SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr William Bullock"/1) | (@(roleclean,performerclean) "Mr William Bullock")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11041 matches on Author, 4659 matches on Event Comments, 4192 matches on Performance Comments, 1238 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Jane Shore

Performance Comment: Sir Anthony Noodle-Miller; His Man Weezel-Penkethman; King-Williams; Shore-Wilks Jr; Captain Ayres-Oates; Blunderbuss-Shepherd.
Cast
Role: King Actor: Williams

Song:

Dance:

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Register Office

Performance Comment: Actors only: Irishman-Moody; Frenchman-Blakes; Scotchman-Foote; Capt Le Brush-King; Gulwell-Packer; Harwood-Austin; Frankly-Baddeley; Williams-Ackman; Lord Brilliant-Castle; Trickit-Fox; Maria-Miss Reed; Prologue-. Lady Wrinkle and Mrs Snarewell-not permitted to be played ($Genest, IV, 612).
Cast
Role: Williams Actor: Ackman

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Holland, first time; Widow Belmour-Miss Pope (with a song in character); Sir Brilliant Fashion-Palmer; William-King; Sir Bashful Constant-Yates; Lady Constant-Mrs Davies; Mrs Lovemore-Mrs Yates; Muslin-Mrs Clive; Mignionet-Mrs Bradshaw; Furnish-Mrs Hippisley.
Cast
Role: William Actor: King

Afterpiece Title: The Rites of Hecate

Performances

Mainpiece Title: A Variety Show

Performance Comment: Singing-; slack rope-. Sg Placido's Company will exhibit. Singing by Keen, Mrs Lampe, vaulting on slack rope by Sg Spinacuta. Dancing by Miss Ferci, and Miss Casaia. Tumbling by Sg Placido, Mr Williams, Sturpesi and Pedro. Dancing on the tight rope by Miss Ferci, Mas Placido, Spinacuta, Sga Placido, Sg Ferci, and Placido. Ferci will jump backwards and forwards over a cane, and put on and take off his hat. With several feats of activity never seen in England before. And Variety of Exhibitions. The most surprising and diverting performance on the tight rope by the Monkey. He walks and dances on the tight rope with a pole; he walks, and balances various equilibres on the wire, with and without the pole; he vaults and turns the Catharine wheel on the slack rope with admiration. This animal is the most astonishing of the kind ever beheld, and has given general satisfaction wherever has he exhibited. The whole to conclude with a hornpipe by Miss Casaia. he walks, and balances various equilibres on the wire, with and without the pole; he vaults and turns the Catharine wheel on the slack rope with admiration. This animal is the most astonishing of the kind ever beheld, and has given general satisfaction wherever has he exhibited. The whole to conclude with a hornpipe by Miss Casaia.

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Register Office

Performance Comment: Capt. LeBrush-King; Irishman (with original song)-Moody; Frenchman-Baddeley; Scotchman-Love; Gulwell-Packer; Harwood-J. Aickin; Frankly-Palmer; Williams-Ackman; Margery Moorpout-Mrs Love.
Cast
Role: Williams Actor: Ackman

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Register Office

Performance Comment: Irishman-Moody; Le Brush-Palmer; Gulwell-Packer; Scotchman-Love; Frenchman-Baddeley; Margery Moorput-Mrs Love; New Character [Mrs Doggerel]-Miss Pope; Frankly-Davies; Harwood-J. Aickin; Williams-Ackman; Lord Brilliant-Fawcett.
Cast
Role: Williams Actor: Ackman

Dance: V: The Sailors Revels, as17711008

Performances

Mainpiece Title: The School For Rakes

Performance Comment: Capt. Lloyd-King; Frampton-Reddish; Sir William Evans-Hurst; Lord Eustace-Cautherly; Col. Evans-Palmer; Willis-Dodd; Robert-Baddeley; Harriet-Mrs Morland; Mrs Winifred-Mrs Hopkins.
Cast
Role: Sir William Evans Actor: Hurst

Afterpiece Title: The Institution of the Garter; or, Arthur's Round Table Restored

