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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Thomas Walker"/1) | (@(roleclean,performerclean) "Mr Thomas Walker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12011 results for: Keyword - Mr Thomas Walker
We found 5467 matches on Author, 4647 matches on Event Comments, 2796 matches on Performance Comments, 697 matches on Performance Title, and 0 matches on Roles/Actors.

701
18 December 1699 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. It is not certain that this play was given at this time, but Vanbrugh, writing on 25 Dec. 1699, states that Thomas Dogget, who had been acting in Norwich, was in London "last Week," and acted six times, presumably on 18, 19, 20, 21, 22, 23 Dec. 1699. The Amorous Widow is a likely play for this week, as Barnaby Brittle was one of Dogget's best roles. In addition, the Inner Temple, which usually requested popular plays, selected it for its revels on 3 Feb. 1699@1700. Nearly all the individuals in the cast in the 1710 edition acted in London during this season, with two exceptions: Fieldhouse and Mrs Hunt. Their roles may have been played by them or by other performers if they were not in the company at this time. I owe the suggestion that this was the play in which Dogget appeared to Professor Lucyle Hook

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

702
01 March 1701 @ Drury Lane Theatre

Event Comment: [By Thomas Baker. Premiere.

Performances

Mainpiece Title: The Humours Of The Age

Related Works
Related Work: The Humour of the Age Author(s): Thomas Baker

703
31 May 1701 @ Drury Lane Theatre

Event Comment: [By Thomas D'Urfey. Premiere.] Preface: The stopping of it from Acting by Superiour command, doing me no manner of Injury, (tho it might the Play-house) but only for two or three days disappointing my friends; the Cause is so trivial...for taking the Poetical Licence of making Mad man in my Scene Satyrically drink a Health, altering it into a modest phrase, (tho somewhat too familiar)

Performances

Mainpiece Title: The Bath; Or, The Western Lass

Related Works
Related Work: The Bath, or, The Western Lass Author(s): Thomas D'Urfey

704
27 January 1703 @ Drury Lane Theatre

Event Comment: [By Thomas Baker. Date of premiere uncertain, but this day has generally been accepted by Nicoll, Genest, Winston, and Latreille. Published 29 Jan.

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Related Works
Related Work: Tunbridge-Walks: or, The Yeoman of Kent Author(s): Thomas Baker

705
26 June 1704 @ Lincoln's Inn Fields

Event Comment: Benefit Miss Evans and Miss Mountfort. At the Desire of several Persons of Quality. [In Cowper MS, III, 79, James Cragg enclosed in a letter to Thomas Coke "Three small playing cards having on the back of each 'June 26th The Amorous Widow or the Wanton Wife. The Box. For the Benefitt of Miss Mountfort and Miss Evans."

Performances

Mainpiece Title: The Amorous Widow

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Dance: A New Dance by Four Scaramouches to Faranoll's Ground never perform'd but once-; A Scotch and Irish Dance-Miss Evans; Firbank, Firbank's Scholar

706
04 March 1707 @ Drury Lane Theatre

Event Comment: [Text by Joseph Addison. Music by Thomas Clayton.] A new Opera never yet perform'd. By Subscription. None to be admitted into the Boxes or Pit but by the Subscribers' Tickets. [Both A Critical Discourse upon Operas (1709) and Jacobs (I, 3) refer to the unsatisfactory nature of the music; as a result, according to Jacobs, "It had not the Success due to its Merit."

Performances

Mainpiece Title: Rosamond

Related Works
Related Work: Rosamond Author(s): Thomas Clayton
Related Work: Henry the Second; or, The Fall of Rosamond Author(s): Thomas Hull

707
03 May 1709 @ Drury Lane Theatre

Event Comment: [By Thomas D'Urfey.] Never Acted before

Performances

Mainpiece Title: The Modern Prophets; Or, New Wit For A Husband

Related Works
Related Work: The Modern Prophets: or New Wit For a Husband Author(s): Thomas D'Urfey

708
18 January 1712 @ Drury Lane Theatre

Event Comment: At the Request of seveal Persons of Quality. The Spectator, 18 Jan., has a letter from Thomas Clayton, Nicolino Haym, and Charlies Dieupart, who deny the rumor that their purpose in presenting concerts is to destroy opera. Rather they wish to improve the art of music, which they feel is utterly destroyed at the moment; however, there will be no performances at York Buildings until after that of the Subscription

Performances

Mainpiece Title: The Amorous Widow

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Entertainment: With several additional Entertainments-

