The London Stage Database team will be retiring the Legacy Search on May 1, 2025. Please take a moment before that date to reproduce any pre-2021 searches and export any resulting datasets you may wish to preserve for future use. We are making this change in order to free up computational resources for new features and data, currently in development with support from the National Endowment for the Humanities. Watch this space for more updates and, coming soon, new ways to keep up with the latest project developments!
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Wise"/1) | (@(roleclean,performerclean) "Mr Wise")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4232 matches on Event Comments, 1145 matches on Performance Comments, 556 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Miser

Performance Comment: Miser-King; Clermont-Cautherly; Frederick-Brereton; Decoy-Wright; Ramilie-Palmer; List-Jacobs; Upholsterer-Wheeler; Sattin-Griffith; Lawyer-Wrighten; Servant-Watkins; James-W. Palmer; Sparkle-Ackman; Mariana-Mrs Egerton; Harriet-Miss Rogers; Wheedle-Mrs Love; Mrs Wisely-Mrs Cross; Lappet-Miss Pope.
Cast
Role: Mrs Wisely Actor: Mrs Cross

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Witches

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

Performances

Mainpiece Title: L'allegro Ed Il Penseroso, With Handel's te Deum

Music: Concerto on French Horn-Ponta (Musician to his Serene Highness the Elector of Mentz); Solo on Violincello-Janson, his 2nd performance in England

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Lottery

Performances

Mainpiece Title: Timoleon; Or, Liberty Restored

Afterpiece Title: The Author

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Dance: II: A Comic Dance-Daigville, Sga Vidini

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Witches; or, A Trip to Naples

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin's Invasion

Dance: I: A Comic Dance, as17720922

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Pigmy Revels; or, Harlequin Foundling

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Lyar

Event Comment: Eleventh and Last time of performing Mainpiece this season. Afterpiece: By Particular Desire. Othello and The Irish Widow, to have been performed this evening for Mr Barry's Benefit, oblig'd to be deferr'd till further notice (playbill). Mr Barry being Ill his Benefit which was to have been this Night is oblig'd to be deferr'd (Hopkins Diary). [So, according to Hopkins, the profits went to the house.] Receipts: #171 19s. 6d. To the Public Advertiser: Sir, I spent an agreeable evening lately with a Country Friend at the Primitive Puppet Show, and was not displeased at the ridicule pointed at the dull, spiritless stuff, which composes modern Sentimental Comedy. I was entertained too with the manner in which some of the Actors were taken off; But I cannot think mimicry worthy to furnish an Evening Entertainment for a Polite British Audience, or suited to the happy ridicule and pointed wit of Aristophanes. The old Roman comedy, as it was called, was designed for nobler purposes: it was directed to improve the head and mend the heart. The keen manly satire of that Comedy was pointed at Upstart, Braggart, Vice, and to expose the dangerous unfeeling craft of innocent Villainy, or to use the words of Mr Pope--Brand the bold front of shameless, guilty man. Such was, and such ought to be, the salutary Direction of Wit, and Satire by exhibiting characters in their genuine colours, when the mask, which disguises and conceals them from the eyes of the Weak the Credulous, and the Ignorant, is drawn off. The words of Horace are--Detrabere et pellam, mitidus qua quisque per ora Cederet, introrsum turpis. Yours, Dramaticus. Poetry for the Public Advertiser. Epigram on the New Tragedy Alonzo. @No wonder that each female voice@Resounds Alonzo's praise;@A sure foundation of Applause,@The crafty Author lays.@ @Against the Virtue of his Wife@A Husband, if he's wise@According to the Gallant HOME,@Should not believe his eyes.

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Wedding Ring

Performances

Mainpiece Title: Merope

Afterpiece Title: The Intriguing Chambermaid

Dance: V: A New Dance-Tassoni's Scholar; End Farce: (By Particular Desire) a Hornpipe-Tassoni's Scholar

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Elopement

Dance: III: The Medley-Giorgi's Scholars

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Deserter

Performances

Mainpiece Title: The Duellist

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Merope

Afterpiece Title: The Genii