Performances

Mainpiece Title: King Henry V

Performance Comment: King Henry-Smith; Canterbury-Gardner; Exeter-Hull; Fluellin-Shuter; Pistol-Dyer; Jamy-Dunstall; Dauphin-Lewes; Gower-DuBellamy; Williams-Morris; King of France-Kniveton; Constable-Clarke; Catherine-Mrs Mattocks.
Cast
Role: Williams Actor: Morris

Afterpiece Title: Harlequin Sorcerer

Performances

Mainpiece Title: All In The Wrong

Performance Comment: Sir John Restless-King; Beverly-Cautherly; Sir William Belmont-Wright; Blandford-Bransby; Belmont-Packer; Robert-Waldron; Brush-Burton; Lady Restless-Mrs Hopkins; Clarissa-Miss Ambrose; Tippet-Mrs Millidge; Tattle-Mrs Bradshaw; Belinda-Mrs Abington.
Cast
Role: Sir William Belmont Actor: Wright

Afterpiece Title: The Wedding Ring

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy

Performance Comment: Parts by Vernon, Wrighten, Parsons, Bannister, Kear, Legg, Fawcett, Cubitt, etc., Mrs Wrighten, Mrs Scott, Mrs Davies, Miss Platt, Miss Robbins, Miss Hopkins, Miss Jarratt, etc., and a Young Lady. Farmer Furrow-Parsons; William-Vernon; Clod-Bannister; Dozey-Weston; Cryer-Wrighten; Dolly-Mrs Wrighten; Little Gipsy-Young Lady, first appearance on any stage (Miss Abrams); Country lads-Kear, Fawcett, Legg, Cubitt; Country lasses-Mrs Scott, Mrs Davies, Miss Platt, Miss Robins, Miss Jarratt (Genest, V, 480).
Cast
Role: William Actor: Vernon

Performances

Mainpiece Title: At Hay The Jealous Wife

Performance Comment: As17930312but Mr Oakly-Bensley; William-Phillimore; Toilette-Miss Tidswell; Robert-_.
Cast
Role: William Actor: Phillimore

Afterpiece Title: The Mariners

Event Comment: At the Penkethman-Bullock-Simpson Booth, over against the Hospital Gate. Mainpiece: A Comedy being all new Writ

Performances

Mainpiece Title: Jeptha's Rash Vow; Or, The Virgin Sacrifice; With The Comical Humours Of Nurse And Her Two Sons, Toby And Ezekiel; Together With The Pleasant Manner Of Didimo, Toby's Son

Performance Comment: Toby-Penkethman; Ezekiel-Bullock.
Cast
Role: Ezekiel Actor: Bullock.

Entertainment: Singing and dancing-

Event Comment: Benefit Will. Bullock, the young Jubilee Beau, and [Norris], his Man Dicky

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Performance Comment: Benefit notices imply: Clincher Jr-Bullock; Dicky-Norris.
Cast
Role: Clincher Jr Actor: Bullock

Song:

Dance:

Event Comment: Benefit Bullock

Performances

Mainpiece Title: King Henry The 4th: With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Bullock; Hotspur-Booth; King-Keene; Prince-Wilks; Douglas-Mills; 1st Carrier-Johnson; 2d-Leigh.
Cast
Role: Falstaff Actor: Bullock
Event Comment: Benefit Mrs Bullock. At The Desire of several Ladies of Quality

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: See17181103, but Queen-Mrs Bullock; And the last new Epilogue in the Character of Harlequin-.
Cast
Role: Queen Actor: Mrs Bullock

Dance: As17190113

Event Comment: At Bullock's Great Theatrical Booth. The Cloaths are enitrely New, as well as the Scenes, which are painted by an Excellent Artist

Performances

Mainpiece Title: The Perjur'd Prince; Or, The Martyr'd General: With The Comical Humours Of Squire Calveshead, His Mother, His Sister Hoyden, And His Man Aminadab

Performance Comment: Squire-Bullock; Hoyden-Mrs Willis.
Cast
Role: Squire Actor: Bullock

Dance: FFingalian-Smith, Mrs Ogden

Event Comment: At Cibber-Griffin-Bullock-Hallam Booth by Hosier-Lane. Whereas it has been reported that [the Proprietors] intend to raise the Prices of their Seats...they intend to take only the Common Prices usually paid in the Fair, viz. Boxes Half a Crown. Pit Eighteen pence. First Gallery One Shilling. Upper Gallery Six pence

