SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Vernon much Applause Hopkins Diary "/1) | (@(roleclean,performerclean) "Mr Vernon much Applause Hopkins Diary ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5377 matches on Event Comments, 2595 matches on Performance Comments, 628 matches on Performance Title, 35 matches on Author, and 0 matches on Roles/Actors.
Event Comment: MMiss Cheney Rose for the 1st time (Hopkins). Mainpiece: Not Acted these 4 Years. [See 21 May 1760.] Receipts: #217 7s. (MacMillan)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Rites of Hecate

Dance: III: A New Comic Dance call'd, the The Shepherdesses, or, La Faux a Veugle-Mas. Clinton, Miss Street, Miss Ford. scholars to Gerhardi

Event Comment: The Mad Scene in the Pantomime much hiss'd (Hopkins). Receipts: #163 18s. (MacMillan)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Interlude Hymen End Act II

Afterpiece Title: The Rites of Hecate

Event Comment: The Mad Scene left out (Hopkins) [of Rites of Hecate, see 6 Feb. 1764]. Receipts: #201 5s. (MacMillan)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Interlude Hymen End Act II

Afterpiece Title: The Rites of Hecate

Event Comment: HHymen given (Hopkins) [not on bills]. Receipts: #108 17s. (MacMillan)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Rites of Hecate

Afterpiece Title: Hymen

Event Comment: HHymen (Hopkins) [not in the bills]. Receipts: #150 8s. (MacMillan)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Rites of Hecate

Afterpiece Title: Hymen

Event Comment: Benefit for the Managers (Hopkins). Receipts: #232 12s. 6d. (MacMillan)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: The Devil to Pay

Event Comment: Managers (Hopkins). Receipts. #148 1s. 6d. (MacMillan)

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: Falstaffs Wedding

Performance Comment: Parts-Love, King, Dodd, Burton, Baddeley, Parsons, Aickin, Ackman, Moody, Strange, Watkins, Marr, Mas. Burton, Mrs Dorman, Mrs Bennet, Mrs Bradshaw, Mrs Pritchard; Prologue-; Epilogue-. Falstaff-Love; Shallow-Parsons; Pistol-King; Slender-Dodd; Bardolph-Moody; Dr Caius-Baddeley; Pleadwell-Aikin; Friar-Burton; Nym-Ackman; Dame Ursula-Mrs Pritchard; Mrs Quickly-Mrs Bradshaw; Dol Tearsheet-Mrs Dorman; Bridget-Mrs Bennet (Genest, V, 95); Peto-Marr; Strange, Watkins, Master Burton (Winston MS 9); By printed 1766 text these last played Officer-Strange; Gadshill-Watkins; Francis-Master Burton repectively. MacMillan suggests Dame Ursula-$Mrs Hopkins; Prologue-Dodd; Epilogue-Packer.

Afterpiece Title: A Fairy Tale

Dance: II: A Dance called Hearts of Oak-Aldridge, Miss Baker

Event Comment: This evening Covent Garden played against us Unexpected, on which account both houses performed every night (Hopkins MS Notes)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Queen Mab

Event Comment: MMr Jefferson played Buckingham for the first Time, as a tryal, and is engaged for the next season. --Pretty well (Hopkins MS Notes)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Fortunatus

Event Comment: IImogen, for 1st time, Mrs Baddeley, pretty well, --but an indifferent figure in Breeches.--Mrs Johnston hissed in the Queen (Hopkins MS Notes)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Harlequins Invasion

Event Comment: Waited on Mrs Barry to know if it would be agreeable to her to play Lady Townly [Provok'd Husband] with Mrs Reddish. She said she had no cloaths fit for it. I ask'd if she has any objection to Mrs Abington's playing the part. She answered no (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Jubilee

Event Comment: Rec'd this night a Message from Barry that he was not able to play tomorrow in the Siege of Damascus, which was under today's Bills (Hopkins MS Memorandum Book)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Jubilee

Event Comment: Benefit for Palmer. Miss Ross years later married M LeTexier (Hopkins MS Notes; MacMillan)

Performances

Mainpiece Title: The Royal Slave

Afterpiece Title: The Minor

Dance: II: By Particular Desire, for the first time, a Minuet, Allemande-Sieur Daigville, Miss Ross (his apprentice of 4 months); IV: The English Gardeners, as17691206

Entertainment: End: Bucks Have At Ye All-Palmer

Event Comment: Mainpiece: Never acted there. [The Gentleman identified as Savigny in Hopkins MS Notes.

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: The Author

Dance: End: Comic Dance, as17701017

Event Comment: [The young lady who played Lady Townly identified by Hopkins MS Notes.

