bernard Actor: Mrs Forrester

Dance: II: Two Pierrots-Nivelon, Lalauze; IV: Comic Dance-Nivelon, Lalauze, Mrs Laguerre, Mrs LeBrun; V: Scot's Dance-Glover, Mrs Laguerre, Desse, Mrs Ogden, Tench, Mlle Delorme

Song: III: As I saw Fair Clara-Beard, Salway