Performances

Mainpiece Title: Tamerlane The Great; With The Fall Of Bajazet, Emperor Of The Turks

Afterpiece Title: The Miser

Performance Comment: Lovegold-Griffin; Lappet-Mrs Roberts; Cabbage-Bullock; Clerimont-Stoppelaer; Frederick-Leigh; Ramilie-Jones; James-Smith; Lawyer Puff@and@Clark-Rainton; Harriet-Miss Atherton; Mariana-Miss Careless; Widow Widely-Mrs Talbot.
Cast
Role: Cabbage Actor: Bullock

Afterpiece Title: The Ridotto Al' Fresco

Performance Comment: Masqueraders-Smith, Stoppelaer, Leigh, Tench, Grey, Young Master Paulet, Mrs Bullock, Miss Mann, Miss Atherton, Miss Careless, Miss Jones, Miss Brett, Jones, Mrs Morse; Marquis de Fresco-Arlequin en Chien; Marchioness de Fresco-Mlle Arlequinne en Chienne; Epilogue-Miss Cole, age 4.
Event Comment: At Cibber-Griffin-Bullock-Hallam Booth. [The Fair to run to Friday, 7 Sept.] Second piece: At the particular Desire of several Persons of Quality and Distinction, and eminent Merchants and Citizens. Taken from the Works of the Immortal Shakespear

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Comical Humours of Sir John Falstaff, Justice Shallow, Ancient Pistol, and Others

Performance Comment: Antient Pistol-Cibber; Falstaff-Berry; Hostess-Mrs Roberts; Shallow-Griffin; Silence-Stoppelaer; Dol Common-Miss Atherton; King Henry-Cross; Lancaster-Leigh; Justice-W. Hallam; Bardolph-Jones; Feeble-Bullock; Mouldy-Wm. Hallam; Simon Shadow-Leigh; Ragged Wart-Smith; Mrs Cribcole-Mrs Talbot; Mrs Overdone-Mrs Dansey; Mrs Trumpery-Miss Mann; Miss Witless-Miss Careless.
Cast
Role: Feeble Actor: Bullock

Dance: End I Second Piece: Black Joke-Smith, Miss Brett; II: Comic Dance-Mrs Booth

Event Comment: At Hippisley-Bullock-Hallam Booth. Afterpiece: a new Ballad Opera. [Advertised 23, 24, 26, 27, 28, 29, 30, 31 Aug.; 2, 3, 4, 5, 6 Sept.]

Performances

Mainpiece Title: Fair Rosamond

Afterpiece Title: The Impostor; or, The Biter Bit: With the Comical Humours of Vizard the Biter, Mixum the Vintner, and his Drawer Balderdash

Performance Comment: Vizard-Hippisley; Mixum-Hulett; Balderdash-Bullock; Trueman-Berry; Face-Este; Hardhead-Clarke; Catgut-Smith; Squeez'em-Rainton; Solomon Smack-Master Hallam; Mrs Mixum-Mrs Herle; Betty-Miss Gerrard .
Cast
Role: Balderdash Actor: Bullock

Dance: I: Two Punches by Tench and Janno. II: The Constant Lovers. End of Droll: Le Badinage Cbampetre. Tumbling by Mynheer Vanderhoff, Mons de Voltore, Mons de Broc, Mons Janno

Event Comment: At Bullock's Booth, the largest in the Fair

Performances

Mainpiece Title: The Escapes Of Harlequin By Sea And Land; Or, Colombine Made Happy At Last

Performance Comment: Harlequin-Waters; Colombine-Mrs Waters; Judge Ballance-Bullock.
Cast
Role: Judge Ballance Actor: Bullock.
Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy of the separately printed Prologue and Epilogue bears the date 12 Nov. 1683 (item 87, Sotheby's sale, 12 June 1939), and the premiere probably occurred shortly before that date. A revised version of the Epilogue, correcting errors, appeared almost immediately after the one first published; it bears Luttrell's date of 14 Nov. 1683. The Epilogue, in the revised version, bears the note: Written by Mr Dryden. The Prologue and both versions of the Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 183-87. In addition, a song, Awake O Constantine awake, with music by Thomas Farmer, is in The Theater of Music, 1865; it also appeared in A Collection of the Newest and Choicest Songs, 1864 (which bears Luttrell's date, 10 March 1683@4, Bindley Collection, William Andrews Clark@Jr@Library)

