Event Comment: Representation in Parts, to be Habited, Sung, and Acted, as they have oftentimes with Great Applause performed before the Lord Mayor and the Sheriffs of London. An Eclogue, or Representation in Four Parts, Composed for the Lord Mayor, Sir Thomas Allen, and Sung by the City Musick, December 18th, 1659

Event Comment: W. S. Clark (Works of Orrery, 1, 40-41) believes that this is Thomas Middleton's play, not one by Orrery. Henry Savile to George Savile: I am come newly from my Lord of Orrery's new play called The Widow, whose character you will receive from better hands. I will only say that one part of it is the humour of a man that has great need to go to the close stool, where there are such indecent postures as would never be suffered upon any stage but ours, which has quite turn'd the stomach of so squeamish a man as I am, that am used to see nothing upon a theatre that might not appear in the ruelle of a fine lady (Savile Correspondence, ed. W. D. Cooper, Camden Society, LXXI [1858], 4)

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p.359: See also Nicoll, Restoration Drama, p. 346. There is no indication as to whether this is the premiere. The music for four songs was composed by Matthew Lock. See A New Collection of Songs and Poems...by Thomas D'Urfey, 1683

Event Comment: Rich's Company. The date of the first production is not known, but the fact that it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695, indicates that it was probably acted not later than September 1695. Three songs were published separately: O how you protest, possibly set by Henry Purcell and sung by Mrs Knight; 'Twas within a Furlong, the words by Thomas D'Urfey, set by Henry Purcell, and sung by the Girl [Miss Cross]; and Man is for the woman made, the words by Pierre Motteux and set by Henry Purcell, are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XX (1916), xix-xx. Preface, Edition of 1696: Notwithstanding the many Accidents that concurr'd to the Ruin of this Play, it succeeded above my Expectations: And I must own my self infinitely oblig'd to the Town, in receiving so favourably, what I at first never design'd for the Stage. Gildon, English Dramatick Poets, p. 121: This particular Play met with pretty good Success, for the Season of the Year, considering it the first Essay by a Young Writer, unacquainted with the Town. A Comparison Between the Two Stages (1702), p. 18: Sullen: Mock-Marriage, a young Fellows of the Town, a Retainer, and kind of Pensioner to the Stage. Ramble: What was it's Fate? Sullen: Damn'd, Damn'd

Event Comment: [By Thomas Baker. Premiere.

Event Comment: [By Thomas D'Urfey. Premiere.] Preface: The stopping of it from Acting by Superiour command, doing me no manner of Injury, (tho it might the Play-house) but only for two or three days disappointing my friends; the Cause is so trivial...for taking the Poetical Licence of making Mad man in my Scene Satyrically drink a Health, altering it into a modest phrase, (tho somewhat too familiar)

Event Comment: [By Thomas Baker. Date of premiere uncertain, but this day has generally been accepted by Nicoll, Genest, Winston, and Latreille. Published 29 Jan.

Event Comment: Benefit Fieldhouse. [Afterpiece: By Thomas Walker. Premiere.

Event Comment: [Text by Joseph Addison. Music by Thomas Clayton.] A new Opera never yet perform'd. By Subscription. None to be admitted into the Boxes or Pit but by the Subscribers' Tickets. [Both A Critical Discourse upon Operas (1709) and Jacobs (I, 3) refer to the unsatisfactory nature of the music; as a result, according to Jacobs, "It had not the Success due to its Merit."

Event Comment: [By Thomas Baker.] Never Acted before

Event Comment: [By Thomas D'Urfey.] Never Acted before

Event Comment: [Music by Dominico Scarlatti, with additional numbers by Thomas Roseingrave. Text by P. A. Rolli.] A new Opera. Pit and Boxes together at half a guinea. Gallery 5s. Stage one Guinea. N.B. When the Tickets are disposed of, no Person will be admitted for Money; places will be kept in the Boxes only

Event Comment: Mainpiece: [By Thomas Odell.] A new Farce of one Act. Benefit J. and Ch. Rich. Receipts: money #112 5s.; tickets #14 5s

Event Comment: [By Thomas Walker.] With Rich New Habits

Event Comment: Benefit the Author. Mainpiece: a New Play of Three Acts. [By Thomas Cooke.] At the particular Desire of several Persons of Quality

Event Comment: Benefit Daniel Boyes and Thomas Lascells, who have been for many Years under Confinement for Debt

Event Comment: Benefit the Author of the Farce. Mainpiece: The Sixtieth Day. Afterpiece: Written by the Author of Bacchus one Day Gaily Striding: When Fanny, Blooming Fair [Thomas Phillips.]

Event Comment: Acted but Once these Twenty Years. [As lif acted on Tuesdays and Fridays, possibly these plays were given earlier on 22 June.] By a Company of Comedians, acting under Letters-Patent. Mainpiece: Written by Thomas Shadwell, Esq; Poet-Laureat

Event Comment: As 10 Dec. 1740. [For a discussion of recent Shakespearean performances, see Thomas Edwards to Richard Owen Cambridge, 31 January 1740@41 in Bodleian MS. 1009, pp. 140-41.

Event Comment: Mainpiece: never acted [a tragedy by Thomas Cooke]. Macklin's Reply to Garrick published

Event Comment: Prices 5s., 3s., 2s. Never acted before, a new Comedy. [By Thomas Odell. From Shadwell's The Woman Captain (preface to 1st ed.).

Event Comment: YYeates senior and Bennet's Booth, facing the Hospital Gate, West Smithfield. Wrote by Thomas Sheridan, The Player. Noon to 10 p.m. [Notice repeated 26, 27 Aug.