SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Wm Smith"/1) | (@(roleclean,performerclean) "Mr Wm Smith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4532 matches on Event Comments, 3041 matches on Performance Comments, 759 matches on Performance Title, 38 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: A Day at Rome

Related Works
Related Work: A Day at Rome Author(s): Charles Smith
Event Comment: Mainpiece [1st time; C 5, by Charlotte Smith. Prologue by the author (Knapp, 202). Author of Epilogue unknown]: With new Scenery, Dresses, &c. Morning Chronicle, 26 July 1799: This Day published What is She? (2s.). Receipts: #161 11s. (158.2.6; 3.8.6). pking's Ines de Castro. As 16 Feb

Performances

Mainpiece Title: What Is She

Related Works
Related Work: What is She? Author(s): Charlotte Smith

Afterpiece Title: The Flitch of Bacon

Dance: As17990418

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexanders Feast With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: Benefit for Smith. Mainpiece: By Particular Desire. Tickets and Places to be had of Smith, at his house, opposite the concert room in Dean Street, Soho, and of Mr Sarjant at the Stage Door of the Theatre. Part of the Pit will be laid into the Boxes, where servants will be allowed to keep places. N.B. No building on the Stage

Performances

Mainpiece Title: Comus

Cast
Role: Comus Actor: Smith

Afterpiece Title: Catherine and Petruchio

Entertainment: fter the Masque will be presented the Humours of the Age-in imitation of Shakespeare's STAGES by Smith

Performances

Mainpiece Title: The Inconstant Or The Way To Win Him

Song: A Dialogue between-Cook, a Gentlewoman, who never appear'd on any Stage before

Dance: Thurmond Jr, Mrs Bullock, Mrs Schoolding, Miss Smith

Performances

Mainpiece Title: Medea

Performance Comment: Creon-Smith; Jason-A Gentleman Farren, first appearance here; Aeson-Palmer; 1st Colchian-J. Aickin; Lycander-Cautherly; Children-Master Blanchard, Master Pulley; Hecate-Hurst; Theano-Mrs Hopkins; Medea-Mrs Yates; A New Epilogue-Mrs Yates.
Cast
Role: Creon Actor: Smith

Afterpiece Title: A Peep behind the Curtain

Cast
Role: Rhodope Actor: Mrs Smith, first time

Song: The Azure God, composed by Giordani, sung-Mrs Smith

Event Comment: Benefit Miss Smith and Miss Lindar. Written by Mr Congreve

Performances

Mainpiece Title: The Way Of The World

Dance: Shaw, Mrs Santlow; A new Dance-Miss Lindar, a Boy that never perform'd on the Stage before; Dutch Skipper-Thurmond Jr, Miss Smith

Performances

Mainpiece Title: The Miser

Dance: I: Scotch Dance by Mr and Mrs Davenport. III: Minuet by Mrs Grognet and Mrs Sanderson. V: Dutch Skipper by Mr and Mrs Davenport. Black Joak by Smith and Miss Mann

Performance Comment: III: Minuet by Mrs Grognet and Mrs Sanderson. V: Dutch Skipper by Mr and Mrs Davenport. Black Joak by Smith and Miss Mann .

Song: II: Italian Song by Miss Young. IV: Italian Song by Mrs Mason

Event Comment: Benefit Christopher Smith, who at his own Expence, hath provided for, and brought up the Children of the late Mr Dahuron. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: Instrumental Music-Clegg, Weideman, Caporale, Miller; The Vocal Parts to consist of several of Mr Handel's Choruses-

Event Comment: The Oratorio is publish'd this evening and will be sold at the theatre. We can assure the Public, that Mrs Cibber is very much recovered from her late indisposition; and will certainly appear tomorrow night in the character of Belvidera in Venice Preserved for the benefit of Mossop. This day publish'd at 4s. Songs in the New English Opera call'd The Fairies. Composed by Mr Smith. Printed for J. Walsh

Performances

Mainpiece Title: Abel

Music: I: Concerto on the Violin-Degiardini; II: An Organ Concerto by Arne-Mr Arne Jun

Performances

Mainpiece Title: The Woman Captain

Dance: A New Dance-Thurmond Jr, Miss Smith

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The Cheats

Dance: Shaw, Thurmond Jr, Miss Smith

Performances

Mainpiece Title: The Twin Rivals

Dance: Moreau, Thurmond Jr, Mrs Bullock, Miss Smith

Performances

Mainpiece Title: The Country Wit Or Sir Mannerly Shallow

Dance: Thurmond Jr, Topham, Mrs Tenoe, Miss Smith

Performances

Mainpiece Title: The Bondman Or Love And Liberty

Song: Ray

Dance: Thurmond Jr, Topham, Miss Smith

Performances

Mainpiece Title: Sir Solomon Single Or The Cautious Coxcomb

Song: As17190703

Dance: Thurmond Jr, Miss Smith, Miss Tenoe, Miss Lindar

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Dance: Thurmond Jr, Topham, Mrs Bullock, Miss Tenoe, Miss Smith, Miss Lindar

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Dance: Shaw, Thurmond Jr, Lally, Mrs Younger, Mrs Tenoe, Miss Smith

Performances

Mainpiece Title: The Country Wife

Dance: Shaw, Denoyer, Mrs Younger, Miss Smith

Performances

Mainpiece Title: Macbeth

Performance Comment: As17731106, but Dance of the Furies-_; Macbeth-Smith; Vocal Parts-Reinhold, +Owenson.
Cast
Role: Macbeth Actor: Smith

Afterpiece Title: Cross Purposes

Dance: End: The Old Ground Young, as17731208; After which: New Poetical Interlude, Henry and Emma: Parts-Smith, Hull, Miss Brown, Mrs Hartley; To conclude with: a New Air and Chorus by Dr Arne-

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Song: O What a Charming Thing's a Battle-Bannister; With Hounds and With Horns-Mrs Thompson; Favourite Cantata sung at Ranelagh-Mrs Smith; Nymphs and Shepherds (Arne), Soldier Tir'd of War's Alarm (from Artaxerxes)-Miss Catley

Music: Solos and Concertos on varieties of instruments-

Event Comment: Benefit Cuthbert and Smith. For the Entertainment of several Foreign Ministers. Tickets 5s. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Performers; Particularly several select Entertainments out of the following English Operas: The Fairy Queen, King Arthur, The Indian Queen, Dioclesian, with the Masque in Timon of Athens; all by that great Master the late Mr Henry Purcell-

Event Comment: Benefit Smith and Cuthbert. At 6 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music, in the Opera of Dioclesian, with several Additions composed by the Immortal Henry Purcel, which, for the Beauty of Expression, Excellency of Harmony, and Grandeur of Contrivance, gives a first Place to no Musical Opera in Europe-; Several Entertainments on the Irish Harp-the famous Mr Morphy

Event Comment: Benefit Leneker and Mrs Smith. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hands; A new Concerto by Mr Hendel-Mathew Dubourg; Piece for Harpsicord-Cook; Concerto, Solo-Kytch; Solo Bass@Viol, German@Flute-Pietro

Event Comment: Benefit Betty Smith and Mrs Orfeur. All the Characters new dress'd. Boxes 5s. Pit 3s. Gallery 2s. At 6 p.m

Performances

Mainpiece Title: Bonduca Or The British General

Dance: Dancing Proper to the Play-; particularly, Dancing-Girl of Six years of Age, for her Diversion, Scholar to Mr Roussau; being the first Time she ever appeared on the Stage