SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Whitehead"/1) | (@(roleclean,performerclean) "Mr Whitehead")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4229 matches on Event Comments, 1138 matches on Performance Comments, 529 matches on Performance Title, 187 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: La Guinquette

Dance: A new Italian Night Scene-Sorin, Baxter; La Caprice, as17160411

Performances

Mainpiece Title: The Northern Lass

Afterpiece Title: La Guinquette

Dance: As17160420

Performances

Mainpiece Title: The Funeral

Afterpiece Title: La Guinquette

Afterpiece Title: Dido and Aeneas

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: TThe Faggot Binders, as17640301 Dance, as17640301

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: New Dance call'd The Sheep Shearers-Grimaldi, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: The Sheep Shearers, as17640308 The Faggot Binders, as17640308 Dance, as17640308

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 but _Grimaldi, Lauchery; II: The +Shepherdesses, as17640113; End Opera: A Dance, as17640301 but _Grimaldi, Tassoni

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Title Unknown

Performances

Mainpiece Title: Calisto Or The Chaste Nimph

Afterpiece Title: Calistos Additional performers

Performances

Mainpiece Title: The Fathers Or The Good Naturd Man

Related Works
Related Work: The Roman Father Author(s): William Whitehead

Afterpiece Title: The Irish Widow

Dance: As17780919

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Waterman

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Performances

Mainpiece Title: Achilles Or Iphigenia In Aulis

Performances

Mainpiece Title: The Marriage hater Matched

Performances

Mainpiece Title: The Citizen Turned Gentleman

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: The Deceiver Deceived

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: Imposture Defeated Or A Trick To Cheat The Devil

Performances

Mainpiece Title: Courtship A La Mode

Performances

Mainpiece Title: Tunbridge Walks

Music: A piece of Instrumental Musick- to be perform'd on the Stage

Song: Mr Laroon, Mrs Hughs; particularly a Two/part Song-Mr Laroon, Mrs Hughs compos'd by the late Mr Henry Purcell

Song: Country Farmer's Daughter, Highland Lilt-the Devonshire Girl; The Whip of Dunbyn-Claxton; a new Entry-Mrs Campion, others; A Scotch Dance-Mrs Bicknell; a new Scaramouch Man and Scaramouch Woman-Laferry, Mrs Lucas

Performances

Mainpiece Title: The Rover

Entertainment: Young Gentlewoman, as17100817; Likewise a Vaulting the Managed Horse-famous Master who never appear'd on the Publick Stage

Dance: Ladder Dance-; French Peasant-; Wooden Shoe-; Harlequin Scaramouch Cooper and Wife-