709
30 May 1720 @ King's Theatre

Event Comment: [Music by Dominico Scarlatti, with additional numbers by Thomas Roseingrave. Text by P. A. Rolli.] A new Opera. Pit and Boxes together at half a guinea. Gallery 5s. Stage one Guinea. N.B. When the Tickets are disposed of, no Person will be admitted for Money; places will be kept in the Boxes only

Performances

Mainpiece Title: Narcissus

Related Works
Related Work: Narcissus Author(s): Thomas Roseingrave

710
19 January 1721 @ Lincoln's Inn Fields

Event Comment: Mainpiece: [By Thomas Odell.] A new Farce of one Act. Benefit J. and Ch. Rich. Receipts: money #112 5s.; tickets #14 5s

Performances

Mainpiece Title: The Chimera; Or, An Hue And Cry To Change Alley

Related Works
Related Work: The Chimera; or, An Hue and Cry to Change Alley Author(s): Thomas Odell

Afterpiece Title: The Emperor of the Moon

Afterpiece Title: Amadis

711
18 August 1731 @ Drury Lane Theatre

Event Comment: Benefit the Author. Mainpiece: a New Play of Three Acts. [By Thomas Cooke.] At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Triumphs Of Love And Honour

Related Works
Related Work: The Triumphs of Love and Honour Author(s): Thomas Cooke

Afterpiece Title: The What D'ye Call It

Music: Select Pieces-

Dance:

712
14 May 1735 @ Lincoln's Inn Fields

Event Comment: Benefit Daniel Boyes and Thomas Lascells, who have been for many Years under Confinement for Debt

Performances

Mainpiece Title: The Royal Merchant

Related Works
Related Work: The Royal Merchant Author(s): Thomas Hull

Afterpiece Title: The Toy Shop

713
26 May 1736 @ Haymarket Theatre

Event Comment: Benefit the Author of the Farce. Mainpiece: The Sixtieth Day. Afterpiece: Written by the Author of Bacchus one Day Gaily Striding: When Fanny, Blooming Fair [Thomas Phillips.]

Performances

Mainpiece Title: Pasquin

Afterpiece Title: The Rival Captains; or, The Impostor Unmask'd

Related Works
Related Work: The Rival Captains; or, The Impostor Unmask'd Author(s): Thomas Phillips

714
26 July 1737 @ Lincoln's Inn Fields

Event Comment: Acted but Once these Twenty Years. [As lif acted on Tuesdays and Fridays, possibly these plays were given earlier on 22 June.] By a Company of Comedians, acting under Letters-Patent. Mainpiece: Written by Thomas Shadwell, Esq; Poet-Laureat

Performances

Mainpiece Title: The Woman Captain

Related Works
Related Work: The Woman Captain; or, A Usurer Turned Soldier Author(s): Thomas Shadwell
Related Work: The Woman Captain Author(s): Thomas Shadwell
Related Work: The Prodigal; or, Recruits for the Queen of Hungary Author(s): Thomas ShadwellThomas Odell

Afterpiece Title: Damon and Phillida

Song: TThe Ladies' Lamentation, as17370414 A Dialogue set by Henry Purcell-the Masters Hamilton

Dance: JJe ne scai quoi-Tench, Villeneuve, Miss Oates

715
31 January 1741 @ Drury Lane Theatre

Event Comment: As 10 Dec. 1740. [For a discussion of recent Shakespearean performances, see Thomas Edwards to Richard Owen Cambridge, 31 January 1740@41 in Bodleian MS. 1009, pp. 140-41.

Performances

Mainpiece Title: Comus

Related Works
Related Work: Comus Author(s): Thomas Arne

Dance: LLes Masons & Les Sabotiers-Fausan, Signora Fausan; Les Matelotes-Fausan, Signora Fausan

716
19 December 1743 @ Drury Lane Theatre

Event Comment: Mainpiece: never acted [a tragedy by Thomas Cooke]. Macklin's Reply to Garrick published

Performances

Mainpiece Title: Love The Cause And Cure Of Grief; Or, The Innocent Murderer

Related Works
Related Work: Love the Cause and Cure of Grief; or, The Innocent Murderer Author(s): Thomas Cooke

Afterpiece Title: The Lying Valet

717
11 October 1744 @ Haymarket Theatre

Event Comment: Prices 5s., 3s., 2s. Never acted before, a new Comedy. [By Thomas Odell. From Shadwell's The Woman Captain (preface to 1st ed.).