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Midas

Event Comment: For the Benefit of the British Lying In-Hospital for Married Women in Brownlow Street, Long Acre (Hopkins). Paid Salary list #501 13s. 6d.; Mrs Abington cloaths acct #2; Mrs S. French, 6 days #1 10s.; Mrs Weston 29 nights at 2s. 6d. per night #3 12s. 6d. Rec'd stopages #10 10s. (Treasurer's Book). Receipts: #180 10s. 6d. Charges #84. Profit to hospital #96 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Register Office

Event Comment: N.B. The eleventh night of The Fashionable Lover is deferr'd till tomorrow, on account of Mrs Hopkins' Illness. Receipts: #212 9s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

Event Comment: Mainpiece: Not acted these years. [See 17 March 1772. Gentlewoman identified by Hopkins Manuscript Notes and by Winston MS 10. The Westminster Magazine for March (p. 111) gives out that "she was very lately a boarder with the celebrated Charlotte Hayes; a circumstance which will inform our readers that her figure is pleasing and also that she is young and hadsome. It is but justice, however, to add that she possesses the internal as well as external requisites of a good actress; for she discovers great feeling and sensibility; and indeed promises to be an ornament to the theatre."] Receipts: #192 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Midas

Event Comment: Benefit for Mrs Barry, who humbly requests those ladies and gentlemen who have taken places in the Pit, will be pleased to come early to prevent confusion in getting to their seats. Tickets deliver'd for Thursday March 24, will be taken. Mainpiece: Not acted these 16 years. [See 8 Dec. 1757.] [Hopkins MS Notes identifies Ismena as Mrs I. Barry.] Pit and boxes laid together. Paid Properties #1 15s. 2d. Housekeeper's bill #6 10s. 6d.; 1 yrs Watch for St Martin's to 14 Feb. last #10 16s. 9d. Receipts: #273 13s. Charges: #65 2s. Profits to Mrs Barry: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: Phaedra And Hippolitus

Afterpiece Title: The Ladies Frolick

Dance: V: The Irish Fair, as17730918

Event Comment: [Lady who played Mrs Oakly identified as Mrs Hunter by Hopkins MS Notes.

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

Dance: II: The Provencale, as17740928

Event Comment: Mainpiece: A Comedy [in 5 Acts by Sir William Davenant, slightly altered for the stage by Henry Woodward] never acted there. [The lady identified by Hopkins MS Notes and named in the Edition of 1775. The Westminster Magazine for Nov. suggests Shuter instead of Quick for Sancho. The review thought it an indifferent Comedy which "yet could be made a most excellent farce....The dialogue has all the rust of antiquity about it, and the modernizing scenes are left to the discretion of the performers. However, in representation, this piece cannot fail of entertaining....Miss Leeson, who appeared in the character of Isabella, has an agreeable plaasing figure, a good face and a marking eye; her voice is weak, but after she got rid of her fright was sufficiently articulate; there was an ease and nature in her deportment and dialogue that entitles her to encouragement."

Performances

Mainpiece Title: The Mans The Master

Afterpiece Title: The Two Misers

Dance: End: The Pilgrim, as17750927

Event Comment: Afterpiece: Not acted these 6 years. [See 11 May 1772.] [Young gentleman identified by Hopkins MS Notes. Genest, V, 517, also calls attention to the fact that the text lists Douglas as Norval and Old Norval as Stranger (1757) or Prisoner (1768). Webster first named as Douglas on bill for 27 Feb. 1776. Review of Webster's acting appeared in the Westminster Magazine for Jan.: "His person is rather elegant; his voice is full and harmonious, his pronunciation distinct and correct, and his delivery graceful and unembarassed. Those are his excellencies, and considering it was his first performance, he seems to possess them in a degree far superior to the various candidates for theatrical fame which the managers of both houses have brought forward for some years past. On the other hand he is aukward, and in some parts unanimated. His arms are too long, or he flung them about in a very disgusting manner. He seemed to express the sense of his author much better than his own feelings. His voice though full, wants variety and modulation; not but on some occasions he managed it with infinite grace and judgement. But if this want of variety of tones and extent of voice, which is so indispensibly necessary to constitute a first rate actor, be not the effect of Nature, the Public may behold with less anxiety their decayed veterans giving nightly proofs of their increasing infirmities, and quick approaching theatrical dissolution."

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Cheats of Scapin

Dance: End Tragedy: Mirth and Jollity, as17760102

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Critic or A Tragedy Rehearsed

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians: Farren, Waldron, Burton, Packer, Lamash, Bannister Jun.; Miss Pope. [For assignment of parts see17811012].

Performances

Mainpiece Title: Love In A Veil

Afterpiece Title: Jewish Education

Afterpiece Title: The Quacks or The Credulous Man

Performance Comment: Principal Characters by Parsons, Farren, Bannister Jun., Waldron, R. Palmer, Burton, Phillimore, Baddeley; Mrs Booth, Mrs Love, Mrs Brereton. [Cast from Gazetteer, 20 Apr.: Sir Toby Meagrim-Parsons; Temple-Farren; Sharper-Bannister Jun.; John-Waldron; Christopher Camp-R. Palmer; Dr Humberg-Burton; Martel-Phillimore; Dr Seraglio-Baddeley; Lady Meagrim-Mrs Booth [Gazetteer: Mrs Hopkins]; Betty-Mrs Love; Miss Kitty-Mrs Brereton.] Prologue in the Character of an Undertaker spoken by Bannister Jun . Prologue in the Character of an Undertaker spoken by Bannister Jun .

Dance: End of mainpiece, as17840311athi