SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Urban"/1) | (@(roleclean,performerclean) "Mr Urban")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Deserter

Dance: End I: The Corn Thrashers, as17770419; End II: a Hornpipe-Master Staples (scholar of Blurton)

Ballet: End: The Wapping Landlady. Jack in Distress-Blurton; Wapping Landlady-Mr Griffiths; Orange Woman-Mrs Sutton

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Author

Dance: End: The Merry Lasses, as17770611

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Waterman

Dance: As17770707

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: The Mayor of Garratt

Dance: End: The Venetian Regatta, as17770611

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Minor

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Mother Shipton

Dance: In: As17770929; In afterpiece: Langrish, Miss Besford [who danced in all subsequent performances]

Song: End IV: Solemn Dirge, as17770929, but _Reinhold, Battishill

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Sacred Canons

Music: End Part I: concerto on the German flute-Florio; End of Part III: concerto on the piano forte-Miss Weichsel; concerto on the hautboy-LeBrun; concerto on the violin-Master Weichsel

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: Belphegor

Dance: As17780409

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Old Maid

Song: End III: a new Cantata, suitable to the occasion, composed by Barthelemon,-Mrs Barthelemon

Music: End: concerto on the violin-Barthelemon; in which Grammacree with variations-

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Piety in Pattens

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Afterpiece Title: The Old Maid

Dance: As17780601

Song: As17780608

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Cross Purposes

Song: As17780529

Entertainment: Monologue.End: Bucks have at ye All-Middleton (1st appearance on any stage)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Tony Lumpkin in Town; or, The Dilettante

Dance: As17780623

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Gipsies

Dance: As17780615

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Rose et Colas, by Michel Jean Sedaine]. 3rd piece [1st time; CO I, by Charles Dibdin, based on Les Femmes Vengees, by Michel Jean Sedaine]: With new Scenery [Public Advertiser, 19 Sept.: by Richards] and Decorations. Both the Musical Pieces, with new Overtures, composed by Dibdin. Books of the new Musical Pieces to be had at the Theatre. Places for the Boxes to be taken of Brandon (only) at the Stage Door. No Money to be taken at the Stage Door, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:15. To begin at 6:15 [see 21 Sept.]. Public Advertiser, 18 Sept.: This Afternoon at Three will be published Rose and Colin and The Wives Revenged (each 6d.). "At this season of the year the little company upon the Ton, who are in town, seldom rise from the table till after the beginning of the play; in order, therefore, to obviate the disturbance that the fracas in the boxes usually makes towards the close of the first act, or the beginning of the second, this comic opera [Rose and Colin] was prefaced. It at the same time affords these late comers an opportunity of seeing the play [i.e. the mainpiece] complete" (Town and Country Magazine, Sept. 1778, p.453)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: She Wou'd and She Wou'd Not

Afterpiece Title: The Wives Revenged

Performances

Mainpiece Title: The Battle Of Hastings

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: All in the Wrong

Afterpiece Title: The Old Maid

Dance: As17780925

Performances

Mainpiece Title: The Macaroni Adventurer; Or, Woman's A Riddle

Afterpiece Title: Fashionable Love; or, The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Afterpiece Title: The Minor

Dance: As17790216

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Three Weeks after Marriage

Dance: As17781024

Song: As17781024

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Who's the Dupe

Dance: to conclude with: Country Dance-; End I afterpiece: As17790417

Song: End II: Tally ho!, as17790413

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Mayor of Garratt

Dance: In: Master Morey, 3 Miss Stageldoirs

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Midas