Performances

Mainpiece Title: The Prodigal; Or, Recruits For The Queen Of Hungary

Related Works
Related Work: The Prodigal; or, Recruits for the Queen of Hungary Author(s): Thomas ShadwellThomas Odell
Related Work: The Woman Captain; or, A Usurer Turned Soldier Author(s): Thomas Shadwell

718
25 August 1746 @ Bartholomew Fair

Event Comment: YYeates senior and Bennet's Booth, facing the Hospital Gate, West Smithfield. Wrote by Thomas Sheridan, The Player. Noon to 10 p.m. [Notice repeated 26, 27 Aug.

Performances

Mainpiece Title: Captain O'blunder; Or, The Brave Irishman

Related Works
Related Work: Captain O'Blunder; or, The Brave Irishman Author(s): Thomas Sheridan

Dance: JJockey Dance-Adams; Hornpipe-Banberry

Entertainment: A Machine showing the capture of Cape Breton-

719
06 March 1758 @ Covent Garden

Event Comment: Receipts: #103 18s. [The following Renters came in at 1 share each: Antony Henry Bousing, Mrs Antony Henry Bousing, Robert Jennings Esq, Thomas Repley (Account Book).

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

720
26 April 1766 @ Covent Garden

Event Comment: Benefit for Hull. Afterpiece: Translated (with alterations) from Detouches. Never perform'd before. Translation by Thomas Hull (Biographia Dramatica)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: All in the Right

Related Works
Related Work: The Richmond Heiress; or, A Woman Once in the Right Author(s): Thomas D'Urfey
Related Work: All in the Right Author(s): Thomas Hull
Related Work: The Lord Mayor's Show: Being a Description of the Solemnity at the Inauguration of the truly Loyal and Right Honourable Sir William Prichard, Kt. Author(s): Thomas Jordan

Entertainment: II: The Cries of London-Shuter

Dance: IV: The Venetian Gardeners, as17650925; End: Rural Love, as17651115

721
06 February 1767 @ Covent Garden

Event Comment: Sixth Day. For the Author. Charges #85 5s. Balance due to author #41 14s. (Account Book). [This balance was paid to Thomas Hull on 9 Feb.] Receipts: #126 19s. (Account Book)

Performances

Mainpiece Title: The Perplexities

Related Works
Related Work: The Perplexities Author(s): Thomas Hull

Afterpiece Title: The Fairy Favour

Related Works
Related Work: The Fairy Favour Author(s): Thomas Hull

Dance: End: The Gallant Peasants, as17670113

722
12 April 1768 @ Drury Lane Theatre

Event Comment: Benefit for Reddish. Mainpiece: By Desire. Farce (adapted by Thomas Ryder from Vanbrugh's Mistake) never acted there

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Like Master Like Man

Related Works
Related Work: Like Master Like Man Author(s): Thomas Ryder

Dance: End: The Wake, as17680220

723
28 November 1769 @ Drury Lane Theatre

Event Comment: Mainpiece: Taken from [Thomas] Southern's Oroonoko

Performances

Mainpiece Title: The Royal Slave

Related Works
Related Work: The Royal Slave Author(s): Thomas Southerne

Afterpiece Title: The Jubilee

Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan

724
31 March 1770 @ Covent Garden

Event Comment: Benefit for Mrs Bellamy. Mainpiece: Never Acted There. [Thomas Southerne's play adapted by Garrick. See bill 4 May.] Afterpiece: With New Introduction and Conclusion [see Harlequin Statue or the Jealous Farmer Outwitted, 20 May 1765] but with Music, Scenes and Decorations adapted to the whole. Charges #65 6s. Balance to Mrs Bellamy #53 6s. plus #113 4s. from tickets (Box 316; Pit 228) (Account Book). Receipts: #118 12s

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Farmer Outwitted

Dance: II: The Reel, as17700329

725
01 May 1773 @ Covent Garden

Event Comment: Benefit for Hull. Mainpiece [a tragedy by Thomas Hull, based upon the version by William Hawkins, 1749, suggested by William Shenstone, and instigated by the presence of Mrs Hartley among the actresses at cg]: Never acted before. Characters to be dressed in the Habits of the Times (playbill). Charges #64 5s. Profit to Hull #50 13s. 6d., plus #75 6s. from Tickets (Box 165; Pit 171; Gallery 84) (Account Book). Receipts: #114 18s. 6d

Performances

Mainpiece Title: Henry The Second; Or, The Fall Of Rosamond

Related Works
Related Work: Henry the Second; or, The Fall of Rosamond Author(s): Thomas Hull

Afterpiece Title: The Citizen

Dance: After the Epilogue: The Irish Lilt, as17721028