Performances

Mainpiece Title: Constantine The Great

Event Comment: London Gazette, 25-29 Nov. 1686: Whereas Mr Thomas Otway some time before his death made Four Acts of a Play, whoever can give Notice in whose Hands the Copy lies, either to Mr Thomas Betterton, or Mr William Smith, at the Theatre Royal, shall be well Rewarded for his pains

Performances

Event Comment: Betterton's Company. The date of the first production is not known, but the Songs were advertised in the Flying Post, 6-8 Dec. 1698, and the play in the London Gazette, 19-22 Dec. 1698; hence, the premiere was certainly not later than early December and was probably not later than November. In fact, on 5 Dec. 1698 Dr. William Aglionby wrote Matthew Prior, referring to Dennis, "a poor poet who has made us a fine entertainment of Rinaldo and Armida" (quoted in The Works of John Dennis, II, 489). In a dialogue written by John Oldmixon (Reflections on the Stage [London, 1699], p. 101) Savage, referring to Rinaldo and Armida, states: I have seen it 3 or 4 times already, but the Musick is so fine, and the Play pleases me so well, that I shall not think it a burthen [to see it again] (in The Works of John Dennis, I, 479). The Musical Entertainments in the Tragedy of Rinaldo and Armida (1699) is reprinted, with an introduction by Herbert Davis, in Theatre Miscellany (Luttrell Society Reprints, No 14, Oxford, 1953), pp. 103-15. One song, Ah queen, ah wretched queen, give o'er, sung by Gouge, is in Mercurius Musicus, 1699; and another, Jolly breeze that comes whistling, sung by Gouge, is in Twelve New Songs, 1699. A Comparison between the Two Stages (1702), p. 22: Critick: At last, (as you say) the old Stagers moulded a piece of Pastry work of their own, and made a kind of Lenten Feast with their Rinaldo and Armida; this surpriz'd not only Drury-lane, but indeed all the Town, no body ever dreaming of an Opera there; 'tis true they had heard of Homer's Illiads in a Nut-shel, and Jack in a Box, and what not?...Sullen: Well, with this Vagary they tug'd a while, and The Jolly-Jolly breeze-came whistling thro'-all the Town, and not a Fop but ran to see the Celebrated Virgin in a Machine; there she shin'd in a full Zodiack, the brightest Constellation there; 'twas a pleasant Reflection all this time to see her scituated among the Bulls, Capricorns, Sagittaries, and yet the Virgo still remain itacta....Critick: But this merry Time lasted not always; every thing has an end, and at length down goes Rinaldo's inchanted Mountain; it sunk as a Mole-hill seen on't: What a severity was this? that the Labour of such a gigantick Poet, nay Critick, shou'd give up the Ghost so soon: The renown'd Author thought himself immortal in that Work, and that the World was to last no longer than his Rinaldo; and tho' he stole every thing from the Italian, yet he said, what the Italian did was but Grub-street to his. See also 5 Jan. 1698@9 for a letter written by Mrs Barry, in part concerning Rinaldo and Armida

Performances

Mainpiece Title: Rinaldo And Armida

Event Comment: Benefit for Matthews and James. Rec'd Cash #44 9s., plus #116 12s. from tickets. Total #161 1s. Paid Mr Barsanti for music by order of Garrick #1 11s. 6d. Paid Mr Williams 1!2 year's rent K: passage #11 15s. (Treasurer's Book). Mr Mills bury'd at St Marks [Cross). Receipts: #160 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: A Duke and no Duke

Dance: I: Fingalian Dance-McNeil; II: Black Joke-the Little Swiss, Miss Foulcade; III: Grand Scotch Dance, as17491031; IV: Hornpipe-Mathews; End of Play: Minuet-Mathews, Mad DeLaContri