SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Thos French"/1) | (@(roleclean,performerclean) "Mr Thos French")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4506 matches on Event Comments, 1444 matches on Performance Comments, 1064 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Rites of Hecate

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Fairy Tale

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Register Office

Performance Comment: Le Brush-King; Gulwell-Packer; Frankly-J. Palmer; Scotchman-Love; Frenchman-Baddeley; Trickit-Fox; Irishman-Moody; Harwood-Lee; Williams-Ackman; Brilliant-Castle; Maria-Miss Mills; Margery-Mrs Love; Original Prologue-King.
Cast
Role: Frenchman Actor: Baddeley

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

Performances

Mainpiece Title: Othello

Afterpiece Title: The Lying Valet

Dance: The Faggot Binders, as17640224

Performances

Mainpiece Title: Almena

Dance: II: New Dance, The Tartar's Festival-Aldridge, Berardi, Giorgi, Lauchry, Sga Giorgi, Miss Baker

Event Comment: In the Gazetteer 25 Feb. appeared a long editorial by "Rectus": "Though the performing oratorios in the time of Lent,is highly censured by many, yet I must own that I think the far greater part of them become enemies to those solemn performances, rather because their ears are more unfit for music than their minds are for the pretended immorality that attends such exhibitions." [The writer wishes not to cry down every entertainment he cannot relish himself and adds], "I have long endeavoured to find out the reason why plays should not be performed on Wednesdays and Fridays in Lent as well as on those days all through the rest of the season. I have never yet been able to find out that Lent makes the least difference in people's way of living." [He wonders, however, why the non-sacred oratorios such as Acis and Galatea and Alexander's Feast have been allowed performance. He then registers a mild complaint about the management of the Oratorios because they do not include sufficient solo instrumental entertainment between the parts.] "This custom was wholly dropped last year, and I complained greatly of it in a letter which you did me the favour to insert. I was greatly surprised to find Mr Pinto, who then led the band, was either not permitted or not paid to play a solo, as well as Mr Hay, who played one every night the preceding season. Mr Stanley's illness not permitting him then to play, that omission was overlooked, though it might have been supplied by a performer on some other instrument. This season the managers have thought proper to treat their audience with one solo or concerto every night, but why not have two?" [He liked Barthelemon's solos, but lamented that Stanley sat idle, and he offered final advice that the managers should alternate the solo instruments for "pleasing variety." The admission price demands it.

Performances

Mainpiece Title: Samson

Music: As17660214

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Cunning Man

Performances

Mainpiece Title: Cymon

Performances

Mainpiece Title: The Distressed Mother

Afterpiece Title: The Capricious Lovers

Dance: IV: The Irish Lilt, as17670430 End: Linco's Travels, by Particular Desire-King as17670406

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: The Register Office

Cast
Role: Frenchman Actor: Baddeley

Dance: End: Double Hornpipe-Walker, Miss Tetley

Entertainment: BBucks Have at Ye All-J. Palmer

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Love a-la-Mode

Dance: End: The Irish Lilt, as17670921

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Padlock

Dance: I: A New Comic Dance-Hamoir, Miss Hamoir (their 1st appearance this stage); III: The Piedmontese Mountaineer, as17681103

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Ode

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: Clementina

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: A Peep behind the Curtain

Dance: End: Comic Dance, as17710416

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Reddish; Iachimo-Palmer; Cymbeline-Hurst; Cloten-Dodd; Arviragus-Brereton; Belarius-Burton; Pisanio-Packer; Guiderius-Cautherly; Philario-Wright; Frenchman-Fawcett; Lucius-Bransby; Captain-Keen; Courtiers-Ackman, Wheeler; Queen-Mrs Reddish; Imogen-Miss Younge; 1st time since her return from Ireland. In Act II: a Masquerade Scene-; with Dancing-Giorgi, Atkins, Sga Giorgi; Singing-Mrs Scott.
Cast
Role: Frenchman Actor: Fawcett

Afterpiece Title: The Mayor of Garratt

Dance: III: A Comic Dance, as17710921

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Elopement

Dance: I: The Sailors Revels, as17711008

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Harlequin's Invasion

Dance: I: A Comic Dance, as17720922